Yorke Dance Project is a small company with huge impact, and their 25 year anniversary programme, California Connections, is of exceptionally high quality and interest. On 6th December at The Mill, Banbury, they showed three works honouring pioneering women of dance: a one-act ‘chamber’ version of Kenneth MacMillan’s Isadora (based on the life of Isadora Duncan); Martha Graham’s Errand into the Maze, and Bella Lewitzky’s Meta 4. Progressing from narrative, to metaphor, to the abstract, the evening tracked a passage through some of the many ways in which dance can capture and express the essence of human experience.

MacMillan’s Isadora is a choreographic tour de force in which the complex partnering seems driven by power-relationships. Through dance, we see Duncan’s raw desire for Gordon Craig (Eric Caterer Cave); the agonised grief she shares with Paris Singer (Edd Mitton); her attempt at distraction with the Beach Boy (Pierre Tappon), and finally her emotional subjugation to Sergei Esenin (Harry Wilson).

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On March 30th, two performances at The Mill demonstrated how wrong it is to assume that dance is the preserve only of the young. On the face of it the two works were utterly different, yet through the medium of older dancers, both addressed or drew on issues of memory and control, and questioned which voices we hear and pay attention to.

Let’s Play Forever, choreographed by Luca Braccia in collaboration with The Remarkables, is an engaging work structured in a series of scenes that recreate children’s playground games to a musical compilation that ranges from Rossini sung by the King’s Singers to Debussy played by Richard Galliano. The Remarkables are a serious local community dance company, open to those aged fifty and over, and each dancer brought her own style and unique way of moving. This was a collective work, inspired by the dancers’ own improvisations, which Braccia had ingeniously threaded together into a unified whole that presented a metaphor for society. There was a hint of commedia dell’arte, as adults pretended to be aeroplanes, enacted circle games, or competed for possession of chairs or a hat. Gently humorous and slightly surreal, the dance presented a magnification of the normal interactions between people as they communicate, co-operate, and jostle for acknowledgement throughout their lives; we grow older, but we do not leave our playground games behind.

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On Wednesday night, ACE Dance and Music presented a two-part programme of original work; TNBT – The Night Before Tomorrow by Serge Aimé Coulibaly, and Mana – The Power Within, by Vincent Mantsoe and Gail Parmel. In TNBT artificial grass, benches and a table, alongside the seven dancers (five women and two men) dressed in casual hot-weather street clothes, suggested an outdoor scene. The company burst across the stage to Yvan Talbot’s score with a blistering energy; leaping, spinning, falling, they seemed driven by a furious rage against each other and against the audience. Their ferocity felt like an assault as they vented their anger, silently mouthing words that we could not hear, challenging each other, yet strangely dissociated from one another, pursuing their own trajectories as they moved between different formations, brief duets and solos. There was a passing feeling of more intimate connection between the guest performers Thabang Motaung and Mthoko Mkhwanazi, who introduced a sense of wit in a dance in which they interacted moving with fluidity and precision, but the overall impression was one of isolation. When Mirabel Huang-Smith danced on the table, although she was surrounded by the company, strobe lighting seemed to capture her movement in a series of stills, as if she was being observed by outsiders.

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Yorke Dance Project’s Connecting to Cohan evening at The Mill Banbury fell into three parts: five solo dances drawn from Robert Cohan’s last work Afternoon Conversations with Dancers; an on-stage discussion between Richard Alston, Yolande Yorke-Edgell and Laurel Dalley Smith, and finally Lockdown Portraits, a film showing seven of the solos, filmed on locations chosen by Cohan.

Cohan’s last dances are intensely moving.  He consulted Alston about his recent work shortly before embarking on the project, and Alston responded that the group dances Cohan was creating were similar to his earlier works, but the solos were completely original and new.  Cohan went on to create Afternoon Conversations with Dancers, a collection of eight solos on which he worked collaboratively in dialogue with each dancer, exchanging ideas in words and movement, initially in the studio and then during lockdown over Zoom.

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On Thursday evening, The Mill Arts Centre presented three dance works for the Dancin’ Oxford 2022 Festival.  First, local dance group The Remarkables raised the curtain with a work created during one of the Chhaya Collective’s ‘Wild Workshops for Women’.  Five mature dancers used rhythmic, grounded movement to tell stories that connected their day-to-day lives with their inner feelings and the joyful experience of discovering and releasing them.  There followed two works on related themes danced by the Chhaya Collective:  Hymnos, for two dancers, and Khaos for six dancers and three musicians.

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Dancin’ Oxford‘s Spring Festival features exciting guest companies, local companies and newly commissioned work as well as a host of participatory activities such as workshops and discussions. Here follows a list of performances, with links to more information and booking details:

Moving With the Times, now in its 11th year, features three new works from exciting emerging companies, co-commissioned by Dancin’ Oxford and Pegasus Theatre. In Excessive Human Collective‘s piece Post Truth Whatever, three female performers create and broadcast propaganda in a fictional world which is eerily similar to our own. Night People Events present The Rave Girl; housed within a colourful visual landscape, the rave girl explores how hype, rave, and expression can collide, creating a complex, yet otherworldly persona that demands to be seen. In light of the horrific murders of Sarah Everard and Sabina Nessa, Phoebe Tompsett Dance work The Daily Male casts a stark light on the measures that women are forced to take every day simply to remain safe.

