Richard Chappell Dance presents the company’s compelling first full length work, At the end we begin. Using T.S. Eliot’s classic series Four Quartets as a point of departure, each poem is represented through four arresting and emotionally-fuelled quartets of dance.

At the end we begin inhabits the derelict, sensitive and powerful landscape of Eliot’s poetry and questions how time’s circular nature affects our understanding of ourselves. The work takes four young individuals from a place of being lost to a state of empowerment and acceptance where they have found their own voice by journeying through Eliot’s text. Whilst combining Chappell’s own distinguishable blend of classical ballet, martial arts, improvisation and contact work with three other highly-skilled performers, At the end we begin dives into each performer’s unique and diverse skills with a rich palette of qualities.

Venue:  Pegasus Theatre, Magdalen Road, Oxford OX4 1RE
Date:  Friday, 26th October 7:30 pm
Tickets:  £13, £9 concessions.  Book online here, or call the Box Office on 01865 812150
Suitable for audiences 11+
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A fascinating and thought-provoking performance coming to The North Wall this week.  Stroke Odysseys is an ambitious piece of dance theatre performed by an ensemble of stroke survivors, supported by professional dancers, singers and musicians.  The show explores intertwined journeys of recovery from stroke and asks what impact the act of storytelling through dance and song may have on the brain’s ability to heal itself.

This new production by award-winning choreographer Ben Duke and composer Orlando Gough is commissioned by Rosetta Life – a charity that changes the way we perceive the frail and disabled.  The performance is supported by an education programme of talks and workshops led by experts including dancers, musicians, neurologists and stroke survivors.

Venue:  The North Wall Arts Centre, South Parade, OX2 7JN
Performance:  Thursday, 25th October 7.30pm
Tickets:  £16 (concessions £14)  Book online here, or call the box office on: 01865 319450

Ana’s Time, a celebration in film, poetry and music of Ana Barbour’s contribution to the arts, took place at Film Oxford the day before what would have been her fifty-second birthday. The audience, which included many of her collaborators, shared laughter and tears as a showing of some her short films brought back memories of Barbour as a performer and creative artist.

Barbour’s film output demonstrates even more than her live performances her capacity to imagine and then present to others her extraordinary vision of the world. Borderlands, opens to the sound of marching feet, before fingers, and then hands, seem to tiptoe over a mossy wall. There is a troubling humour about her presentation of the human body in the landscape as apparently disembodied body parts squirm through vegetation. Footage, a film around a line-up of bare feet, and Eye-I, in which an eye watches from the side of the screen, are witty but unsettling; in Crow’s Playmates, Barbour seems to levitate above the billowing grass, while in My Time (2011) she confronts the problem of her ageing body. The irony is that Barbour did not live to grow old. (more…)

A treat in store for inveterate  fans of Strictly Come Dancing…  Blackwell’s Bookshop is delighted to welcome to Oxford Craig Revel Horwood, who will be discussing the third instalment of his frank and funny autobiography, In Strictest Confidence at the Sheldonian Theatre.

In Strictest Confidence takes the reader through the highs and lows of the Strictly Come Dancing star’s ‘fab-u-lous’ life. The aussie-born judge shares his famously forthright views on the changes in Strictly Come Dancing‘s line up – from Bruce Forsyth and Len Goodman’s departures to the arrival of Claudia Winkleman and Shirley Ballas – as well as the dancers and the stars. (more…)

This wonderful but exasperating documentary film celebrating the art of Rudolf Nureyev almost succeeds both as a work of art in its own right, and as a discussion of the role of dance in mid-twentieth century European history. Although it suffers from too much material and too many ideas for its thematic structure to accommodate, the mode of presentation, which includes the use of dance to embody meaning, is highly original in a documentary format. Magnificent montages of archive film and newly created dance footage overlaid one upon another provide a depth of experience that is sometimes exhausting: watching Russell Maliphant’s choreography, accompanied by Alex Baranowski’s score, while listening to a Russian language interview translated by subtitles is almost overwhelming. (more…)

Film Oxford hosts a welcome retrospective event on much loved local artist Ana Barbour who died last year.  The programme will include a curated playlist of her films, a short film by Dariusz Dziala with live music by Bruno Guastalla presenting ‘behind the scenes’ footage of Ana working on dance projects, and poetry by Ayala Kingsley.

Date:  Wednesday 10th October 7.00pm

Venue:  Film Oxford, 54 Catherine Street, Oxford OX4 3AH

The event is free, but donations towards Film Oxford’s dance film work will be much appreciated.  If you wish to attend please contact Dariusz Dziala on 07929 059974 or Malcolm Atkins on 07872 991287

Find out more about Ana Barbour’s work here

 

This Autumn Dancin’ Oxford is celebrating all things ‘family’ with the return of its popular Family Dance Week. Between 6th – 14th October Dancin’ Oxford will be offering some fantastic opportunities for families (including every generation!) to enjoy dancing together. From exciting performances in theatres and libraries, to family disco events and even a ceilidh, there will be guaranteed fun for the whole family!  Here is a list of upcoming performances by Wriggle Dance Theatre, Dancing Strong, 201 Dance and Alexander Whitley Dance Company, but you can find the full programme including all participatory activities here(more…)