Motion & Meaning presented by DANSOX and the Liveness, Hybridity & Noise Series has been an exciting multi-disciplinary collaboration between dancers, choreographers, composers, instrumentalists and audio-visual artists facilitated by a week-long residency at St Hilda’s College. The project culminated last Friday in a ‘showing’ of the work in progress, alongside an exhibition by artist Simon Klein and sculptor Guillaume Klein. Open rehearsals on Wednesday and Thursday last week revealed some of the opportunities and challenges intrinsic to truly collaborative work: the importance of grace and generosity in allowing other artists in different media sufficient time and space; the need for mutual respect, and the courteous adjustments to be made to accommodate different etiquettes and conventions. (more…)

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ODF Presents… at The Old Fire Station is becoming a crucial annual fixture in Oxford’s dance calendar, showing new works (in-progress) developed with the support of Oxford Dance Forum.  In this year’s edition Ségolène Tarte, Ajos Dance and Scarlett Turner invite you into their world of movement, music and storytelling, offering a preview of eclectic and mesmerising new works:

Ajos Dance & Company‘s Payson is inspired by the Philippine traditional art of chanting epic poems about the Passion, Death, and Resurrection of Jesus Christ.  Fusing Filipino arts culture with western contemporary dance, the work is a cross-art collaboration between dancers and live musicians.  Payson is a colourful and dramatic new celebration directed and choreographed by JJ Formento with dance artist Samantha Harper-Robins and musician Gendy Nicolson and her Oxford-based Filipino band members.  Ajos Dance is a social enterprise fighting poverty in the Philippines through education, arts and local community projects.

Scarlett Turner‘s Come as You Are is a solo piece exploring gender neutrality, obscure sexuality and personal identity.  Scarlett Turner identifies the self struggles of gender stereotypes, non-binary and pan sexual identity through personal experiences from childhood to adulthood.  This solo investigates statement of social identity through contemporary dance, spoken word and live imagery.

Imagine an intimate mythology unfolding through classical form and everyday objects. In her new piece Body-No-Body, set to an excerpt of Simeon ten Holt’s hypnotic Canto Ostinato, Oxford based dance artist Ségolène Tarte invites audiences to take a fresh look at ballet and butoh, and at their emotional eloquence.  With this poignant performance meandering between mystical reverence, angst and enlightenment, the dancer shapes a strange universe and is shaped by it.  Let yourself slip into this mysterious yet familiar world… be transported, charmed, moved by a constellation of delicate hesitant steps, balletic grace and pure expressive movement

“ODF Presents…” is part of a three-year Arts Council England funded professional development programme ‘Evolution’ – which aims to support artists in the development of their own artistic practice and the creation of new work.

Performance:  Saturday 14th July 7.30pm

Venue:  Arts at The Old Fire Station, 40 George Street, Oxford OX1 2AQ

Tickets:  £10, £8 concessions

Call 01865 263990 or book online here

Find out more about Oxford Dance Forum here

Normative? is a piece with a dark and difficult context – it references recent persecution of the LGBTQ+ community in Chechnya, Russia, and asks a big question: “Is being normal really worth it?”. Thomas Page and his company certainly bought out the intensity of the subject matter, and there were thoughtful, touching details, such as the use of 27 dancers referencing 27 young gay men who were killed in 2017, and a moving soundtrack of spoken word including interviews and personal accounts.  The choreography mixed freeform semi-improvised movements with a structured style which had clear influence from vogueing.  The piece moved through various scenes – the whole group began by walking the stage as a sea of similar motion, but gradually dissipated into more markedly individual and contrasting characters. (more…)

Becoming an established fixture in Oxford’s arts calendar this year’s Offbeat Festival is the third, now bigger and better with over 60 shows across five spaces in the centre of Oxford from the 22nd to the 30th June.  The Festival aims to offer some of the best up-and-coming contemporary performing arts including  theatre, comedy, dance, music, spoken word and family entertainment.  Why not take a risk, dive in and encounter the fantastic creativity of artists from across the country in a stunningly varied programe of work, all new to Oxford.

Dance is represented by three short performances at the Old Fire Station as follows:

Wednesday 27th June 6.15pm:  Thomas Page Dances in Normative

“Categorised. Converted. Conformed.”  This intense work delves into the recent traumatic events of Chechnya, Russia and challenges the way societies create conformity.  Using contemporary dance infused with the virtuosic stylings of Vogue and Contortion this mesmerising performance creates a powerful reflection on the reality of today’s society. It will make you question “Is being normal really worth it?”

Tickets: £10 available on the door, or online here

Running time:  50 minutes

Thursday 28th June 6.15pm:  Forged Line Dance in Lina

A powerful and playful contemporary dance duet, inspired by the lives of brother and sister astronomers William and Caroline Herschel.  Both talented musicians and celebrated scientists, they studied the universe and mapped the stars from their back garden in 18th Century Bath. Lina delves into their complex relationship, where family ties are tested by individual ambition. Dancers swoop and soar like comets, taking us on an extraordinary journey of stars, music and family.

“This was the performance of two exceptionally talented dancers, delivering a choreographic narrative of tangible beauty and humanity…truly enchanting”– Bathcast

Tickets:  £10 available on the door or online here

Running time:  50 minutes

Friday 29th June 7.00pm:  Drishti Dance in Facet

Facet is a Kathak double bill featuring two interlinked works, exploring the evolving facets of the classical Indian form; a reflection on its ever changing aesthetics as it collides with modern values.  Aur-Ek Antaraal contemplates the poetical abstraction of contemporary Hindi poem ‘Aur Ek Antaraal’ penned by India based Dr Rashmi Chaturvedi.  Re-Textured is a study of rhythm, textures and structures. It creates space for reformulating movement vocabulary through absorbing  contemporary human experiences.

Tickets:  £10 available on the door or online here

Running time:  1 hour

Find out more about the Offbeat Festival and check out the complete programme here

Based on T.S.Eliot’s Four Quartets, this piece was an impressive performance from a young dancer-choreographer and his fellow artists. The structure was of four separate chapters (one for each section of a poem) which worked well, although there was room for even more space for the audience to assimilate each individual section. The programme described the overall narrative as ‘from a place of being lost to a state of empowerment and acceptance’ and this certainly came across: the figures seemed to be searching and grasping at the start, and by the end they had become more animated, grounded and secure. (more…)

Richard Alston Dance Company returned to Oxford this week for one evening at the New Theatre. The programme opened with Martin Lawrance’s Cut and Run, to music by Michael Gordon and Damian LeGassick for ten dancers dressed in ‘urban wear’ with metallic decoration that glinted in the dim light. Starting and stopping, dodging and colliding, they broke out of the purple patch of illumination that seemed at first to confine them, and spread across the darkened stage. An interval of silence, then the lights changed to orange, adding a fresh sense of urgency to their frantic race, until the work concluded, with the dancers once more bathed in a purple glow. (more…)

Spring is coming, and with it Oxford’s very own festival of dance Dancin’ Oxford in its 2018 edition.  Lots of fascinating peformances to come with an emphasis on physical theatre and storytelling as well as some tantalising workshops and taster sessions.  See below for Oxford Dance Writers list of performance events and dates in Oxford with links to further information and booking details.  Check out the Dancin’ Oxford website for details of additional performances in Didcot and Banbury, as well as workshops and classes and the Dance and Academia conference. (more…)