Nocturne, an original programme of French piano music, dance and song, was a completely absorbing aesthetic experience. We sat on chairs arranged in a semi-circle around the performance area, the grand piano to the left, the dance space alongside it, illuminated by small portable footlights. In the far corner was a Christmas tree, lit with plain white lights; overhead there were angels carved on the wooden ceiling, and behind us, Jacob Epstein’s statue of Lazarus.
Musically, the programme fell into two halves: the first half, which included the dance, being Gabriel Fauré’s 1er Nocturne in E flat minor and Toru Takemitsu’s Rain Tree Sketch II; the second a performance of French poems in settings by Fauré, Claude Debussy, Henri Duparc and Reynaldo Hahn, elegantly sung by Rory Carver. (more…)
Vienna Festival Ballet’s production Snow White is lively, entertaining and fun. Presented in the manner of a traditional nineteenth century ballet, albeit on a small scale, the work features a ballroom scene (with show-piece tarantella), a nod towards a vision scene with a corps de ballet of nymphs and birds, and a grand pas de deux in the second act. The musical score, arranged by Alan Lisk from works by Samuel Alexander Faris and Charles-François Gounod abounds in danceable tunes, and the costumes were delightfully colourful. (more…)
Still wondering what Christmas present to get for the dance lovers or converts in your life? Here is a reminder of some great publications that ODW has recently reviewed, including fascinating historic biographies and stunning photography, plus an extremely tempting DVD… click on the links provided for reviews and details of where to purchase. Particular thanks to Maggie Watson for the informative and perceptive reviews she has contributed.
Nadine Meisner 2019 Marius Petipa: the emperor’s ballet master
A major and groundbreaking volume, nominated for the Outstanding Creative Contribution in this year’s National Dance Awards (to be announced 19th February 2020). This is the first English language biography of the great ballet master behind such iconic works as Swan Lake, The Sleeping Beauty and The Nutcracker, massively influential in ballet’s development. Full of historic detail it paints a fascinating picture of an intriguing character and the colourful world of 19th century ballet, giving tantalising glimpses of other forgotten works. Essential reading; for further information read Maggie Watson’s review here As an alternative to buying online, why not check it out alongside other fascinating dance publications by Oxford University Press at the OUP Bookshop, 116-117 High St, Oxford OX1 4BZ.
Michael Meylac 2018 Behind the Scenes at the Ballets Russes: stories from a silver age
For reviewer Maggie Watson “There is never a dull moment in this collection of interviews with dancers associated in one way or another with the various companies collectively described as the ‘Ballets Russes’.” Professor Michael Meylac has tracked the historic diaspora of dancers from the Ballets Russes companies across the world, and the lively reminiscences he has elicited from a wide range of artists paint a vivid picture of often racketty professional existence, including memories of some of the great teachers bringing Russian ballet schooling to the West. A hugely entertaining read, check out Maggie’s review here
Darcey Bussell 2018 Darcey Bussell: Evolved
An autobiography partly narrated through the lens of the professional camera; a chatty album whose portrait “snaps” of its likable protagonist happen to be by photographic luminaries including Annie Leibovitz, Arthur Elgort, John Swannell, Lord Snowdon and Richard Avedon, as well as distinguished dance photographers such as Bill Cooper, Anthony Crickmay and Chris Nash. It tracks the intriguing development of a career beyond the Royal Ballet for this beautiful ballerina as model and media personality. Read Susie Crow’s review of this luxurious coffee table book here and read Maggie Watson’s report of Darcey Bussell interviewed by Nick Higham at the Oxford Literary Festival here
Rick Guest 2019 Edward Watson: Portrait of a Dancer
You would need a substantial Christmas shopping budget to be able to afford this portfolio of Rick Guest’s stunning large format photographs of a particular muse, the remarkable and individual Royal Ballet star Edward Watson. Maggie and Susie went to hear Guest and Watson in entertaining and thought-provoking conversation about their work together earlier this year at the National Portrait Gallery; read Maggie’s account here. There are other volumes of Guest’s extraordinary portraits of dancers available at more affordable prices; read Maggie’s account here of his exhibition What Lies Beneath which is now available as a book. Check this out along with examples of the Watson portraits here