Date: Friday 4th & Saturday 5th March 7.30pm

Venue: Pegasus Theatre, Magdalen Road, Oxford OX4 1RE

Tickets: £13, concessions £10 Book online here

Recommended age: 12 years+

For the Festival Opening Oxford’s Westgate shopping centre will come to life with a series of short shows from national and local companies to make you think, smile and want to dance. Richard Chappell presents Infinite Ways Home – a multisensory production that explores ritual, rave and human connection. Unlock the Chains Collective depicts a community united in grief and anger as it remembers and mourns the lives of those lost at the hands of the state. This outdoor piece is commissioned by Dancin’ Oxford and supported by TORCH. Joli Vyann presents an innovative duet fusing circus, dance and theatre – blurring the boundaries of dance and circus skills. Also performing will be vibrant and talented youth dance troupes from across Oxford including Step2 Dance, Body Politic, TPD Young Artists and Mini Professionals. Join the Zumba party for fun and to learn some moves.

Date: Saturday 5th March 12.00-5.00pm

Location: Leiden Square, Westgate, Queen St, Oxford OX1 1TR

Free, and suitable for all ages

KHAOS & HYMNOS – Chhaya Collective

A double bill of two extraordinary dance pieces about women resisting oppression. In HYMNOS, inspired by the story of Iranian artist Saba Zavarei and her online platform Radio Khiaban,”even the most captured woman guards the place of the wildish self, for she knows intuitively that someday there will be a loophole, an aperture, a chance, and she will hightail it to escape.” In KHAOS live musicians join six contemporary dance artists to revel in the joy, tenderness and the power of wild women.

Date: Thursday 10th March 7.30pm

Venue: The Mill, Spiceball Park, Banbury OX16 5QE

Tickets: £16 Book online here

Recommended age: 13 years+

Body Politic – Them

Directed by Emma-Jane Greig and with choreography by L’atisse Rhoden, THEM flicks through the journal pages of three survivors of sexual violence, exploring the women’s struggles to navigate the trauma and its impact on their mental wellbeing, their loss of self, and finding healing. Inspired by American poet and novelist Kim Addonizio’s poem To The Woman Crying Uncontrollably In The Next Stall, this powerful and gripping display of hip-hop dance draws movement from the stark and vivid imagery of her words.

Date: Friday 11th March 7.30pm

Venue: The North Wall, South Parade, Oxford OX2 7JN

Tickets: £14 (concessions £12, under-25 £10) Book online here

Recommended age: 14 years+

Stay after the show for Talk About Dance, an opportunity to join Body Politic Artistic Director Emma-Jane Greig in conversation with independent dramaturg Miranda Laurence, share your thoughts, ask questions and join the discussion. 8.45-9.30pm, free.

Wriggle Dance Theatre – Squidge

Do you squish or squash, handshake or hug, stretch out or snuggle in like a bug? A truly magical and funny interactive dance show with live music and digital projection, taking a light-hearted look at our sense of touch and how it influences our everyday lives; at its heart a tale of  friendship and compromise. An immersive shared experience to delight children and their grown-ups alike.

Date: Saturday 12th March 11.00am and 2.00pm

Venue: The North Wall, South Parade, Oxford OX2 7JN

Tickets: £8 (concessions £6) Book online here

Running time: 50 minutes Suitable for ages 3-8 years

Watch the Squidge film and participate in a workshop at the Mill Banbury – find out more here

Richard Chappell DanceInfinite Way Home

Critically acclaimed choreographer Richard Chappell presents his most ambitious work to date, a multisensory production that explores ritual, rave and human connection. Using a diverse choreographic language of ballet, contemporary dance and improvisation, Infinite Ways Home looks to redefine our sense of community and home, in a mesmerising feast of colour and pulsating sound. Performed by an ensemble of extraordinary dancers, it features electronic music by award-winning experimental duo Larch, alongside live violin by acclaimed soloist Enyuan Khong.

Date: Monday 14th March 7.30pm

Venue: Oxford Playhouse, Beaumont Street, Oxford OX1 2LW

Tickets: £10 – £16.50 Book online here

Duration: 60 minutes Suitable for ages 7 years+

Stay after the show for Talk About Dance, with choreographer Richard Chappell and Miranda Laurence, to share your thoughts, ask questions and join the discussion. 8.45-9.30pm, free.

Botis Seva – BLKDOG

A beautifully brutal commentary on how the youth of today are coping in a world not built for them. Through emotionally charged Hip Hop dance, BLKDOG reveals how self-discovery leads to self-destruction. Through haunting childhood memories and adult life traumas, how do we fight through our vices to find a sense of peace? The music has grown from a long-standing collaboration with Torben Lars Sylvest and words performed by  Far From The Norm and guests. Tom Visser’s lighting brings a dark smog of disillusion, while hooded caps and padded costumes by Ryan Laight echo the protection and comfort of childhood. BLKDOG won an Olivier Award for Best New Dance Production in 2019 and in 2021, and has been was nominated for a Black British Theatre Award 2022 for Best Dance Production.

