Aporia, presented by Thomas Page Dances at the Old Fire Station last night, is a work of gruelling physicality. It is also didactic and earnest, and felt at times like a lecture illustrated by movement. Billed as an investigation that explores social unrest and the relationship between peace and conflict, the work’s movement vocabulary is vigorous to the point of violence: the dancers throw themselves at the floor landing hard on their hands and feet, contort their backs twisting into backbends with rolling ankles, or confront each other like martial arts practitioners (Page had early training in kick-boxing). Page is not limited by adherence to a specific dance system, and seems to have devised his own training method: company class includes a programme, referred to with some dread by the dancers, as ‘The Ten’, in addition to improvisation and work based on whichever piece is in performance. (more…)
July 2019
July 28, 2019
Aporia by Thomas Page Dances, Arts at the Old Fire Station, 27th July 2019 – Maggie Watson reviews
Posted by susiecrow under reviews | Tags: Annika Kordes, Aporia, Arts at The Old Fire Station, Clara Cowen, contemporary dance, Llewelyn Lewis, Maggie Watson, Taylor Han, Thomas Page, Thomas Page Dances |Leave a Comment
July 19, 2019
Thomas Page Dances presents Aporia, Arts at the Old Fire Station, 27th July 2019
Posted by susiecrow under What's happening | Tags: Aporia, Arts at The Old Fire Station, contemporary dance, Joel Levine, Max Winter, Rosie Whiting, Thomas Page, Thomas Page Dances |Leave a Comment
After the success of A Moment at this year’s Offbeat Festival, company Thomas Page Dances led by Oxford-born choreographer Thomas Page is returning to the Old Fire Station with their latest contemporary dance ensemble work Aporia. The company has a choreographic practice rooted in socio-political ideas in movement; following performance at the Resolution Festival, they were deemed “in a different league” with a 4-star review and complimented on their “natural affinity for deeply felt movement” for the ensemble work Aporia. Charged by a unique electronic score from composer Max Winter, five performers challenge the themes of life’s perpetual aporia within human nature. This highly physical work brings together expressive movements with compelling reflections of spoken-word, under a chic geometric lighting design by Joel Levine, to explore the paradoxical relationship of peace and conflict. Featuring poignant solos and a series of powerful duets, enhanced by the equally physical costumes by designer Rosie Whiting, this work journeys through key events of the human experience; love, confrontation, and death.
Following the performance, the company would like to invite the audience to stay for an informal ‘Question and Answer’ session. During this Q+A session audience members will be able to speak freely with the choreographer, performers and collaborators about both the performance and process.
TPD are excited to be bringing the work to Oxfordshire home of their contemporary dance training programme and Youth Company. Thomas Page, artistic director, said:
“We’re really excited to be bringing Aporia to Oxford, working with such an amazing team of artists who are all so passionate about the work and raising the profile of dance in Oxford.”
“The response and experience of sharing Aporia, alongside our workshop and discussion around the work has been truly wonderful. I plan to keep developing the work and looking forward to organising a tour nationally for 2020, and who knows maybe internationally too!”
Performance: Saturday 27th July 2019, 7.30pm
Venue: Arts at The Old Fire Station, 40 George Street, Oxford, OX1 2AQ.
Tickets: £10 – £14 book online here or call the box office on 01865 263990
Duration: 40 minutes plus Q&A
Extras: Intense/flashing lights