Professor Richard Beacham’s account of the rediscovery and re-generation of Hellerau as the European Centre for the Arts was both romantic and inspiring. Founded by Karl Schmidt and Wolf Dohrn in 1909 as a garden suburb of Dresden, Hellerau was an ideological attempt to create a community that would live and work in social equality and harmony in an idyllic setting. Hellerau became the home of an Institute and Festspielhaus that drew together the ideas and practice of the progressive innovators , and has been cited as the birthplace of modern theatre. Experimental work at Hellerau embodied theories in which architecture was subservient to rhythm, light created space, and the human body became the medium of transmission between dramatist and audience. These works of living art influenced dance, theatre, music and design in ways that are visible not only on stage but also in our urban surroundings today. (more…)

A fascinating opportunity at the Jacqueline du Pré Music Building to see dance and story telling from a venerable tradition in a new international collaboration.  Oxford based composer/producer Sebastian Reynolds and Neon Dance Director Adrienne Hart collaborate with award winning Thai dance artist Pichet Klunchun to retell the story of Mahajanaka Jataka; one of the oldest surviving folk tales in the world.  Bringing together eastern and western dance and music performance traditions, this enchanting production fuses ancient and modern with animated scenes from Bristol’s Sun & Moon Studios.

Informed by research trips to Bangkok to explore Jataka mythology and Buddhism in contemporary Thailand, and subsequent studio time in the UK, Mahajanaka Dance Drama previewed at Wiltshire Music Centre with an excerpt presented as part of the sold out Neon Dance Wild Card at Sadler’s Wells in 2018.

Performance:  Wednesday, 13th November, 7.30pm; pre-show talk with Dr Sarah Shaw 7.00pm

Venue:  Jacqueline du Pre Music Building, St Hilda’s College, Cowley Place, Oxford OX4 1DY
Tickets:  £13 stalls, £18 gallery, £5 students  Book tickets online here

Find out more about Neon Dance projects here

 

 

DANSOX presents another fascinating lecture.  The festivals of 1912 and 1913 at the garden city of Hellerau near Dresden, Germany are often cited as marking the birth of the modern theatre. Here, music, dance, lighting, theatre architecture and stage settings were integrated to present ‘total’ works of theatrical art to an astonished international audience. The theory and practice of theatrical production was never the same again. In his presentation ‘Hellerau: The History of a Dream’, Professor Richard Beacham offers a description and assessment of the festivals, together with an account of the extraordinary subsequent history of the site and its ‘re-birth’ in recent years as a venue for artistic innovation, building upon its luminous legacy.

Date:  Thursday 31 October 5.30pm

Venue:  Jacqueline du Pre Music Building, St Hilda’s College, Cowley Place, Oxford OX4 1DY

For more information and to book go to Eventbrite.

The event is free and open to all and will be followed by a drinks reception.

For further information about DANSOX please contact Professor Sue Jones susan.jones@st-hildas.ox.ac.uk

Motion & Meaning presented by DANSOX and the Liveness, Hybridity & Noise Series has been an exciting multi-disciplinary collaboration between dancers, choreographers, composers, instrumentalists and audio-visual artists facilitated by a week-long residency at St Hilda’s College. The project culminated last Friday in a ‘showing’ of the work in progress, alongside an exhibition by artist Simon Klein and sculptor Guillaume Klein. Open rehearsals on Wednesday and Thursday last week revealed some of the opportunities and challenges intrinsic to truly collaborative work: the importance of grace and generosity in allowing other artists in different media sufficient time and space; the need for mutual respect, and the courteous adjustments to be made to accommodate different etiquettes and conventions. (more…)

Aptly following its recent showing of the documentary film New Wave Ballet, another DANSOX event exploring legendary dance performances on film.  DANSOX welcomes as distinguished guest lecturer Alastair Macaulay, Chief Dance Critic of the New York Times, who will discuss the legendary Fred Astaire’s life and work with illustration and film footage. Not to be missed!

Date:  Thursday 1st March 2018 5.30pm

Venue:  Jacqueline du Pré Building, St Hilda’s College, Cowley Place, Oxford OX4 1DY

Free and open to all, followed by drinks reception
Reserve a seat via: https://www.eventbrite.co.uk/e/dansox-lecture-alastair-macaulay-on-fred-astaire-tickets-41211053370

Dance Scholarship Oxford‘s first event of 2018 is a real treat; a film night featuring a screening of New Wave Ballet, Lynne Wake‘s documentary film about the early work of twentieth-century choreographer Kenneth MacMillan, newly reversioned for last autumn’s anniversary festival Kenneth MacMillan: A National Celebration.  The film includes historic and lovingly restored footage of some of the ballets as well as interviews with original interpreters.  The showing will be followed by a talk by Lynne Wake on the making of the film, and Dame Monica Mason will also talk about the experience of working with Kenneth MacMillan.  Not to be missed!

Date:  Monday 19th February 5.30pm

Venue:  Jacqueline du Pré Music Building, St Hilda’s College, Cowley Place, Oxford, OX4 1DY

Free and open to all followed by drinks reception, but booking advised

Book here:  https://www.eventbrite.co.uk/e/dansox-presents-film-night- new-wave-ballet-tickets-41209915968

Further information about DANSOX and its programme of events can be found here

Following on from the examination of creative process in Rawaa, DANSOX provides an opportunity to examine and discuss the process of building an interpretation for performance. In a fascinating lecture presentation Performing Beckett renowned Irish actress Lisa Dwan discusses her recent work and invites discussion of her repertoire – especially Not I and other stunning dramatisations of Samuel Beckett.  She explores how her dance training enabled her to refine the all-encompassing performance technique and control required to engender the challenging physical requirements of Beckett’s plays.

Date:  Thursday 16 November 2017 5:30pm 

Venue:  Jacqueline du Pré Building, St Hilda’s College

The event is free and open to all but booking essential at Eventbrite here

For further information about Dance Scholarship Oxford events see also http://www.torch.ox.ac.uk/dansox: or contact Professor Susan Jones: susan.jones@ell.ox.ac.uk