Based on T.S.Eliot’s Four Quartets, this piece was an impressive performance from a young dancer-choreographer and his fellow artists. The structure was of four separate chapters (one for each section of a poem) which worked well, although there was room for even more space for the audience to assimilate each individual section. The programme described the overall narrative as ‘from a place of being lost to a state of empowerment and acceptance’ and this certainly came across: the figures seemed to be searching and grasping at the start, and by the end they had become more animated, grounded and secure. (more…)


Richard Alston Dance Company returned to Oxford this week for one evening at the New Theatre. The programme opened with Martin Lawrance’s Cut and Run, to music by Michael Gordon and Damian LeGassick for ten dancers dressed in ‘urban wear’ with metallic decoration that glinted in the dim light. Starting and stopping, dodging and colliding, they broke out of the purple patch of illumination that seemed at first to confine them, and spread across the darkened stage. An interval of silence, then the lights changed to orange, adding a fresh sense of urgency to their frantic race, until the work concluded, with the dancers once more bathed in a purple glow. (more…)

Spring is coming, and with it Oxford’s very own festival of dance Dancin’ Oxford in its 2018 edition.  Lots of fascinating peformances to come with an emphasis on physical theatre and storytelling as well as some tantalising workshops and taster sessions.  See below for Oxford Dance Writers list of performance events and dates in Oxford with links to further information and booking details.  Check out the Dancin’ Oxford website for details of additional performances in Didcot and Banbury, as well as workshops and classes and the Dance and Academia conference. (more…)


The ever musical Richard Alston Dance Company returns to Oxford with a full programme of new and established works packed full of energy and contrasts, featuring a brand new piece by Associate Choreographer Martin Lawrance alongside two by Richard Alston.

In Cut and Run Lawrance takes his inspiration from contrasting music by two contemporary classical composers, Damian Legassick and Michael Gordon, from the Icebreaker album Terminal Velocity. The fast frenetic rhythms of the music with cool sombre undertones, take the dancers into a world of shadows and swift dodges.  The costumes for Cut and Run have been designed by Filipino fashion designer Jeffery Rogador with whom Lawrance collaborated whilst working with Ballet Manila last year. They have an urban edge and a colour palette of black, silver and gold which the lighting designer Zeynep Kepekli will make shimmer on stage with her beautiful use of light.

The programme also includes Carnaval by Alston, performed to Robert Schumann’s music of the same name, played live by outstanding pianist Faith Leadbetter.  Costumes are by BAFTA Award winning designer Fotini Dimou.

Finally a great Alston favourite, Gypsy Mixture, newly revived for the first time in a decade, set to tracks from Electric Gypsyland – a 21st century take on traditional Balkan folk music. Exhilarating dancing to the infectious music of Romanian and Macedonian gypsy bands will lift your spirits and quicken your pulse.

“Sometimes dance fills the eyes with tears, changes our breathing or makes us laugh — but why? The dancers aren’t depicting emotion, yet we find ourselves powerfully moved… the dancers of the Richard Alston Dance Company… caused a gamut of emotion, just by taking us to the heart of dance itself.”
Alistair Macaulay, The New York Times, February 2017.

Performance:  Tuesday 20th February, 7.30pm

Venue:  New Theatre, George Street, Oxford OX1 2AG

Tickets:  £11.90 – £25.90 plus £2.85 transaction fee

Available online here or call 0844 871 3020


Ana Barbour’s  Rope, Rock, R… investigates and plays with various materials like a rope, wool, a stone, and experiments with the qualities of these often oppositional and complementary props. She does this with a virtuosity and variety of ideas, aesthetic and controlled use of movement which is a pleasure to watch. (more…)


Choreographer Ieva Kuniskis’ work is exciting, moving and entertaining. First up last night, Encore was the debut performance by the Remarkable Dance Company. The dance opened with the entire cast in a closely gathered group, right arms raised, before they collectively followed a sequence of gestural movements. To music ranging from Eric Satie’s Je te veux and Csokolom’s Lulu Valse to Lou Reed’s Goodnight Ladies, they took us through a series of scenes that affirmed the dancers’ wit, experience and individuality. This was an outstandingly successful engagement between a choreographer and a group of older dancers, who are for the most part without vocational training. Some barefoot, others in shoes, they clearly wore what felt right (and what they could see in; at least two wore their spectacles).  (more…)


A fascinating programme of new dance works coming up shortly at the Mill Arts Centre in Banbury.  They Live Next Door is a touching, tender and gritty show that knits unique stories with intricate choreography and nostalgic live melodies.  Set in a home, on a street not too far from your own, it explores the light and the dark of familiar relationships. The duet is an emotional rollercoaster that sensitively uncovers the complexities of preconceptions around masculinity.  At times conforming and other times shaking off stereotypes, multiple relationships between the two men unravel, weaving memories,expectations and domestic rituals. They Live Next Door sets out to ask how social stereotypes affect our identity and our relationships with each other.

Ieva Kuniskis is a Lithuanian choreographer based in London. She combines dance and theatre creating unique movement language and distinct authentic characters to share stories about the everyday life. Ieva interweaves universally relevant themes with affecting, personal stories that audiences can relate to, inviting them to follow their own emotional journey in parallel to that of the characters.

ENCORE, the evening’s curtain raiser, celebrates the debut performance for the Remarkable Dance Company, created for over 50 year olds.  Supported by the Arts Council England, The Mill has brought choreographer Ieva Kuniskis together with 16 people, the eldest of whom is in her 8os, to create a new work which will inspire and entertain you.

Performance:  Saturday 29th July, 7.30pm

Venue:  The Mill Arts Centre, Spiceball Park, Banbury, Oxfordshire OX16 5QE

Tickets:  £12

Book online here, or call the Box Office on 01295 279002