The DANSOX Autumn 2023 season looks both forward and backwards, exploring ways in which scholarly investigation and practitioners’ bodily memories can enable today’s dancers and audiences to rediscover the life and meaning of 20th century dances in new cultural contexts.

Professor Stephanie Jordan’s lecture ‘Serial Stravinsky Dances: Choreomusical Discoveries with Balanchine’ (10 October 2023), drew upon her analytical film project with New York City Ballet (NYCB) dancers, ‘Music Dances; Balanchine Choreographs Stravinsky’ (2002). Jordan started working on Agon (1957) in 1993, and her presentation showed how musical analysis, allied with meticulous attention to detail, clarifies the structural patterns within the dancing. Clapping and counting, she explained how the dance moves around and within the music, criss-crossing it in a dynamic interaction, finding the pulse in moments of silence and making the musical score visible. Snatches of film contrasted performances by Wendy Whelan and Violette Verdy, and showed how the dance had changed over time; Jordan singled out a particular plié in second position on pointe, and noted that there is a lot of room in Balanchine to do things in different ways. Richard Alston, speaking from the floor, described watching NYCB performances during Balanchine’s life time, and reminisced about dancers such as Allegra Kent, who seemed to inhabit the music without recourse to counting, and Suzanne Farrell, who was always taking risks and pushed her balance to extremes.

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‘I’m always accused of dealing only with sex and violence but what I really deal with is life and death.’  Thus quoted Monica Mason, opening the St Hilda’s College/DANSOX Conference Kenneth MacMillan: Making Dance Beyond the Boundaries held on Saturday 16th March 2019.

Dame Monica, former Principal Dancer and Director of the Royal Ballet Company, was just one of many sharing their memories of MacMillan and his creative approach at this smörgåsbord of delights blending academic research, choreography and performance. On a wet and windy day, in political and climatic times that can sometimes feel reminiscent of the dark events triggered at Mayerling, we were treated to talks by MacMillan’s widow Deborah on how MacMillan worked with designers, Guest Lecturer Natalie Wheen on his innovative use of music, choreologists on how Benesh notation helps to preserve his choreography, and academic specialists on his historical imagination. The conference concluded with excerpts from a reconstruction of Playground by Yorke Dance. (more…)

The DANSOX Conference Kenneth MacMillan: Making Dance Beyond the Boundaries was an opportunity to reflect on and discover more about one of the twentieth century’s greatest choreographers. It was attended by distinguished practitioners and scholars in dance, and generously open to the wider University and general public.

Dame Monica Mason and Deborah, Lady MacMillan gave insights into what it was like to work with Kenneth MacMillan, his interest in contemporaneous events in society and the arts, his willingness to engage with designers new to the theatre, and his relationship with and support from Ninette de Valois. (more…)

Dance Scholarship Oxford (DANSOX) presents a one-day conference on the life and work of the great twentieth-century choreographer Sir Kenneth MacMillan (1929-1992). MacMillan stands among the great innovators of his time in theatre, film, art, music, and dance. This not-to-be-missed conference will discuss his work, the challenges of preserving the record, and explore little known early work, his literary and musical choices, design, and choreographic method. Guest speakers include: the artist and widow of Sir Kenneth, Lady MacMillan; the former Principal and Director of the Royal Ballet, Dame Monica Mason; the music expert, Natalie Wheen; and choreologist, Anna Trevien. Dancers, artists, and filmmakers who worked with Kenneth will join the conversation. A performance/lecture of the reconstruction of Playground with Yorke Dance will conclude the conference.

Date:  Saturday 16th March 10.00am-6.00pm

Venue:  Jacqueline du Pré Building, St Hilda’s College, Cowley Place, Oxford OX4 1DY

Tickets: Free and open to all, please book tickets here at Eventbrite