Northern Ballet present Tortoise and the Hare, Oxford Playhouse 29th March 2024 – Susie Crow reviews

Time was when theatres closed on Good Friday, but no longer; and this year I took my small granddaughter to her first ballet as an Easter treat. Northern Ballet have since mid February been touring their ballet made specially for children Tortoise and the Hare, with a full schedule of performances up and down the country till the end of May.

The show choreographed by Dreda Blow and Sebastian Loe tells the classic fable of the Tortoise and the Hare, where slow and steady wins the race over fast and flashy. Set in a picture book colourful forest of lush green vegetation we see the hare waking in bed, donning his running kit and warming up, confident of victory. We meet the bumbling tortoise and his enthusiastic friend the mole; two cheerleading bunnies publicise the forthcoming contest. When a fellow competitor injures himself the tortoise volunteers to race, to the mirth and scorn of his rival the hare.

 

Graziano di Prima in Believe: My Life on Stage, Oxford Playhouse, 27th March 2024 – Susie Crow reviews

Spin-offs from the perennially popular Strictly Come Dancing now form a significant part of Oxford’s theatre dance programming. Over the years public awareness and interest has grown in the professional dancers who partner the celebrities, becoming ever more skilful in their ability to coax out hidden talents and present them to best advantage in sympathetic, entertaining and often inventive choreography within the confines of allocated ballroom dance genres. So it is perhaps inevitable that as well as touring shows combining professionals and celebrities in live performances, some of the professionals now devise and generate their own evenings, taking them on the road to show off their particular talents in a completely professional context. It has been fascinating to compare different approaches to adapting a TV phenomenon to live performance.

 

DANSOX Autumn 2023 season: Four events in the Jacqueline du Pré Music Building (JdP), St Hilda’s College Oxford, featuring Professor Stephanie Jordan lecture ‘Serial Stravinsky Dances: Choreomusical Discoveries with Balanchine’, new film of MacMillan’s ‘Sea of Troubles’, ‘Homage to Nijinska’, with Avatâra Ayuso & Dame Monica Mason, and ‘On Bella Lewitzky’, Yolande Yorke-Edgell and dancers with John Pennington – Maggie Watson reports

The DANSOX Autumn 2023 season looks both forward and backwards, exploring ways in which scholarly investigation and practitioners’ bodily memories can enable today’s dancers and audiences to rediscover the life and meaning of 20th century dances in new cultural contexts.

Professor Stephanie Jordan’s lecture ‘Serial Stravinsky Dances: Choreomusical Discoveries with Balanchine’ (10 October 2023), drew upon her analytical film project with New York City Ballet (NYCB) dancers, ‘Music Dances; Balanchine Choreographs Stravinsky’ (2002). Jordan started working on Agon (1957) in 1993, and her presentation showed how musical analysis, allied with meticulous attention to detail, clarifies the structural patterns within the dancing. Clapping and counting, she explained how the dance moves around and within the music, criss-crossing it in a dynamic interaction, finding the pulse in moments of silence and making the musical score visible. Snatches of film contrasted performances by Wendy Whelan and Violette Verdy, and showed how the dance had changed over time; Jordan singled out a particular plié in second position on pointe, and noted that there is a lot of room in Balanchine to do things in different ways. Richard Alston, speaking from the floor, described watching NYCB performances during Balanchine’s life time, and reminisced about dancers such as Allegra Kent, who seemed to inhabit the music without recourse to counting, and Suzanne Farrell, who was always taking risks and pushed her balance to extremes.

 

Five Years of Ballet Folk: In Collaboration, The Old Fire Station, 14th July 2023

Five years on from founding Ballet Folk, choreographer and visionary Deborah Norris has much to reflect on and celebrate – and that is precisely what will be happening at The Old Fire Station in Oxford on 14th July where she and members of the company will present short extracts from a selection of Ballet Folk productions: The Tears of Jenny Greenteeth, The Swan of Salen and The Sisters of Elva Hill, as well as a brand new film Belladonna.

