Ballet Black present works by Mthuthuzeli November, Martin Lawrance, & Sophie Laplane, Oxford Playhouse 1st November 2019

Award-winning dance company, Ballet Black, returns to Oxford Playhouse on Friday 1 November 2019 with a triple bill of bold and inventive choreography.

The exciting programme contrasts inventive story telling in a lively showcase of three modern ballets, commissioned especially for Ballet Black. Ingoma (song) by company dancer and choreographer Mthuthuzeli November, is a fusion of ballet, African dance and singing. This world premiere and Barbican co-commission portrays a milestone in South African history and imagines the struggles of black South African miners and their families in 1946 – when 60,000 of them took courageous strike action.

The second ballet is a revival of Martin Lawrance’s Pendulum, an intimate duo premiered in 2009, and the choreographer’s first work for the company. CLICK!, an original, up-beat piece by Scottish Ballet’s chorographer-in-residence Sophie Laplane, also a world premiere, completes the triple bill.

Performance:  Friday 1st November 8.00pm

Venue:  Oxford Playhouse, 11-12 Beaumont Street, Oxford OX1 2LW

Tickets: £10 to £25 | Discounts available  Book online here or call the Box Office on 01865 305305

Age guideline: 7+

 

Behind the Scenes at the Ballets Russes: stories from a silver age, by Michael Meylac, translated by Rosanna Kelly – Maggie Watson reviews

There is never a dull moment in this collection of interviews with dancers associated in one way or another with the various companies collectively described as the ‘Ballets Russes’. The book tells their story from the Diaghilev period, through the de Basil, Blum and Denham years, right up to the final days of the Marquis de Cuevas’ company, and concludes with an ‘Afterword’ with John Neumeier. Tamara Karsavina, who died in 1978, is included, by means of an interview with her friend the dancer Rachel Cameron, but it is the later generations, from Alexandra Danilova (born 1903) to Maina Gielgud (born 1945) that are best represented.

 

Showing of Lukas Dhont’s film Girl at The Mill Arts Centre Banbury 11th September 2019

Don’t miss this chance to see Lukas Dhont‘s thought provoking and award winning film Girl this week at The Mill Arts Centre, Banbury.

Determined 15-year-old Lara wants to become a ballerina. With the support of family, she throws herself into this quest for everything at a new school. Lara’s frustrations and impatience are heightened as she realizes her body doesn’t bend so easily to the strict discipline because she was born a boy.

Showing:  Wednesday 11th September 7.30pm

Venue:  Main Auditorium, The Mill Arts Centre, Spiceball Park Road, Banbury OX16 5QE

Tickets:  From £8 from the Box Office on 01295 279002 or book online here

 

Rating: 15  Please note that this film is subtitled.

Find out more about the film here

 

Images Ballet Company at Cornerstone Arts Centre, Didcot, Thursday 13 June 2019 – Maggie Watson reviews

Images Ballet Company presented a programme of joyful, colourful and musical work at Didcot Cornerstone Theatre on Thursday. Interlacing originality with tradition, the opening work, Interplay by Mikaela Polley, set the tone for the evening as light gradually bathed the backdrop in blue, revealing percussionist and composer Martin Pyne upstage right, and seven dancers stage left, silhouetted in beautifully placed classical ballet poses.

Images is the company of London Studio Centre’s graduating ballet students (six women, two men this year) and it gave the dancers the chance to work with four different choreographers on new works, exploring ballet as a means of expression and communication. The light hearted Interplay, with its changes of direction and use of pointe and swift, darting petit allegro was full of friendly interactions between the dancers.

 

Images Ballet Company, Cornerstone Arts Didcot, Thursday 13th June 2019

This week Didcot’s Cornerstone Arts welcomes Images Ballet Company for the second time, in an evening that highlights the dynamic range and beauty of ballet today.  This company of aspiring ballet professionals with “coltish freshness” (Dancing Times) take centre stage in four exciting works by internationally established and rising choreographers working across the globe today.

