Following on from the examination of creative process in Rawaa, DANSOX provides an opportunity to examine and discuss the process of building an interpretation for performance. In a fascinating lecture presentation Performing Beckett renowned Irish actress Lisa Dwan discusses her recent work and invites discussion of her repertoire – especially Not I and other stunning dramatisations of Samuel Beckett.  She explores how her dance training enabled her to refine the all-encompassing performance technique and control required to engender the challenging physical requirements of Beckett’s plays.

Date:  Thursday 16 November 2017 5:30pm 

Venue:  Jacqueline du Pré Building, St Hilda’s College

The event is free and open to all but booking essential at Eventbrite here

For further information about Dance Scholarship Oxford events see also http://www.torch.ox.ac.uk/dansox: or contact Professor Susan Jones: susan.jones@ell.ox.ac.uk

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Another fascinating DANSOX (Dance Scholarship Oxford) event hosted by St Hilda’s College Oxford bringing together thinking and practice, providing a rare opportunity to glimpse the process of creating a new ballet in an interdisciplinary workshop with writer, Marina Warner, choreographer Kim Brandstrup, pianist and composer Joanna MacGregor, and professional dancers.

Rawaa comes from Arabic – the root for words
 meaning ‘to water’ and ‘to relate’ and provides the dominant metaphorical motif of the ballet’s mood and movement.  Affinities emerge between poetic metre, musical pulse, and water management (water wheels, aqueducts) in Arab culture.  The ballet will offer a counterpoise to the orientalism of Scheherazade, exploring the inner lives and drives of legendary women performers from the Middle East who have attained mythic status.

Venue:  Jacqueline du Pré Music Building, St Hilda’s College, Cowley Place, Oxford OX2 9AZ

Dates:  Sunday 12th – Tuesday 14th November 9.30-6.30pm  Open to the public on Tuesday 14 November at 5.30pm to view the workshop in action.

The event is free and open to all but booking is essential; register here to attend. Open at other times by request – contact Professor Susan Jones.

 

 

Following on from his fascinating presentation for DANSOX in 2015 on The Fascist Legs of Serge Lifar, internationally renowned dance scholar Professor Mark Franko of Temple University USA returns to St Hilda’s College to deliver a guest seminar which will examine how neoclassicism was theorized in French ballet during the 1930s.  Don’t miss this opportunity to hear about the further development of Professor Franko’s thought provoking research.

Date:  Friday 2nd June 5.30-7.00pm

Venue:  Jacqueline du Pré Building, St Hilda’s College, Cowley Place, Oxford OX4 1DY

Tickets:  This event is free and open to all and will be followed by refreshments.  However please book online here

Find out more about Dance Scholarship Oxford (DANSOX) and its ongoing programme here

Read Susanna Reece’s report for Oxford Dance Writers of Professor Franko’s talk on The Fascist Legs of Serge Lifar here

Kim Brandstrup’s residency at St Hilda’s last week was a rare opportunity to observe part of the process of creating new dances through a series of open workshops and two ‘showings’. When I crept into the Gallery of the Jacqueline du Pré Music Building on Tuesday the atmosphere below was quiet and studious. Brandstrup sat on the edge of the stage. Behind him, dancer Liam Francis was silently stretching, curling and extending his body, waiting his turn, while Simone Damberg Würtz and Tobias Praetorius used the specially-laid dance floor to work on a duet. It gradually became apparent that the dancers, the choreographer and cellist and composer Oliver Coates were collaboratively investigating questions about the relationship between rhythm, music and dance. (more…)

Another fascinating event from DANSOX who are this month hosting a choreographic workshop with internationally renowned choreographers, musicians, and dancers exploring the relationship between music and dance in the practice of choreography.

Artists in residence this summer at St Hilda’s College, Kim Brandstrup (international choreographer) and Oliver Coates (cellist/composer) joined by renowned pianist Joanna MacGregor, will direct a workshop with professional dancers.

All welcome to drop in at any time to observe, comment, discuss on each day, and come to showings on Wednesday July 20th and Thursday 21st. Do let us know if you want to come. For more information, timetable, and to book a seat at the showings, contact Susan Jones.

Dates: Tuesday 19th July 2016 09:00am to Friday 22nd July 2016 21:00pm

Venue:  Jacqueline du Pré Music Building, St Hilda’s College, Oxford, OX4 1DY

Free and open to all (booking advised)
Details online here
Find out about DANSOX here

This forthcoming DANSOX event offers fascinating examination from a range of perspectives of a great work by a world leading choreographer, Mark Morris’s L’Allegro ed Il Penseroso ed Il Moderato.  DANSOX brings together distinguished lecturers from the disciplines of literature, music and dance to share their knowledge; Dr Jonathan Williams on Handel’s music, Dr Margaret Kean on the poetry of John Milton which inspired it, and Guest Lecturer Professor Stephanie Jordan from Roehampton University on Mark Morris’ uniquely musical choreographic invention.

Date:  Thursday June 9th 2016, 5.15pm  followed by Drinks Reception

Venue:  Jacqueline du Pré Building, St Hilda’s College, Cowley Place, Oxford OX4 1DY

Booking:  Free and open to all, but book your place via Eventbrite here

Find out more about Dance Scholarship Oxford (DANSOX) here

Or contact Dr Susan Jones here

 

Ovid’s Metamorphoses – an epic poem exploring myths of transformation, love and loss – is the inspiration for a new work created by young Swiss dance company Le Marchepied. Their latest work – forming part of their tour of the UK – is the result of their collaboration with Ancient Dance in Modern Dancers (ADMD).  ADMD is a TORCH (The Oxford Research Centre in the Humanities) funded project that seeks to investigate the Roman dance form tragoedia saltata (Roman pantomime) and to “develop ways of articulating the knowledge derived from kinaesthetic engagement with ancient material.”

The performance itself was preceded by a free workshop in the Jacqueline du Pré Music Building, at St. Hilda’s College, Oxford.  The workshop was open to anyone who wanted to learn more about the form of trageodia saltata and how it may be used in a contemporary setting to generate movement material or interpret ancient texts.  Helen Slaney (Classics Fellow at St. Hilda’s College) of ADMD kicked off proceedings with an intriguing, informative introduction to the form of Roman pantomime.  Referencing texts by ancient satirist Lucian, Slaney detailed the necessity of narrative precision in the dance form and also stated particular movements – such as freezing, falling or reaching – that would have been used by performers to physically recount the mythological tales. (more…)