Deborah will be joined by collaborators including Sara Sheridan, poet/narrator Jessie Summerhayes, and sharing music by The Ciderhouse Rebellion, Lucy Ward, Anna Esselmont and The Willow Harps. The evening begins with an insight into the creative process for The Ice Maiden with Deborah in conversation with author Sara Sheridan, hosted by choreographer Susie Crow. TPD Young Artists will then open the event with a Curtain Raiser, created by the dancers with their director Thomas Page.

Date: Friday 14th July, 7.30pm

Venue: Arts at the Old Fire Station, 40 George Street, Oxford OX1 2AQ

Tickets: Book online here

 

FIREDANCE REIGNITE 2023, Karen Hauer and Gorka Marquez, New Theatre Oxford, 5th March 2023 – Susie Crow reviews

Karen Hauer and Gorka Marquez, much admired and loved Strictly Come Dancing professional dancers, are the latest to bring a Strictly spin-off commercial dance show to Oxford. Produced and directed by Stuart Glover, with nimble choreography by Nathan Clarke, FIREDANCE REIGNITE 2023 is an updated version of an already successful show which combines sizzling dancing with spectacular fire performance. Crashing percussion and sudden flares, dancers in rippling silk skirts swirling and shooting upwards like flames in the darkness, heralded an action-packed show. A simple narrative of two dancers from rival houses meeting at the Festival of Fire and forging a passionate connection provides a minimal excuse for a succession of dances which combine a range of latin styles and lyrical barefoot contemporary, set to a playlist of great and familiar songs. A small ensemble of dancers including two expert fire performers switched and recombined and changed costumes to bring variety and visual drama to a simple black stage setting.

 

Varsity Dance Competition. St John’s College Oxford Auditorium, 12th February 2023 – Maggie Watson reports

Hilary (or ‘Lent’) Term can be bleak with its freezing weather and public examinations, so the 7th Annual Varsity Dance Competition on Sunday, at the start of Oxford’s Fifth Week, was a high spot of energy and warmth. This year, Oxford University Contemporary Dance (OUCD) was host to Cambridge University Dance Competition Team (CUDCT) for the event in St John’s College Auditorium, which buzzed with chatter as friends, families and dance fans crammed in. There were tantalising glimpses of competitors, with hair ready dressed and costumes concealed by their team tracksuits, and the audience was bursting with excitement by the time the Presenter, Leah Aspden, took the stage to open the match.

Varsity Dance pits each troupe against the other in seven categories: Tap; Jazz; Solo/Duet/Trio; Contemporary; Street; Ballet, and ‘Wildcard’. The winner must take at least four of them, and both teams were clearly ‘in it to win it’. Supporters cheered them on, whooping at virtuosic feats and applauding wildly after each dance. The judges sat alone and slightly apart from the tumultuously enthusiastic audience in their reserved row of seats, and without knowing which team was which, used clear scoring criteria to award marks for choreography, technique, performance and execution.

 

DANSOX Summer Schools, Jacqueline du Pré Music Building, St Hilda’s College, Oxford 11th-25th July 2022

Dance Scholarship Oxford (DANSOX) hosts no less than three exciting summer intensives this July. International artists, writers, choreographers and guests explore themes of creativity and dance-making in relation to other arts. Alice Oswald and Saju Hari explore epic through different media; Thomas Page Dances develops current research on Commonalities; emerging dancers at Rambert School and the Royal Scottish Conservatoire make new dance narratives by and about women.  Guest lecturers include international dance critic Alastair Macaulay and eminent biographer Lyndall Gordon. Visitors are welcome to drop in at any time to watch the processes unfolding, but do book places for the public sharing events listed below.

Venue: Jacqueline du Pré Music Building, St Hilda’s College, Cowley Place, Oxford OX4 1DY

Alice Oswald with Saju Hari and Dancers 11th-14th July

Oxford’s Professor of Poetry Alice Oswald collaborates with internationally renowned contemporary Indian dance and martial arts expert Saju Hari, developing work for the Archive of Performances of Greek and Roman Drama All-Night Epic project to come in 2023.

Public Sharing including Q&A: 14th July 5.30pm

Thomas Page Dances: Commonalities 15th-20th July

Thomas Page Dances develops new dance work and discusses the themes of commonality in relation to dance theories, histories and practice.

