Normative? is a piece with a dark and difficult context – it references recent persecution of the LGBTQ+ community in Chechnya, Russia, and asks a big question: “Is being normal really worth it?”. Thomas Page and his company certainly bought out the intensity of the subject matter, and there were thoughtful, touching details, such as the use of 27 dancers referencing 27 young gay men who were killed in 2017, and a moving soundtrack of spoken word including interviews and personal accounts.  The choreography mixed freeform semi-improvised movements with a structured style which had clear influence from vogueing.  The piece moved through various scenes – the whole group began by walking the stage as a sea of similar motion, but gradually dissipated into more markedly individual and contrasting characters. (more…)

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Becoming an established fixture in Oxford’s arts calendar this year’s Offbeat Festival is the third, now bigger and better with over 60 shows across five spaces in the centre of Oxford from the 22nd to the 30th June.  The Festival aims to offer some of the best up-and-coming contemporary performing arts including  theatre, comedy, dance, music, spoken word and family entertainment.  Why not take a risk, dive in and encounter the fantastic creativity of artists from across the country in a stunningly varied programe of work, all new to Oxford.

Dance is represented by three short performances at the Old Fire Station as follows:

Wednesday 27th June 6.15pm:  Thomas Page Dances in Normative

“Categorised. Converted. Conformed.”  This intense work delves into the recent traumatic events of Chechnya, Russia and challenges the way societies create conformity.  Using contemporary dance infused with the virtuosic stylings of Vogue and Contortion this mesmerising performance creates a powerful reflection on the reality of today’s society. It will make you question “Is being normal really worth it?”

Tickets: £10 available on the door, or online here

Running time:  50 minutes

Thursday 28th June 6.15pm:  Forged Line Dance in Lina

A powerful and playful contemporary dance duet, inspired by the lives of brother and sister astronomers William and Caroline Herschel.  Both talented musicians and celebrated scientists, they studied the universe and mapped the stars from their back garden in 18th Century Bath. Lina delves into their complex relationship, where family ties are tested by individual ambition. Dancers swoop and soar like comets, taking us on an extraordinary journey of stars, music and family.

“This was the performance of two exceptionally talented dancers, delivering a choreographic narrative of tangible beauty and humanity…truly enchanting”– Bathcast

Tickets:  £10 available on the door or online here

Running time:  50 minutes

Friday 29th June 7.00pm:  Drishti Dance in Facet

Facet is a Kathak double bill featuring two interlinked works, exploring the evolving facets of the classical Indian form; a reflection on its ever changing aesthetics as it collides with modern values.  Aur-Ek Antaraal contemplates the poetical abstraction of contemporary Hindi poem ‘Aur Ek Antaraal’ penned by India based Dr Rashmi Chaturvedi.  Re-Textured is a study of rhythm, textures and structures. It creates space for reformulating movement vocabulary through absorbing  contemporary human experiences.

Tickets:  £10 available on the door or online here

Running time:  1 hour

Find out more about the Offbeat Festival and check out the complete programme here

My interest was piqued by the chance to watch a dance piece exploring issues of oppression with our current cultural context as a narrative backdrop to hold in my mind – as well as wearing multiple hats: dancer, student of psychology and working in medical research. I wondered how dance as an art form rooted in movement can offer space to explore, express, embody and perhaps come to terms with oppressive situations. How can oppression be conveyed in essence?

We are living in social and political instability resulting from the particular moment, embedded in history. It seems reasonable to propose that people of less privileged demographics – in increasing numbers and inequality – are disenfranchised, feel excluded from opportunities or have experienced discrimination from ruling class decision-making. From narrowing school curriculums, our precarious gig economy, public service and infrastructure funding cuts, NHS privatisation or divisive Brexit strategies, to name but a few examples close to home.  The repercussions of such circumstances include levels of oppression that have psychological consequences such as depression.  (more…)

C-A-G-E-D performed by  Thomas Page Dances was a thought-provoking performance from a young choreographer who clearly has some strong ideas, and a company of very capable dancers.

In terms of the tone of the movement, there were some effective sections including the very start of the piece, and much of the second half – these showed a contrast between sharp, almost robotic accents and sinuous, natural movements.  These were, for me, the most interesting moments: the choreography developing organically and looking almost improvised, rather than the more gymnastic cartwheels and rolls at other points which felt a little engineered and out of place.  There was a very clear sense of strong emotions being portrayed, in particular panic, anxiety, a palpable tension, and loneliness and isolation. (more…)

Following an intriguing sample of work shown at the recent Dance Scratch Night at Arts at the Old Fire Station, Thomas Page Dances comes to The North Wall to present the restaging of their debut work C-A-G-E-D: a series of events questioning, challenging and deconstructing the preconceived idea of oppression.  Exploring the psychology of oppressive events in individual, social and anatomical constructs through the medium of contemporary dance, the work questions to what extent is the cause of oppression inflicted by the oppressor or the oppressed.  Including original scores, with emerging dance artists directed in an interdisciplinary style from an up and coming choreographer, this work is set to be a melting pot of creativity from fresh talent.

Performances:  Thursday 6th and Friday 7th July 7.30pm

Venue:  The North Wall Arts Centre, South Parade, Summertown, Oxford OX2 7JN

Tickets:  £10, £8 concessions.  A transaction fee of £2 per booking will be applied to customers paying in person or over the phone with a credit or debit card (capped at £1 for a single ticket).

Book tickets online here or call the Box Office on 01865 319450

Read Emily May’s report of C-A-G-E-D in performance at the Laban Centre in 2016 here