Justice in Motion and the Inspire Parkour community have brought together exciting choreography, theatre and athletics in an exciting show to be performed in Oxford Castle courtyard. On Edge fuses beauty and humour, telling a stimulating, moving tale addressing the issue of modern-day slavery that asks – what does it really mean to be free? Atop towering scaffolding, a group of men ricochet around a building site. Their routine may give a sense of purpose and security yet behind the perimeter fencing, all is not as it first appears…

On Edge involves international collaborators, parkour athletes and performers.   Between shows, you can explore the sensational freedom of moving around the parkour construction site with their free interactive workshops.

No booking is necessary to attend performances or workshops, just come along to the castle courtyard.

Performances:  Saturday 17th August 5.00pm, Sunday 18th August 12.00pm, 4.00pm

Venue:  Oxford Castle and Prison Courtyard, Oxford OX1 1AY

Parkour park open for you to have a go:  Saturday @ 2pm – 4pm and Sunday @ 10:30am – 11:30am, 1pm – 3pm.

Price:  Free

Suitable for all ages

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Aporia, presented by Thomas Page Dances at the Old Fire Station last night, is a work of gruelling physicality. It is also didactic and earnest, and felt at times like a lecture illustrated by movement. Billed as an investigation that explores social unrest and the relationship between peace and conflict, the work’s movement vocabulary is vigorous to the point of violence: the dancers throw themselves at the floor landing hard on their hands and feet, contort their backs twisting into backbends with rolling ankles, or confront each other like martial arts practitioners (Page had early training in kick-boxing). Page is not limited by adherence to a specific dance system, and seems to have devised his own training method: company class includes a programme, referred to with some dread by the dancers, as ‘The Ten’, in addition to improvisation and work based on whichever piece is in performance. (more…)

After the success of A Moment at this year’s Offbeat Festival, company Thomas Page Dances led by Oxford-born choreographer Thomas Page is returning to the Old Fire Station with their latest contemporary dance ensemble work Aporia. The company has a choreographic practice rooted in socio-political ideas in movement; following performance at the Resolution Festival, they were deemed “in a different league” with a 4-star review and complimented on their “natural affinity for deeply felt movement” for the ensemble work Aporia.  Charged by a unique electronic score from composer Max Winter, five performers challenge the themes of life’s perpetual aporia within human nature. This highly physical work brings together expressive movements with compelling reflections of spoken-word, under a chic geometric lighting design by Joel Levine, to explore the paradoxical relationship of peace and conflict.  Featuring poignant solos and a series of powerful duets, enhanced by the equally physical costumes by designer Rosie Whiting, this work journeys through key events of the human experience; love, confrontation, and death.

Following the performance, the company would like to invite the audience to stay for an informal ‘Question and Answer’ session. During this Q+A session audience members will be able to speak freely with the choreographer, performers and collaborators about both the performance and process.

TPD are excited to be bringing the work to Oxfordshire home of their contemporary dance training programme and Youth Company.  Thomas Page, artistic director, said:

“We’re really excited to be bringing Aporia to Oxford, working with such an amazing team of artists who are all so passionate about the work and raising the profile of dance in Oxford.”

“The response and experience of sharing Aporia, alongside our workshop and discussion around the work has been truly wonderful. I plan to keep developing the work and looking forward to organising a tour nationally for 2020, and who knows maybe internationally too!”

Performance:  Saturday 27th July 2019, 7.30pm

Venue:  Arts at The Old Fire Station, 40 George Street, Oxford, OX1 2AQ.

Tickets: £10 – £14 book online here or call the box office on 01865 263990

Duration:  40 minutes plus Q&A

 

Extras: Intense/flashing lights

 

As part of the Oxford Offbeat Festival, the Sona Lisa Dance Company performed Eleven, twelve, thirteen at The Old Fire Station, a series of dances and spoken reflections based around the traditional rhythms of Indian Kathak. It was a fascinating program, impressive in its professional standard and its often breath-taking beauty; a show of multiple collaborations, devised and woven together by Artistic Director Sonia Chandaria Tillu.

