Clorinda Agonistes. Shobana Jeyasingh Dance, Oxford Playhouse, Tuesday 15 & Wednesday 16 November; introduced and discussed at DANSOX, Wednesday 9 November 2022 – Maggie Watson reviews

An informative and stimulating DANSOX event, hosted at St Hilda’s College on 9th November, heralded Shobana Jeyasingh’s new work, Clorinda Agonistes, which played to full houses at Oxford Playhouse last week.

Speaking at DANSOX, Jeyasingh described her work’s lengthy gestation period. The inspiration that she drew from hearing Claudio Monteverdi’s operatic scena Il combattimento di Tancredi e Clorinda led her to research the story derived from Torquato Tasso’s epic poem Gerusalemme Liberata that lay behind it. Initially drawn by Monteverdi’s use of recitative, which Jeyasingh felt had an emotional effect similar to the vocalisation of syllables in classical Indian dance, she discovered a story that in spite of its late mediaeval orientalising tropes offers new resonance and meaning for audiences today.

 

DANSOX presents Jennifer Homans & Dame Hermione Lee in conversation on ‘Mr B: George Balanchine’s 20th Century’, Jacqueline du Pré Music Building, 24th November 2022

DANSOX joins forces with the Oxford Centre for Life-Writing to present two distinguished scholars in conversation, Jennifer Homans and Professor Dame Hermione Lee, launching Jennifer Homans’ important new biography, Mr B: George Balanchine’s 20th Century. An unmissable discussion of one of ballet’s most influential figures.

George Balanchine did for dance what Picasso did for painting: he changed the art and the way we see the human form. Homans follows Balanchine from his childhood in Tsarist St Petersburg, through the upheavals of the Russian Revolution, two World Wars, and the cultural Cold War, to New York, where he co-founded and ran the New York City Ballet.

• Jennifer Homans is the dance critic for the New Yorker. Her widely acclaimed Apollo’s Angels: A History of Ballet was a bestseller and named one of the 10 best books of the year by the New York Times Book Review. Trained in dance at George Balanchine’s School of American Ballet, she performed professionally with the Pacific Northwest Ballet. She earned her BA at Columbia University and her PhD in modern European history at New York University, where she is a Scholar in Residence and the Founding Director of the Center for Ballet and the Arts.
• Hermione Lee is a biographer and Emeritus Professor of English Literature in the English Faculty at Oxford University.

Date: Thursday 24th November, 5.30pm

Venue: Jacqueline du Pré Music Building, St Hilda’s College, Cowley Place, Oxford OX4 1DY

Followed by drinks reception; free and open to all.

Register here: https://www.eventbrite.co.uk/e/jennifer-homans-on-20th-century-choreographer-george-balanchine-tickets-440915097927

Find out more and purchase Jennifer Homans’ book here

Read Maggie Watson’s account for Oxford Dance Writers of the 2017 DANSOX and Oxford Centre for Life-Writing collaborative event which also featured Jennifer Homans here

 

DANSOX presents Shobana Jeyasingh Dance discussion & demonstration of Clorinda Agonistes, Jacqueline du Pré Music Building 9th November 2022

Ahead of their performances at the Oxford Playhouse the following week, renowned choreographer Shobana Jeyasingh with dancers and artists of the company are invited by DANSOX (Dance Scholarship Oxford) to discuss and demonstrate the creative process for their exciting new work Clorinda Agonistes. The piece is inspired by the heroine of Claudio Monteverdi’s celebrated work, Il Combattimento, and the Tasso poem, based on the proud and fiery Muslim warrior Clorinda who defiantly refuses to reveal her name.
Followed by a Q&A session.

Date: Wednesday 9th November 5.30pm

Venue: Jacqueline du Pré Music Building, St Hilda’s College, Cowley Place, Oxford OX4 1DY. 

Reserve a seat: email susan.jones@ell.ox.ac.uk

 

La Nijinska: Choreographer of the Modern, by Lynn Garafola – Maggie Watson reviews

Lynn Garafola’s biography of Bronislava Nijinska sets her life and work in the context of the cultural and political changes that shaped the twentieth century.  Chiefly remembered in the United Kingdom as Vaslav Nijinsky’s sister, and the choreographer of just two works, Les Biches and Les Noces, this book resituates Nijinska as a huge creative force, whose influence has had a seminal impact on ballet throughout the Western world.

Garafola’s sixteen chapters brilliantly knit together Nijinska’s personal and professional life, revealing a complex and troubled woman who was truly driven to create dances.  There was continually tension both between Nijinska’s compulsion to work and her desire to look after her dearly loved family, and between her professional achievements and her tragic personal life, which included her brother’s decline into mental illness, the death of her son in a car crash and her unconsummated love for the singer Fedor Chaliapin.