Date: Wednesday 16th & Thursday 17th March 7.30pm

Venue: Oxford Playhouse, Beaumont Street, Oxford OX1 2LW

Tickets: £10 – £26 Book online here

Suitable for ages 11 years+

Find a full programme of Festival activities including participatory workshops here

Vienna Festival Ballet’s production Snow White is lively, entertaining and fun. Presented in the manner of a traditional nineteenth century ballet, albeit on a small scale, the work features a ballroom scene (with show-piece tarantella), a nod towards a vision scene with a corps de ballet of nymphs and birds, and a grand pas de deux in the second act. The musical score, arranged by Alan Lisk from works by Samuel Alexander Faris and Charles-François Gounod abounds in danceable tunes, and the costumes were delightfully colourful. (more…)

For a proper Christmas treat, why not join Vienna Festival Ballet at The Mill in Banbury on a magical journey with their unmissable production of Snow White.  Sparkling choreography propels this timeless fairytale and answers the question; who is the fairest one of all?

Based on the traditional Grimm brothers’ story, this ballet incorporates all the important elements – a beautiful girl, an enchanted mirror, a poisoned apple. Hip-hopping dwarves help Snow White find her Prince Charming.  This spellbinding ballet with choreography by Barry McGrath promises to entertain and dazzle the whole family.

“The entire show was captivating from start to finish”  – WELWYN HATFIELD TIMES

“An excellent company of talented young dancers. Their energy and enthusiasm is breathtaking.” – ENTS24.COM

“This production looks and feels absolutely right”  WORTHING HERALD

Performances:  Friday 6th December 5.00pm and 8.00pm

Venue:  The Mill Arts Centre Trust, Spiceball Park, Banbury, Oxfordshire OX16 5QE

Tickets:  Call the Box Office on 01295 279002 or book online at boxoffice@themillartscentre.co.uk

Find out more about the company at www.viennafestivalballet.com

Or on Facebook here  and Twitter here

Don’t miss this chance to see Lukas Dhont‘s thought provoking and award winning film Girl this week at The Mill Arts Centre, Banbury.
Determined 15-year-old Lara wants to become a ballerina. With the support of family, she throws herself into this quest for everything at a new school. Lara’s frustrations and impatience are heightened as she realizes her body doesn’t bend so easily to the strict discipline because she was born a boy.
Showing:  Wednesday 11th September 7.30pm
Venue:  Main Auditorium, The Mill Arts Centre, Spiceball Park Road, Banbury OX16 5QE
Tickets:  From £8 from the Box Office on 01295 279002 or book online here
 
Rating: 15  Please note that this film is subtitled.
Find out more about the film here

Yorke Dance Project currently celebrates 20 years of performing inspiring dance by past masters and emerging artists from the UK and USA. This celebratory programme features works by world renowned choreographers Kenneth MacMillan and Robert Cohan alongside emerging Los Angeles choreographer Sophia Stoller with a commissioned score by Justin Scheid. Completing the programme is an exciting new work by artistic director Yolande Yorke-Edgell. April brings a not to be missed opportunity to see the company at the Mill Arts Centre, Banbury.

MacMillan’s Playground is one of the featured works in this anniversary programme, its first restaging since its premiere at the 1979 Edinburgh Festival and performed to music by Gordon Crosse. Costumes and set have been reimagined by Charlotte MacMillan.  Also featured is Cohan’s Communion set to music by Nils Frahm and designed by past Cohan collaborator from London Contemporary Dance Theatre,  John B Read.  Completing the programme is a Cohan Collective commission from Stoller and composer Justin Scheid Between and Within. The final work Imprint by Yorke-Edgell reflects her own experience of working with dance legends Richard Alston, Bella Lewtizky and Robert Cohan.  With highly acclaimed and athletic dancers performing engaging, thought provoking and enlightening new work, this is a rare evening of exceptional dance.

Dancers for the tour of this programme include wonderful guest artists Jonathan Goddard, Romany Pajdak (Royal Ballet Company), Dane Hurst, and Oxana Panchenko (Michael Clark Company). Ben Warbis will be returning to YDP as will last year’s apprentice, Ellie Ferguson, dancing alongside company members Edd Mitton, Abigail Attard Montalto and Freya Jeffs.  Yorke Dance Project is also excited to be working again with lighting designer Zeynep Kepekli.

The performance at Banbury will include a curtain raiser by The Mill’s own Remarkable Dance Company.

Performance:  Thursday 4th April 7.30pm

Venue:  The Mill Arts Centre, Spiceball Park, Banbury, Oxfordshire OX16 5QE

Tickets:  from £15, book online here or call the Box Office on 01295 279002

Find out more about Yorke Dance Project here