This collection of essays has emerged at a time at which the term dramaturgy is increasingly heard and used within dance disciplines, particularly in the UK. Whilst, as the preface says, dramaturgy has been included in the choreographic process since the 1970s, it is still very much a term that has many different meanings and connotations within dance practice today, with artists and scholars often aware of the term but little else about the practice. This book’s contributors approach dramaturgy for dance from a number of different directions, and as a whole the book illuminates quite how diverse the practice of dance dramaturgy is, highlighting this very diversity as a strength of the practice of dramaturgy.
The book is divided into three sections, ‘Agency’, ‘Awareness’, and ‘Engagement’, with a mixture of theoretical essays, case studies and reflections on experiences written by dance scholars, dance artists and dramaturgs. (more…)