Public Keynote Guest Lecture given by Alastair Macaulay: ‘Commonalities, Communities, Utopia’ 15th July 11.30am

Public Sharing of the work with Thomas Page Dances including Q&A: 20th July 5.30pm

Deborah Norris, Rambert School and Guests: Women and Choreography 21st-25th July

This exciting choreographic intensive brings together a group of students of the Rambert School and the Royal Scottish Conservatoire in classes and workshops with guest teachers Kate Flatt, Jennifer Jackson and Susie Crow, and to make new work.

Public Keynote Guest Lecture given by Lyndall Gordon: Charlotte Brontë (Villette) 21st July 5.30pm

Public Sharing of Woman-Made! An evening of new short ballets created by women including Q&A

25th July 5.30pm

To book for Keynote Lectures and Public Sharing events please email Professor Sue Jones here

 

Dance in Littlemore presents Dances for Peace and Planet: St Mary & St Nicholas Church Littlemore, 22nd May 2022

Dances for Peace and Planet is a collaboration between Oxford dancers, singers and musicians with St Mary & St Nicholas Church Littlemore, programmed by the church’s Musician in Residence Malcolm Atkins. This diverse programme, reflecting concerns of the current times and responding to the church’s beautiful space, will include performances by Nuzhat Abbas, Susie Crow, Helen Edwards, Jenny Parrott, Andy Solway, Lizzy Spight, Ségolène Tarte and Tingting Burnham Yang, as well as MUE, (dancer Macarena Ortuzar and musician Bruno Guastalla).

Performance: Sunday 22nd May 6.00pm

Venue: St Mary & St Nicholas Church, Cowley Road, ​Littlemore, Oxford OX4 4PP

Tickets: Donations on the door

Find out more about the arts at St Mary & St Nicholas Church here

The development of some work in this programme has been supported through the Oxford Dance Forum programme Creative Labs. Find out about Oxford Dance Forum here

 

ODF presents Dance Scratch Night, Arts at the Old Fire Station, 9th February 2022 – Maggie Watson reports

Wednesday 9th February saw the first Dance Scratch Night at the Old Fire Station since the start of the pandemic.   Three local makers, Pragna Das, Susie Crow and Helen Edwards shared new work with an audience, and invited feedback and suggestions during discussions moderated by Jenny Parrott on behalf of Oxford Dance Forum (ODF).  Although they work in different dance and movement genres, all three artists draw on a vast corpus of knowledge and understanding: for Pragna Das and Susie Crow, the heritage of Kathak and ballet; for Helen Edwards, Asian movement traditions including Butoh, and the ancient materiality of the natural world.

 

Oxford Dance Forum presents Dance Scratch Night, Arts at the Old Fire Station, 9th February 2022

Oxford Dance Forum are delighted finally to be back at Arts at the Old Fire Station to share an evening of new dance works in progress by ODF members, and invite feedback, comments and discussion with the audience.

Pragna Das – Bhoboghure

Moving ahead- sometimes it happens that we get stuck in a situation or a thing. This piece describes that feeling and the urge to move ahead, and how that process happens. The dilemma of being comfortable with people around, and when you are forced to move ahead without them as they were gone in the delinquent.

Susie Crow – Technical studies project

Over the course of the pandemic and under the limitations of lockdown I have been creating miniature dances arising from balletic technical challenges, that could be practised and performed at home. Western classical musicians have long written and published technical studies, making them available to all who wish to try playing them. I hope to make my dance studies similarly publicly available online, and am investigating appropriate formats and platforms for doing this.

Dancers: Ségolène Tarte, Evie Tucker and Thomas Page

Helen Edwards – Finding Stone

We are of the earth
Exploring a dialogue with stones found by the sea
Carrying these stones with me
My body feeling their weight, density, atmosphere and stories,
I am slowed by them,
Anchored in presence
The dance emerges from the body in the liminal spaces between the memories of stone and water
A residue of this ancient knowledge
The strata of life and layers of time

Date: Wednesday 9th February 7.30pm

Venue: Arts at the Old Fire Station, 40 George Street, Oxford OX1 2AQ

Tickets: £5 on the door or book online here

Oxford Dance Forum would like to thank Arts at the Old Fire Station and all their team for supporting this event.

Find out more about Oxford Dance Forum via the website here and on Facebook here