Richard Allen Cave & Anna Meadmore eds. 2018 Robert Helpmann: the many faces of a theatrical dynamo
This collection of articles by dance academics and practitioners on the charismatic and multifaceted dancer and actor Robert Helpmann is a timely and valuable addition: as Maggie says, “enlightening, entertaining and scholarly”. Emerging from the research leading to Birmingham Royal Ballet’s 2014 restaging of Helpmann’s powerful ballet Miracle in the Gorbals, it brings this major figure back into the limelight; including some of his own writings and a DVD with fascinating interviews and documentary footage. Essential reading for those interested in the development of British Ballet during and after WW2. Read Maggie’s review here
And finally…
Queen + Béjart: Ballet for Life
Available on DVD or Blu-ray this double bill includes not only historic live action capture of Queen and the Béjart Ballet in Ballet for Life, but also the fascinating recent documentary about the work by director Lynne Wake and producer Simon Lupton. Edited by Emmy Award winner Christopher Bird, it tells the story of Ballet for Life and its success, featuring the great and the good of both rock and dance, including: Brian May, Roger Taylor, Gil Roman, Wayne Sleep and Arlene Phillips. The full performance at Théâtre Métropole, Lausanne in June 1997 was captured and directed by David Mallet, known specifically for directing live performance concerts of such megastars as Tina Turner, David Bowie, The Rolling Stones, and numerous Queen videos including Bicycle Race, Radio Ga Ga, I Want to Break Free and Freddie’s classic The Great Pretender video. It includes incredible archive footage of Freddie Mercury, Maurice Béjart, and Queen, as well as Gianni Versace and his stunning costume designs. This release also includes a substantial segment of John Deacon’s final performance with Queen, taken from Ballet for Life international premiere with Elton John in Paris.
Ballet for Life was a unique collaboration between three cultural brands: Queen, Versace and the late visionary choreographer Maurice Béjart, celebrating the life and talents of legendary performers, Freddie Mercury and Béjart Ballet Lausanne’s former principal dancer, Jorge Donn, both of whom died of AIDS in the nineties. For Maurice Béjart, choreography was about the cycle of life, youth and hope, as well as life triumphing over death. Already presented over 350 times around the world, this ballet continues to tour widely. Those of us attending the DANSOX summer school in July were lucky enough to see a showing of Lynne Wake’s excellent documentary, which incorporates live footage of a new generation of stunning dancers rehearsing this powerful work. A real Christmas treat; you can buy the double bill online here
Happy Christmas!
Nocturne is a unique collaboration between classical musicians and Joëlle Pappas Projects which fuses unusual French music and expressive contemporary dance, in a way that enhances and enlarges the audience’s experience. The music is far more than a backdrop for the dance; and the dance is far more than an enactment of the music. See this first in the Ante-Chapel of New College, with further performances in and around Oxford scheduled for early 2020.
A solo dance piece accompanies lyrical live music and song, exploring the dynamic relationship of movement and sound. Joëlle Pappas performs a new contemporary dance work to Fauré’s Nocturne No 1 and Takemitsu’s Rain Tree Sketch II. She takes inspiration from the life and sculptures of Camille Claudel (1864 – 1943) who, after being Rodin’s talented assistant and muse, spent the last 30 years of her life interned in a psychiatric institution.
Tenor Rory Carver (winner Le Jardin des Voix 2019) performs a sequence of 19th-century French songs with pianist Diana Hinds. The songs include Fauré’s much-loved Clair de Lune (set to poetry by Verlaine), Debussy’s magnificent Le Jet d’Eau (Baudelaire) and finishes with a lovely French gem L’heure exquise (Verlaine) by Reynaldo Hahn.
Performance: Thursday 12th December 7.30pm
Venue: New College Ante-Chapel, Holywell Street, OX1 3BN
Tickets: £12/£10 available on the door
Find out more about Joëlle Pappas Projects here or on Facebook here
Further performances of Nocturne in 2020:
16th February, 7:30pm (£15) The Abbey in Sutton Courtenay
24th February, 1pm St Michael at the Northgate, Oxford
1st March, 3pm (£10) St Nicolas Church, Abingdon (Abbey Chamber Concerts)
Oxford Dance Writers 