Former Scottish Ballet Director Ashley Page creates playful neo-classical dances to music by Britten, while Andrew McNicol draws on Ravel’s lush Miroirs for an intimate portrait of women. Ballet and contemporary dance maker Cameron McMillan pushes balletic lines into fresh classic form and Mikaela Polley and percussionist Martin Pyne collaborate to bring brand new ballet and music together. Vibrant dancing set off with stylish costume and a rich musical palette, including live percussion, promises a performance that will entertain and surprise ballet lovers and newcomers to dance alike.

“Their show was one of the most exciting I’ve seen in years with a wonderful and eclectic choice of repertoire, danced with passion and verve”
-Bruce Marriot, Dance Tabs

Directed by former Royal Ballet soloist, Jennifer Jackson and presented by London Studio Centre, one of the country’s most prestigious performing arts colleges, Images Ballet Company is one of four touring companies made up of final year students – INTOTO DANCE (contemporary dance) THE JAZZ DANCE COMPANY (jazz theatre dance) IMAGES BALLET COMPANY (classical ballet) and SEEDTIME (music theatre).

Founded in 1978 by Bridget Espinosa, London Studio Centre enjoys an international reputation for its outstanding professional theatre training in the performing arts. Students experience exceptional teaching in a vibrant atmosphere at London Studio Centre’s home in the award winning arts centre, artsdepot.

Performance:  Thursday 13th June 7.30pm

Venue:  Cornerstone Arts Centre, 25 Station Road, Didcot, Oxon OX11 7NE

Tickets:  £12.50 (concessions £10, Members’ discount 20%)  Book online here or call the Box Office on 01235 515144

Find out more about Images Ballet Company here

 

 

Boyz and Girls: BalletBoyz Them/Us at New Theatre Oxford, Rhiannon Faith Smack That at Burton Taylor Studio 23rd & 25th April, BBC Young Dancer of the Year 2019 final – Susie Crow reviews

The final week of April brought thought-provokingly contrasted dance performances to Oxford. On Tuesday 23^rd at the New Theatre the BalletBoyz performed their latest programme Them/Us, shortly to be opening for their first West End season at the Vaudeville Theatre. This two-part programme involves all six male dancers in both pieces. Opening the evening Them was a collaborative choreographic venture by the dancers drawing on elements of their own individual movement, sharing them in a succession of often playful episodes and exchanges. Set in a twilight zone, a gleaming stainless steel tubular cube framework and sleek satin shell suits brought enlivening geometric dashes of light and colour, red, blue, green and purple. The cube defined shifting spaces which the dancers could manipulate, inhabit, swing from and climb up. Movement combined sharp crisp gesture with a lyrical contemporary idiom, integrating tumbling and floorwork in response to Charlotte Harding’s lively but dark toned score; suggestions of character and relationship were glimpsed and a feeling of camaraderie and group identity emerged, even if overall the episodic structure of the piece did not build a sense of narrative or situational development. The performers conveyed lithe fluidity and a smooth assurance, distinct from the rawness of previous BalletBoyz ensembles; no longer projecting a company narrative of emerging talent and inexperienced diamonds in the rough, but a polished professional group.

 

Twenty: Yorke Dance Project’s 20th anniversary season, Swindon Dance, 26th April 2019 – Maggie Watson reviews

This was a stunning evening of new dance works, alongside extracts from Kenneth MacMillan’s newly revived ballet Playground.  The curtain raiser Who’s It?!, choreographed collaboratively by Edd Mitton and Jordi Calpe Serrats with students from the Centre for Advanced Training at Swindon Dance Centre, was an ingenious preparation for MacMillan’s deeply disturbing work with its references to children’s games. In the duets from Playground that followed, Oxana Panchenko as the Girl with make-up and Jonathan Goddard as The Youth portrayed an emotionally and sexually abusive relationship, enmeshed within violent and coercive social forces, in a ballet that pushes game-playing to a horrible conclusion.