 

Physic: an evening of poetry, music and movement curated by Professor Alice Oswald, Oxford Botanic Garden 17th July 2022

Physic is a unique and special evening curated by Alice Oswald, the University of Oxford’s Professor of Poetry, as part of Oxford Botanic Garden‘s 400th anniversary celebrations. In this roving performance of music, poetry and dance, each artist responds to the Garden as a place of healing. The event will commence at 7.00pm, welcominng visitors to enjoy the Garden after hours, and will include a diverse range of performances from renowned artists that will include poetry, music and dance. The settings will be closely matched to the style of the piece, including music in the Conservatory, dance among the Herbaceous Borders, and performances in the Rainforest and Waterlily houses. This rotational experience will culminate in a finale in the Upper Garden. The event is supported by TORCH, the Oxford Research Centre in the Humanities.

Confirmed performers include:

• Alice Oswald will be performing Against Leaves – a protest against deciduousness.
• Stevie Wishart will be performing her extraordinary blackbird transcriptions on violin, accompanied with poems performed by Alice Oswald.
• Saju Hari will offer danced interventions to the performances.
• Peter Oswald will be performing his poem-version of a story, Filo D’Oro and Filomena, collected by Italo Calvino, and several other flower poems written in Bristol.
• Erica McAlpine will be reading from a sequence of short rhyming poems based on the flowers she sees and grows in Oxfordshire.
• A performance of Kiki Katese’s work – more information coming soon.

Date: Sunday 17th July, 7.00-9.00pm

Venue: Oxford Botanic Gardens, Rose Lane, OX1 4 AZ

Booking: Tickets £20, book online here

Find out more about the event and the artists here

 

DANSOX Summer Schools, Jacqueline du Pré Music Building, St Hilda’s College, Oxford 11th-25th July 2022

Dance Scholarship Oxford (DANSOX) hosts no less than three exciting summer intensives this July. International artists, writers, choreographers and guests explore themes of creativity and dance-making in relation to other arts. Alice Oswald and Saju Hari explore epic through different media; Thomas Page Dances develops current research on Commonalities; emerging dancers at Rambert School and the Royal Scottish Conservatoire make new dance narratives by and about women.  Guest lecturers include international dance critic Alastair Macaulay and eminent biographer Lyndall Gordon. Visitors are welcome to drop in at any time to watch the processes unfolding, but do book places for the public sharing events listed below.

Venue: Jacqueline du Pré Music Building, St Hilda’s College, Cowley Place, Oxford OX4 1DY

Alice Oswald with Saju Hari and Dancers 11th-14th July

Oxford’s Professor of Poetry Alice Oswald collaborates with internationally renowned contemporary Indian dance and martial arts expert Saju Hari, developing work for the Archive of Performances of Greek and Roman Drama All-Night Epic project to come in 2023.

Public Sharing including Q&A: 14th July 5.30pm

Thomas Page Dances: Commonalities 15th-20th July

Thomas Page Dances develops new dance work and discusses the themes of commonality in relation to dance theories, histories and practice.

Public Keynote Guest Lecture given by Alastair Macaulay: ‘Commonalities, Communities, Utopia’ 15th July 11.30am

Public Sharing of the work with Thomas Page Dances including Q&A: 20th July 5.30pm

Deborah Norris, Rambert School and Guests: Women and Choreography 21st-25th July

This exciting choreographic intensive brings together a group of students of the Rambert School and the Royal Scottish Conservatoire in classes and workshops with guest teachers Kate Flatt, Jennifer Jackson and Susie Crow, and to make new work.

Public Keynote Guest Lecture given by Lyndall Gordon: Charlotte Brontë (Villette) 21st July 5.30pm

Public Sharing of Woman-Made! An evening of new short ballets created by women including Q&A

25th July 5.30pm

To book for Keynote Lectures and Public Sharing events please email Professor Sue Jones here

 

Porcelain, Chinoiserie and Dance: The Teapot Prince comes to Oxford, Worcester College, 17th June 2022 – Maggie Watson reports

The Ballet des Porcelaines, or The Teapot Prince, was an eighteenth century ballet in the chinoiserie style, for which costumes, sets and choreography are lost; only the score, by Nicolas Racot de Grandval, and the libretto, by the Comte de Caylus, survive.  In 2021 Meredith Martin, Professor of Art History at New York University, and Phil Chan, choreographer and co-founder of Final Bow for Yellowface, collaborated on a re-imagining of this work, which is now touring European venues that included  Waddesdon Manor on 16 and 17 June.  The animation of porcelain was a popular eighteenth century motif, and the original ballet’s story, in which a Chinese sorcerer turned a prince into a teapot, epitomised the simultaneous ‘othering’ and plundering of Oriental culture by Europeans.  The project’s goal was to recreate the work remaining true to its original artistic intentions while revealing the narrative from a broader post-colonial perspective.

 

DANSOX Day of Dance: Transnational Conversations, Jacqueline du Pré Music Building and Rooftop Suite, St Hilda’s College, Oxford, 10th June 2022 – Maggie Watson reports

DANSOX conferences at St Hilda’s College, Oxford are now a regular landmark in the UK dance research year.  DANSOX works in association with TORCH (The Oxford Research Centre in the Humanities) and constitutes Oxford’s interface between dance practice and dance research; a space to investigate the ways in which practice constitutes research and, conversely, where research becomes practice.  Although Oxford University has neither a dance department nor dance studio, DANSOX plays a vital role at a time when other UK institutions and centres of academic excellence in dance and their collections are under threat.

