A World of Signs and Types is a danced geography of the Oxford community of Littlemore and its collective unconscious. This is a collaborative and community based artistic experiment including dance, music, writing, and film created to conjure up a pure visceral experience from the subconscious while being presented with the recorded unconscious. Two sleepers alight upon multiple portals to the community, rest upon relics of the past, and synchronistically meet at the heart of the community while spoken dreams carry us through, distort, and cast contrasting shadows upon what is seen. The assembled dreamscape colorfully invites the viewer to an intuitive journey through music, dance, and spoken word.

A World of Signs and Types, devised and created by dancer/choreographer Michelle Azdajic, film maker Chris Atkins and musician/composer Malcolm Atkins, will be shown with improvised live musical accompaniment as part of Littlemore Hopes and Dreams, a fantastic concert that will include the Littlemore Mass (composed for Littlemore using melodies from different Oxford communities); songs chosen by the Response Singing Group; and songs chosen by the Littlemore Over 60s Lunch Club.

All are welcome to this special summer concert.

Performance:  Sunday 25th June, 3 pm

Venue: St Mary and St Nicholas Church, 12 Dudgeon Drive, Littlemore Oxford OX4 4QL

For more information contact Rev’d Margreet Armitstead by email here, or telephone 01865 748003

Find information about this event on Facebook here

This film can also now be accessed on YouTube here.

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Women GOLive has continued to surprise, excite and entertain Oxford audiences with eclectic but well chosen performances of highly original work. The second and third nights of this four-night run included traditional and experimental South Asian dance from Arunima Kumar and Anuradha Chaturvedi, new contemporary dance works from visiting artist Salah El Brogy and Welsh company Ffin Dance (who bravely gave new takes on iconic music), a fresh work from Hanna Wroblewski, Mara Vivas’ and My Johansson’s interactive performance installation, and humour from Sarah Kent and Aliki Mbakoyianni. A terrific line-up. (more…)

A welcome performance at the Pegasus by Drishti Dance led by exquisite Kathak dancer Anuradha Chaturvedi, showing recently developed works.  Chaturang, or the four colours, is an exploration of the vast breadth and versatility of the traditional Indian form Kathak through a dynamic quartet of dance works, each varied in characteristics, yet uniquely beautiful.  This production is an experiment in adapting the dance form not only to explore varied narrative styles, but also to emphasize its vast breadth and versatility.
Dramatic in essence,  Mohini dips into the ancient Puranic story to present a ballad.  Laya Anulaya (la-ei Anu-la-ei), an in-depth technical study, is an inward facing narrative, a dialogue between the percussionist and dancer.  Panchatva, explores the connections between the elements and human senses, re-imagining the Nritta (pure dance) aspect of Kathak in tandem with Digital Media.  Antaraal is a contemporary Kathak work bringing together movement, music and poetic text by Mohan Rana, exploring the journey through time and the spaces between. (First seen at Pegasus in Moving With the Times in February 2016).

Concept and Choreography – Anuradha Chaturvedi
Dancers – Aiyana Tandon, Anuradha Chaturvedi, Anju Rajukumar, Meena Anand, Sonali Sibal Alim, Sarika Shah and Shyam Patel
Poem (Antaraal) – Mohan Rana
Tabla – Amritpal Singh
Santoor – Kaviraj Singh
Music – Malcolm Atkins, Gulshan Bharati
Rhythm Compositions (Laya Anulaya) – Late Arjun Mishra, Vikas Mishra and Anuradha Chaturvedi
Costumes – Shruti Mohan
Images – Anand Muthuswamy

Date:  Saturday 11th June 2016, 7.30pm

Venue:  Pegasus Theatre, Magdalen Road, Oxford OX4 1RE

Tickets: £13, £9 concessions, £6 under 18s, (£1 off for Dancin’ Oxford Pass holders)

Book online here, or call the Box Office on 01865 812150

Find out more about Drishti Dance here

Café Reason Butoh Theatre is an experimental performance group specialising in butoh, the iconoclastic dance form that originated in postwar Japan.  Established in Oxford in 1997, Café Reason is the only permanent butoh company in the UK outside London and has achieved a fine reputation for its innovative theatre, site-specific and improvised performances.  An abandoned dolls’ house and an unclaimed bag of costumes were the unexpected starting points for the group’s enigmatic new show Dolls’ House which premieres at the Pegasus Theatre on Friday 16th January.  Through the compelling medium of butoh, with live music and film, it explores the dream symbol of “the House” and reveals the inhabitants’ secret lives and eternal dilemmas.  Dark, moving and humorous, the physical performance is underpinned by live music from a trio of multi-instrumentalists, complementing their compositions with digital effects and found sound to create a haunting soundscape.

