Richard Alston Dance Company opened their show at the New Theatre, Oxford with Martin Lawrance’s energetic and fast paced creation Detour, which was followed by six pieces by Alston himself. Lawrance leaves interpretation to the audience: according to the programme, he named his piece because he started with one idea, which changed as he worked, but he leaves it to the dance to reveal what those ideas were. Performed to a recorded marimba and percussion soundtrack, its zippy pirouettes and sharp split jetés interspersed with leaps into dramatic embraces displayed the company’s virtuosity, while suggesting an underlying theme of conflict.

Richard Alston’s own programme notes offer more clues to the thoughts, images, and circumstances that lie behind his dances. (more…)

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Richard Alston has been making dance for 50 years and launched his Richard Alston Dance Company 25 years ago. Both these anniversaries deserve celebrating with a special programme full of trademark lyrical choreography, new lively dances and revivals of successful works. With the announcement of the company closing in 2020, this tour will also be the penultimate chance to see a live performance by what is undoubtedly one of the world’s best dance ensembles.

Associate Choreographer Martin Lawrance will premiere his new work Detour set to Michael Gordon’s pulsing Timber with costumes by Jeffry Rogador and lighting by Zeynep Kepekli setting off Lawrance’s customary fast paced style and complicated patterns through space.

This piece will accompany a celebratory revival of Proverb, one of Alston’s most telling choreographies, to the serene and cool vocal work of Steve Reich washing over intricately complex dancing. Created in 2006 as part of Reich’s seventieth birthday celebrations at London’s Barbican, this is the first time the piece has been revived.

Culminating the evening will be Richard Alston’s exciting new work Brahms Hungarian. The hugely popular Brahms pieces, music that Alston had planned on choreographing to for years, will be played live onstage by RADC’s outstanding pianist Jason Ridgway. Full of passionate drive and joyful gusto, the dancers are carried along by fast steps and an abandoned fervour. Costumes are by award-winning designer Fotini Dimou with lighting by Zeynep Kepekli, both regular collaborators of Alston.

Performance:  Thursday 7th February 7.30pm

Venue:  New Theatre, George St, Oxford OX1 2AG

Tickets:  £13 – £26.90 Book online here

Find out more about the company here

First Look offers a first glimpse of the three works-in-progress by exciting dance companies that will be performed in full to launch the Spring Dancin’ Oxford Festival 2019 in the Moving With the Times showcase in March. Each work-in-progress run at this January preview will be followed by a Q&A with the artists.

Richard Chappell Dance with his new work Still Touch examines the relationship between dance and life-sized sculpture using his unique approach to ballet, improvisation, floor work and partner work.

Moon Dances is Jann Esterhuizen’s choreographic exploration of classical ideas and forms in collaboration with composer, Edward Farmer.

Joe Lott’s original brand of energising, innovative dance and storytelling, reveals two dancers take on micro-gravity and mythology in EVA, NASA-speak for spacewalking.

Moving With The Times – First Look is a Pay What You Can night. Book your place(s) online or through the box office in advance and pay on the night – if you enjoy the evening and can pay our standard ticket price – please do, if you can’t – pay what you can. The box office can’t take payments online so if you wish to pay any amount by card in advance, please call the box office and they will process your payment. Otherwise cash or card payments can be made on the night.

Date:  Friday 18th January, 7.30pm

Venue:  Pegasus Theatre, Magdalen Road Oxford OX4 1RE.

To Book: http://pegasustheatre.org.uk /   Box Office: 01865 812150

Recommended for ages 11+)

NB: The final triple bill Moving With The Times will be at Pegasus on 1 & 2 March 2019.

Richard Chappell Dance presents the company’s compelling first full length work, At the end we begin. Using T.S. Eliot’s classic series Four Quartets as a point of departure, each poem is represented through four arresting and emotionally-fuelled quartets of dance.

At the end we begin inhabits the derelict, sensitive and powerful landscape of Eliot’s poetry and questions how time’s circular nature affects our understanding of ourselves. The work takes four young individuals from a place of being lost to a state of empowerment and acceptance where they have found their own voice by journeying through Eliot’s text. Whilst combining Chappell’s own distinguishable blend of classical ballet, martial arts, improvisation and contact work with three other highly-skilled performers, At the end we begin dives into each performer’s unique and diverse skills with a rich palette of qualities.

Venue:  Pegasus Theatre, Magdalen Road, Oxford OX4 1RE
Date:  Friday, 26th October 7:30 pm
Tickets:  £13, £9 concessions.  Book online here, or call the Box Office on 01865 812150
Suitable for audiences 11+

This Autumn Dancin’ Oxford is celebrating all things ‘family’ with the return of its popular Family Dance Week. Between 6th – 14th October Dancin’ Oxford will be offering some fantastic opportunities for families (including every generation!) to enjoy dancing together. From exciting performances in theatres and libraries, to family disco events and even a ceilidh, there will be guaranteed fun for the whole family!  Here is a list of upcoming performances by Wriggle Dance Theatre, Dancing Strong, 201 Dance and Alexander Whitley Dance Company, but you can find the full programme including all participatory activities here(more…)

I made a last minute decision to go and see Watkins Dance Company. As a result I was late and missed most of the first piece but I’m glad that I went and saw the show. It was a shame that it did not appear to have been very well publicised.  The programme included three pieces by choreographer Anna Watkins; Human Animal, Mrs Oath, a film made in collaboration with Film Oxford and ACE, and Solitude. The evening had a theme about the equality and oppression of women in celebration and acknowledgement of the 100 year anniversary of women getting the vote. (more…)

Motion & Meaning presented by DANSOX and the Liveness, Hybridity & Noise Series has been an exciting multi-disciplinary collaboration between dancers, choreographers, composers, instrumentalists and audio-visual artists facilitated by a week-long residency at St Hilda’s College. The project culminated last Friday in a ‘showing’ of the work in progress, alongside an exhibition by artist Simon Klein and sculptor Guillaume Klein. Open rehearsals on Wednesday and Thursday last week revealed some of the opportunities and challenges intrinsic to truly collaborative work: the importance of grace and generosity in allowing other artists in different media sufficient time and space; the need for mutual respect, and the courteous adjustments to be made to accommodate different etiquettes and conventions. (more…)