The DANSOX 2022 Day of Dance: Transnational Conversations symposium was a collaboration with TORCH Humanities and Cultural Programme and the Network Britain and the Soviet Union: Cultural Encounters; the day interrogated the ways in which dance communicates across borders, cultures and generations through written records, images, recordings and bodily memory.  Open to all, and attended by an array of distinguished scholars, writers, and practitioners from major dance institutions, the day included performances, workshops, lectures, and experimental applications of virtual reality (VR) to performance.

 

The Teapot Prince, Waddesdon Manor 16th-17th June 2022

The Teapot Prince will be performed in the fairy-tale grounds of Waddesdon Manor before exploring the Manor after-hours. Be enchanted by this contemporary reimagining of the lost eighteenth-century French Ballet des Porcelaines – The Teapot Prince, bringing to life a story of magic, desire and exotic entanglement. Originally staged in a château near Paris, this is the first production of the ballet in nearly 300 years; it has been created by Meredith Martin, professor of art history at New York University, and Phil Chan, choreographer and co-founder of Final Bow for Yellowface, in collaboration with The Oxford Research Centre for the Humanities (TORCH) and the British Society for Eighteenth-Century Studies. The production features an all-star cast with New York City Ballet soloists Georgina Pazcoguin and Daniel Applebaum, alongside Broadway phenomenon Tyler Hanes, and the original score will be played live by the Oxford orchestra Instruments of Time and Truth.

The Teapot Prince is based on an Orientalist fairy tale about a sorcerer who lives on a ‘Blue Island’ and transforms anyone who dares to trespass into porcelain cups, vases, and other wares. When the sorcerer turns the eponymous prince into a teapot, his lover, the princess comes to his rescue…

Performances: Thursday 16 and Friday 17 June 2022, 6.00pm 

Venue: Waddesdon Manor, Aylesbury, Bucks, HP18 0JH

Tickets: Adult £32, Child £16 Ticket includes access to the Manor’s west galleries & a talk by the ballet company

Book your ticket here: https://waddesdontest.seetickets.com/timeslot/the-teapot-prince

Porcelain, Chinoiserie and Dance: The Teapot Prince comes to Oxford

Friday 17 June 2022 , 10.15am-1.30pm

Linbury Room, Worcester College, Oxford

Three panels of creative artists and academics discuss the porcelain ballet, The Teapot Prince, as part of its world tour as it stops at Waddesdon Manor (16 and 17 June) en route from New York to Naples, Brighton and Paris.

Panel members: choreographer, Phil Chan, founder of Final Bow for Yellow Face; Meredith Martin, art historian and co-creator with Phil Chan, of The Teapot Prince; artist, Hannah Lim; poet and academic, Sarah Howe; ceramicist, Matt Smith; writer and ceramicist, Edmund de Waal; and art historian, Katie Scott.

Please register your place here

 

DANSOX and TORCH Humanities and Cultural Programme present Day of Dance: Transnational Conversations, Jacqueline du Pré Music Building, St Hilda’s College, Friday 10th June 2022

Dance Scholarship Oxford (DANSOX) and TORCH (The Oxford Research Centre for the Humanities) collaborate to present Day of Dance: Transnational Conversations, a rich mix of dance practice, research and discussion involving leading dance artists and distinguished scholars, and centring on Bronislava Nijinska‘s seminal work Les Noces.

Programme:

10.00am-12.00pm Welcome and Liam Francis choreography session – making new work.

1.15-2.00pm Keynote: Jane Pritchard on Nijinska’s Les Noces

Throughout the day from 1.00pm- 6.00pm, those attending can drop in on a showing of Future Rites by Alexander Whitley Dance Company in the Rooftop Suite

2.05-2.50pm Deirdre Chapman leads dancers in a demonstration and workshop of choreography from Les Noces

3.00-3.30pm Marcus Bell presentation Rites of Spring

3.30-4.00pm Meindert Peters presentation Kafka and Arthur Pita

4.00-4.30pm Hélène Neveu Kringelbach presentation Avant-garde dance in Senegal

5.00-6.00pm Book launch of Lynn Garafola‘s biography La Nijinska: Choreographer of the Modern with Judith Mackrell

6.10-7.15pm Keynote: Alexander Whitley on Future Rites? with dancers, followed by discussion

7.15pm Reception

Date: Friday 10th June 10.00am-7.45pm

Venue: Jacqueline du Pré Music Building, St Hilda’s College, Cowley Place, OX4 1DY

Tickets: Free of charge; to register for the event please use this link.

If you would like to watch the livestream of the day please use this link.

For further info please contact susan.jones@ell.ox.ac.uk & marcus.bell@st-hildas.ox.ac.uk

Finally, if you would like to attend the inaugural meeting of TORCH Network
Britain and the Soviet Union: Cultural Encounters you can sign up for a group discussion led by Gabriela Minden – on the London performances of Les Noces by Ballets Russes in June 1926, a month after the General Strike – by following this link.