Dolls’ House is a collaboration between Café Reason, film maker Dariusz Dziala, and musicians Malcolm Atkins, Bruno Guastalla and Pete McPhaill.  This truly original theatre experience has lighting design by Josh Tomalin.  Dancers are Jeannie Donald McKim, Ayala Kingsley, Fabrizia Verrechia, Ana Barbour and Cath Blackfeather: also appearing are Alex Donaghy, Andreia Paixao, Alan Frank and Paula Esposito.

Performances:  Friday 15th, Saturday 16th January 7.30pm

Venue:  Pegasus Theatre, Magdalen Road, Oxford OX4 1RE

Tickets:  £13, £9 concessions, £6 under 18s

Book online here or call 01865 812150

Find out more about Café Reason here and follow them on Facebook here

Twitter:  @CafeReason #dollbutoh

Scholarly, artistic and professional, Avid for Ovid’s highly original creative work was on show in a series of performances as part of the Ashmolean’s wildly popular sell-out DeadFriday Halloween happening.

Accompanied by Malcolm Atkins, dancers Susie Crow, Marie-Louise Crawley and Ségolène Tarte used Roman pantomime to explore the grief and horror of death. As we sat on the floor of the Cast Gallery, a line of candles marking the edge of the performance area like footlights, we saw expressions of human and beyond-human emotion, the quality of each experience being powerfully affected by whether or not the dancers wore masks. Crow, who was unmasked, gave a profoundly moving portrayal of Aurora grieving for her son Memnon that fell firmly within the range of human empathy. On the other hand, when the dancers wore masks, Crawley’s dread-inspiring transformation into a tree and Tarte’s terrifying embodiment of a werewolf seemed almost to pierce the veil that hangs between the natural and the supernatural.

Among the academic papers, craft workshops, musical performances and a theatrical re-enactment of a Roman funeral, Avid for Ovid evoked both pity and terror in its audience: the ultimate Halloween experience.

Maggie Watson

1 November 2015

Critic turned critic-entrepreneur Donald Hutera is creating and curating opportunities for dancers to perform who might otherwise have few occasions to show their work. Oxford is a first for GOlive and there is a further outing at the Chesil Theatre in Winchester on July 24. The venues are small — the original GOlive venue at the Lion & Unicorn Theatre in Kentish Town holds 60 people and the Burton-Taylor studio seats 50 — but their intimacy works well for the small-scale works Hutera is presenting. One of the advantages of this proximity is the value given to the subtleties of communication; there are elements of this evening’s program that provide a master class in the art of integrating the head and eyes in the moving body, a vital aspect that is all too often overlooked in dance training. (more…)

Where does emotion reside? How do we share it? To whom does it belong?  Programmed by the recently formed Body and Being Network, the event Embodying Emotion offers a chance to explore these fascinating questions this coming 3rd June.  Performing an original piece based on Ovid’s tale of Myrrha (developed as part of Avid for Ovid), choreographer and dance artist Marie-Louise Crawley and composer Malcolm Atkins will explore the embodied expression of emotion.  The performance will be followed by facilitated audience discussion.

Date:  Wednesday 3rd June 5.30-6.30pm

Venue:  Jacqueline du Pré Building, St Hilda’s College, Oxford
Attendance is free, but please register for this event on the Body and Being Network website by 1 June: http://bodyandbeingnetwork.org/2015/05/20/event-announcement-embodying-emotion/
This event is generously supported by a research award from St Hilda’s College.

The Body and Being Network is a new research initiative that aims to develop innovative interdisciplinary dialogues about the body. Co-founded by Karin Eli (University of Oxford) and Anna Lavis (University of Birmingham), the network instigates and supports collaborative encounters between scholars and performing artists, and challenges participants to develop analyses that involve their own embodied experiences. Find out about The Body and Being Network here

Find out more about Avid for Ovid’s work, and read Marie Louise Crawley’s reflections on portraying Myrrha here.