Richard Alston Dance Company opened their show at the New Theatre, Oxford with Martin Lawrance’s energetic and fast paced creation Detour, which was followed by six pieces by Alston himself. Lawrance leaves interpretation to the audience: according to the programme, he named his piece because he started with one idea, which changed as he worked, but he leaves it to the dance to reveal what those ideas were. Performed to a recorded marimba and percussion soundtrack, its zippy pirouettes and sharp split jetés interspersed with leaps into dramatic embraces displayed the company’s virtuosity, while suggesting an underlying theme of conflict.

Richard Alston’s own programme notes offer more clues to the thoughts, images, and circumstances that lie behind his dances. (more…)

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Richard Alston has been making dance for 50 years and launched his Richard Alston Dance Company 25 years ago. Both these anniversaries deserve celebrating with a special programme full of trademark lyrical choreography, new lively dances and revivals of successful works. With the announcement of the company closing in 2020, this tour will also be the penultimate chance to see a live performance by what is undoubtedly one of the world’s best dance ensembles.

Associate Choreographer Martin Lawrance will premiere his new work Detour set to Michael Gordon’s pulsing Timber with costumes by Jeffry Rogador and lighting by Zeynep Kepekli setting off Lawrance’s customary fast paced style and complicated patterns through space.

This piece will accompany a celebratory revival of Proverb, one of Alston’s most telling choreographies, to the serene and cool vocal work of Steve Reich washing over intricately complex dancing. Created in 2006 as part of Reich’s seventieth birthday celebrations at London’s Barbican, this is the first time the piece has been revived.

Culminating the evening will be Richard Alston’s exciting new work Brahms Hungarian. The hugely popular Brahms pieces, music that Alston had planned on choreographing to for years, will be played live onstage by RADC’s outstanding pianist Jason Ridgway. Full of passionate drive and joyful gusto, the dancers are carried along by fast steps and an abandoned fervour. Costumes are by award-winning designer Fotini Dimou with lighting by Zeynep Kepekli, both regular collaborators of Alston.

Performance:  Thursday 7th February 7.30pm

Venue:  New Theatre, George St, Oxford OX1 2AG

Tickets:  £13 – £26.90 Book online here

Find out more about the company here

Anton Du Beke and Erin Boag‘s new, show-stopping dance production, Dance Those Magical Musicals, is embarking on a major tour of the UK and Ireland for 2019 and will be performing at Oxford’s New Theatre on Friday 1st February.

The nation’s favourite ballroom couple present a world where Ballroom meets Musical Theatre with stunning costumes & breath-taking choreography, set to iconic theatrical music from shows including ‘Phantom of the Opera’, ‘Mary Poppins’, ‘42nd Street’, ‘Wicked’, ‘Top Hat’, ‘Hairspray’ and ‘Jersey Boys’.

Joining Anton and Erin live on stage will be the London Concert Orchestra with conductor Richard Balcombe, a sensational West End dance ensemble and the brilliant star vocalist, Lance Ellington.

The show will also feature the very popular ‘Q and A’ section providing some fun interaction with the audience.

Performance:  Friday 1st February 7.30pm

Venue:  New Theatre, George St, Oxford OX1 2AG

Tickets:  Book online here

Find out more about the show and the performers here

As a long-time fan of the ballet Swan Lake, I eagerly anticipated sharing it with my children (aged five and nine), at the English National Ballet’s My First Ballet series.  These shortened versions of traditional ballets aim to introduce young audiences (3 years plus) to classical ballet in a fun and accessible way. For us, it mostly succeeded.

The audience at the 5pm performance was – not unexpectedly – 95% mums and little girls, so my five-year-old son’s game of spotting dads and boys was rather short-lived! There was an audible buzz of excitement throughout the auditorium, which the young ones minimised as the lights dimmed and their necks craned forward in anticipation. “Hello!” The greeting came from our jolly and personable narrator for the afternoon, who stood centre stage in modern dress and gym boots.  In wide-eyed wonder and an animated voice, she led us through a story of friendship and loyalty, love and forgiveness.  Without being intrusive or obstructing the dancing, she helped transfix the young audience to the stage action.  Top marks! (more…)

Following previous success with Cinderella and The Sleeping Beauty, English National Ballet‘s My First Ballet: Swan Lake comes to Oxford’s New Theatre this weekend, a new version of one of the most famous ballets of all time, adapted for children aged three upwards.

The magician Rothbart has turned the princess Odette into a swan; only at night can she return to human form. Will Prince Siegfried be able to save her or will he fall for Rothbart’s sorcery? Featuring choreography by Antonio Castilla, English National Ballet’s Ballet Master and Repetiteur, this new version follows the familiar story from a different point of view.  With a narrator to help the young audience follow the story, and a shortened version of Tchaikovsky’s wonderful music, this is the perfect introduction to the magic of ballet, promising a fantastic family day out.

This unique collaboration between English National Ballet and English National Ballet School is performed by students of English National Ballet School.  Since its creation in 2012, over 250,000 people have enjoyed our My First Ballet series.

★★★★
‘A pocket-sized delight’
The Times

★★★★
‘It is a clever, instructive and entertaining device’
Daily Express on My First Ballet: Sleeping Beauty

Performances:  Saturday 21st April at 11am, 2pm, 5pm and Sunday 22nd April at 11am and 3pm

Venue:  The New Theatre Oxford, George Street, Oxford OX1 2AG

Tickets:  £13.40-£29.40 plus £4 transaction fee.

Book online here, or call the ATG booking line on 0844 871 7615

A small boy and a man sit facing each other, cross-legged, on one of 21 large oblong boxes. At first, the man seems to be telling a story that is brought to life behind them as a single warrior monk appears centre stage; or perhaps the man is a divine being, or a puppeteer who can manipulate events. Before we can decide, the wooden boxes begin to move, thumping and thudding forwards as they roll towards us on their long sides, revealing openings, like coffins without lids from which living people emerge.

This is an extraordinary collective work for a group of male performers who have none of the physical homogeneity of a corps de ballet, yet seem to think and move as one, as they appear and disappear among, between and inside the boxes. (more…)

Celebrating its 10th anniversary, Sidi Larbi Cherkaoui’s Sutra is one of Sadler’s Wells’ most exhilarating productions and has toured around the globe to sell-out audiences and mass critical acclaim.

The award-winning collaboration between choreographer Cherkaoui, sculptor Antony Gormley and 19 Buddhist monks from the Shaolin Temple in China has been seen by over 160,000 people worldwide, achieving standing ovations wherever it has been seen.  This breathtaking spectacle of athleticism explores the philosophy and faith behind the Shaolin tradition and its relationship with kung fu within a contemporary context.

With Antony Gormley’s striking set of 21 wooden boxes and Polish composer Szymon Brzóska’s specially commissioned score performed live, Sutra is an incomparable work that has captured the hearts and imaginations of people the world over, as one of the stage’s most sophisticated productions and a true work of art.

★★★★★
Exceeds even out highest expectations
The Times

★★★★★
This unique, profoundly imagined show takes the concept of cultural exchange to a whole new level
The Guardian

Performances:  Friday 23rd and Saturday 24th March, 7.30pm

Venue:  New Theatre Oxford, George Street, Oxford OX1 2AG

Tickets:   £11.90-£34.90 plus £4 transaction fee; book online here