Kathak is the Hindustani name for one of the eight major forms of Indian classical dance. The origin of Kathak is traditionally attributed to the traveling bards of ancient northern India known as Kathakars or storytellers.  It is important to the art of these North Indian dances that they communicate an entire story through non-verbal actions and bodily movements: head turnings, eye glancings, finger shapings, distinctive torso positions from squats to turns and leaps. The intricacies of the stories must be honoured, as well, by the costume colours, the breathing, the hair style and its ornaments of flowers and/or jewels. All the visible details of deportment and dress signify elements of the dramatic story. (more…)

The DANSOX Inaugural Summer School will be taking taking place 6-8th July at St Hilda’s College, University of Oxford, attracting a unique mix of dance academics and artist practitioners in a rich programme of seminars, practical lecture demonstrations and special dance film and book presentations.

Alastair Macaulay, former Chief Dance Critic at the New York Times, leads the three-day event with lectures on three master choreographers: Petipa, Balanchine and Cunningham.  Seminars will include presentations by dance scholars including Julia Bührle, Renate Bräuninger, Gabriela Minden, Margaret Watson, Fiona Macintosh and Tom Sapsford.  Lecture demonstrations will include Moira Goff on 17th century and baroque dance, Susie Crow and pianist Jonathan Still on the ballet class (with dancers Ben Warbis and Ellie Ferguson of Yorke Dance Project), and Jennifer Jackson with composer Tom Armstrong on music and choreographic practice.  Sir Richard Alston will talk about the influence of Merce Cunningham on his work, including a solo performance by Elly BraundLynne Wake will present her recent film Bejart and Queen, and the event culminates in the eagerly anticipated launch of Nadine Meisner‘s biograpy of Marius Petipa.

Dates:  Saturday 6th -Monday 8th July 2019

Venue:  St Hilda’s College, Cowley Place, Oxford OX4 1DY

To celebrate the inauguration of this special event, DANSOX is offering one-off specially discounted tickets: £15.00 daily ticket, £30.00 for a three-day ticket.
All are welcome. Come for a day or two, or for the whole three days. Refreshments and lunch provided for ticket holders.
Booking essential at Eventbrite https://dansoxsummerschool.eventbrite.co.uk

Download the full programme here

Accommodation available in St Hilda’s College – contact Sarah Brett
Further information from the Programme Director: Professor Susan Jones.

We hope to see you there!

 

There had been torrential rain earlier in the day, and so I wore walking boots and wet weather gear to go to Gemma Peramiquel’s site–specific work Botanic Dance (part of Oxford Green Week) in South Park. Would the performance take place at all, we wondered, but there was a notice at the gate on Morrell Avenue telling us to follow the red arrows, and so we made our way across the huge expanse of damp grass to the copse at the top of the rise. The cast, children, teenagers and adults dressed in black leggings, assorted green tops and white sneakers, greeted us. We sat on a fallen tree trunk, surrounded by a semi circle of freshly planted flowering pot plants.

Then the music started (improvised on a fiddle with percussion, and later on a squeeze-box). We were asked to turn round, and saw the dancers who had secretly gathered behind us moving among the trees, interacting with them as well as dancing around them, almost treating them like partners. (more…)

Images Ballet Company presented a programme of joyful, colourful and musical work at Didcot Cornerstone Theatre on Thursday. Interlacing originality with tradition, the opening work, Interplay by Mikaela Polley, set the tone for the evening as light gradually bathed the backdrop in blue, revealing percussionist and composer Martin Pyne upstage right, and seven dancers stage left, silhouetted in beautifully placed classical ballet poses.

Images is the company of London Studio Centre’s graduating ballet students (six women, two men this year) and it gave the dancers the chance to work with four different choreographers on new works, exploring ballet as a means of expression and communication. The light hearted Interplay, with its changes of direction and use of pointe and swift, darting petit allegro was full of friendly interactions between the dancers. (more…)