Following their successful visit to the Old Fire Station last year, mapdance, University of Chichester’s MA touring company,  returns to Oxford to perform diverse repertoire by renowned and upcoming contemporary choreographers.  This year the company has commissioned new works by Shobana Jeyasingh, Lea Anderson, Cai Tomos and Hagit Yakira. The mixed repertory offers a refreshing mixture of dance theatre, intricate lyrical choreography, fast-paced athleticism and wry humour.

‘…leaping and turning in zesty spurts with an insouciance that leaves nothing to chance’  Donald Hutera, The Times

Performance:  Thursday 18th May 7.30pm

Venue:  Arts at the Old Fire Station, 40 George Street, Oxford OX1 2AQ

Tickets:  £12 Full price, £10 concessions

Book online here or call the Box Office on 01865 263990

We offer a free companion ticket to disabled patrons. Please book via phone (01865 263990) or e-mail (tickets@oldfirestation.org.uk) to claim this.
Are you a member of Crisis Skylight Oxford? We share the building with Crisis and offer 4 free tickets per show to homeless clients. Sign up in advance at Reception.

Find out more about mapdance here

If you go down to the woods today, you’re sure of a big surprise…

Let’s All Dance returns to the Old Fire Station with  Teddy Bear’s Picnic, a delightful treat for very young audiences. Combining classical ballet, physical theatre, gorgeous visuals and crystal-clear story telling, this fresh, innovative dance company pitches another production perfectly to engage and enthrall all children, including those with special needs.

Our teddies would love you to join them as they eat, dance, play and have fun! Little ones can bring their own teddy, clap along and have their photo taken with the dancers!

Running time: 30 mins + photo opportunity.

Suitable for all, especially 0 – 5 years, children with special needs, families and nurseries.

Performances:  Saturday 13th May 1.00pm & 3.00pm

Venue:  Arts at the Old Fire Station, 40 George Street, Oxford OX1 2AQ

Tickets:  Full Price £8.50, concessions £7.00, babies £2, Family ticket £28

Book online here, or call 01865 263990

We offer a free companion ticket to disabled patrons. Please book via phone (01865 263990) or e-mail (tickets@oldfirestation.org.uk) to claim this.

Curated by Oxford Dance Forum this occasional platform provides a welcome opportunity for Oxford dance artists to try out works in progress in a safe space, and for audiences to get an insight into the development of new works, and give feedback.  In this richly varied edition the artists are Naomi Morris with Hugh Pryor, Emma Webb and Richard Jones, Jenny Parrott, Ellie Aldegheri and Lunas Dance Project and Thomas Page Dancers.  See below for further details about the works they will be showing.

Performance:  Tuesday 25th April 7.30pm

Venue:  Arts at the Old Fire Station, 40 George Street, Oxford OX1 2AQ

Tickets:  £5

Book online here (more…)

The circus: a glimmering, all-singing, all-dancing spectacle. Clowns, fire eaters and contortionists enchant their audiences, but this is a circus with a secret.  Underneath the spangles, behind the music, something is wrong. The Ringmaster is moulding the attraction into something demonic, tainting each performer with a crack of his whip. Even the Prima Ballerina, his faithful right hand, can’t stay his anger.  Can a stranger to the circus loosen the Master’s grip? Can hope and love revitalise this cruel place? When demons dance, who can resist?  Welcome to the fun house.

Emerging Oxfordshire company Implexa Dance present The Unhallowed Master, an unrelenting tale of oppression, told entirely through contemporary dance.

Date:  Saturday 3rd September, 7.30pm

Venue:  Arts at the Old Fire Station, 40 George Street, Oxford OX1 2AQ

Tickets:  £12, £10 (concs)

Buy Online > Or in person at our Shop (entrances via 40 George Street or Gloucester Green), or over the phone: 01865 263990
Box office hours: Tues – Sun, 11.30am – 5.30pm

Suitable for ages 16+

Find out more about Implexa Dance Company here or on Twitter @ImplexaDance

The Times dance critic Donald Hutera’s 4-day festival of contemporary dance concludes with an eclectic array of diverse and dynamic performances. The final evening showcases some of the highlights from previous nights of the four-day festival, yet also introduces new works for the audience to experience for the first time in this central Oxford venue.

The show on the mainstage of the Old Fire Station is preluded by informal installation Remember to Remember choreographed by Mara Vivas. As the audience enter the intimate space, they are encouraged by a written sign to “touch, watch, listen, write.” These instructions are somewhat ambiguous, yet the dancers’ (Vivas herself accompanied by My Johansson) perform with an openness that invites spectators to participate. (more…)

Women GOLive has continued to surprise, excite and entertain Oxford audiences with eclectic but well chosen performances of highly original work. The second and third nights of this four-night run included traditional and experimental South Asian dance from Arunima Kumar and Anuradha Chaturvedi, new contemporary dance works from visiting artist Salah El Brogy and Welsh company Ffin Dance (who bravely gave new takes on iconic music), a fresh work from Hanna Wroblewski, Mara Vivas’ and My Johansson’s interactive performance installation, and humour from Sarah Kent and Aliki Mbakoyianni. A terrific line-up. (more…)

Another exploratory, innovative and exciting programme of original dance work has just been presented at Oxford’s Old Fire Station Theatre under the aegis of Donald Hutera. Hutera’s remarkable ability to gather together able but neglected choreographic skills and to present them in a continually-changing four-day programme has already been demonstrated at the nearby Burton Taylor Studio. On this latest occasion, however, despite there being no diminution in the range of remarkably distinctive approaches on offer, the overall impact was far more cohesive.

For this three elements seem primarily responsible. The first is the universality of the myth and legend on which much of the work draws; the second is the power – on a bare stage – of the overall visual impact of each of these pieces, and the third is the extraordinary range of emotional intensity evoked by the quality of these performances – drawing chuckles and tears and the long silence of chastened realisation that precedes the best appreciative applause. (more…)