Another fascinating opportunity for discussion springing from the Backstage At The Ballet exhibition at The North Wall.  Researchers Dr Bronwyn Tarr and Joshua Bamford will bring Colin Jones’ photographs to life with an engaging discussion on their creative research into the psychological and physiological effects of dance and movement. Bridging the gap between science and dance – and photograph and the viewer – the conversation will invite the audience to explore how science can help uncover the power of moving with others.

Bronwyn and Joshua are based in The Social Body Lab at the Institute of Cognitive & Evolutionary Anthropology, University of Oxford, and both have experience as performers, as well as scientists. They are interested in uncovering the nuts and bolts behind the benefits of being part of a dancing community.

Joshua’s doctoral work aims to understand the social and cognitive processes involved in synchronised movement, through a range of audio-visual perception experiments.

Bronwyn (a TORCH Knowledge Exchange Fellow) is currently exploring how dance-movement therapy might help alleviate loneliness, and is collaborating with local artists to choreograph a performative piece on the embodied experience of feeling alone, and feeling connected.

Date:  Wednesday 4th March, 6.00pm

Venue:  The North Wall Arts Centre, South Parade, Summertown, Oxford OX2 7JN

Tickets:  Tickets for this event are free, but spaces are limited. Please email Nicky Laird, Gallery Manager, on lairdn@thenorthwall.com to book.

Further details on Backstage At The Ballet can be found here

The North Wall offers a perfect introduction to its exhibition Backstage at the Ballet with an expert guide.  Jane Pritchard‘s illustrated presentation will place Colin Jones’ photographs in the context of the work of his contemporaries. It will contrast the candidly captured life of a dancer on stage and off with the more formally composed photograph encapsulating the art of dance.

Jane Pritchard is curator of dance at the Victoria and Albert Museum, London, where she curated the exhibition Diaghilev and the Golden Age of the Ballets Russes and displays of the work of photographers Chris Nash and Anthony Crickmay. She also writes, lectures and broadcasts on many aspects of dance.

Date:  Tuesday 11th February, 5.30pm

Venue: The North Wall Arts Centre, South Parade, Summertown, Oxford OX2 7JN

Tickets:  Tickets for this event are free, but spaces are limited. Please email Nicky Laird, Gallery Manager, on lairdn@thenorthwall.com to book.

Further details on Backstage At The Ballet can be found here

As part of Dancin’ Oxford 2020 The North Wall displays a collection of remarkable photos, Backstage At The Ballet.  Colin Jones (b.1936) is one of Britain’s most significant photojournalists but he began his creative career dancing with The Royal Ballet.  This dancer-turned-photographer focused his lens on fellow dancers as his subject matter, capturing hardworking bodies and backstage drama.

Jones’ backstage ballet photographs show not just the emotional intensity and beauty of ballet but also reveal the sustained physical exertion and discipline of a dancer’s life.  Photographs from the 1960s include Britain’s iconic ballerina, Margot Fonteyn and the Soviet-born Rudolf Nureyev as well as later images from the 1990s, featuring English National Ballet star Tamara Rojo.

This is the first exhibition in a public gallery of Jones’ ballet photographs, featuring rarely-seen backstage images of British ballet from the late 1950s to the millennium.

With grateful thanks to Colin Jones, Topfoto and principal sponsor St Edward’s School.

Dates:  Tuesday 11th February – Saturday 7th March

Venue:  The North Wall Arts Centre, South Parade, Summertown, Oxford OX2 7JN

Tickets:  Admission free.

Opening hours:  The North Wall Gallery is open from Monday – Friday 10am – 4pm, and from 12pm – 4pm on Saturdays. Sundays & Bank Holidays: normally closed, except for theatre events.

Related talks:

Photographing Dance and Dancers, Tuesday 11th February, 5.30pm: further details here

The Collaborative Research of Science and Dance, Wednesday 4th March, 6.00pm: further details here

Find out more about Colin Jones here

In November 2019 Oxford Dance Writers (ODW) celebrated its 10th anniversary with a reception at the North Wall Arts Centre to mark the occasion. The evening provided a joyful opportunity for members of the wider Oxford dance and performing arts community to come together and catch up.  A panel of guest speakers discussed dance writing each from their own specific perspective.  Dance critic and historian Nadine Meisner entertained us with stories of the dance reviewer’s rackety life, but also described her experiences drawing together her authoritative biography of Marius Petipa published in the summer.  Dance artist Nicholas Minns, reflected thoughtfully on his emergence as a dance blogger and online critic covering a wide spectrum of dance performance, and the writers influencing him in developing a distinctive voice and perspective.  Professor Susan Jones, the driving force behind Dance Scholarship Oxford (DANSOX) which has scheduled so many fascinating events (talks, seminars, lecture demonstrations, residencies) in recent years, gave insight into the place and potential of dance within Oxford University, and its enriching contribution to innovative interdisciplinary research projects and outreach. Oxford University Press mounted an impressive display of its varied publications on dance for those attending to browse and purchase.

ODW emerged from Ballet in Small Spaces’ The Solos Project in 2009 as an initiative to encourage critical writing and online discussion of dance, and generate informed reviews of the work of local dance artists.  Since then it has become a valuable record of dance performance activity in and around Oxford, listing forthcoming events as well as reviewing, bearing witness to dance in Oxford; generating an archive of the diverse and idiosyncratic dance history of a particular place.  Aiming to be a space for informed debate it has played a significant part in raising the profile of dance in Oxford, and developing its audience.  ODW has run three Dance Writers of the Future competitions to encourage younger writers.  It tracks and reports on academic dance initiatives such as Dance Scholarship Oxford and Dance and Academia events, and regularly reviews dance publications both academic and popular.  It has had the support of Oxfordshire venues who provide press tickets for ODW reviewers, and of publishers who have provided review copies of dance books.

Over the last ten years 40 writers have been featured, with substantial contributions from Susie Crow and Maggie Watson.  As well as academics (such as Miranda Laurence, Dana Mills) contributors have included local dance artists (including Ana Barbour, Jane Connelly, Rachel Gildea, Lisia Newmark); occasional guest writers (Nicholas Minns of writingaboutdance.com, Rebecca Nice, Emily May, art historian Barbara Berrington, former Oxford Times dance critic David Bellan); local dance lovers (such as Jess Ryan-Phillips, Susannah Harris-Wilson, Susanna Reece); and young writers who have entered our competitions.   ODW reaches a significant number of dance professionals and enthusiasts in the Oxfordshire area, and despite its mainly local focus the site also has an international following.

ODW now extends its grateful thanks to all who have contributed writing and who have supported the site in other ways over the years.  A special thanks to Maggie Watson who has recently completed with distinction an MA in Ballet Studies at the University of Roehampton, for so regularly contributing thoughtful, perceptive and empathetic reviews of a wide range of performances and publications.  With particular reference to our anniversary celebration, special mention must go to our wise and encouraging speakers, to Oxford Dance Forum for its generous support, to The North Wall for hosting us in such welcoming fashion, and to Oxford University Press for its enticing display of dance publications which prompted much pre Christmas buying.  And a final shout out for local dance and visual artist Naomi Morris for her beautiful images for ODW publicity materials.

We look forward to continuing… watch this space!  Your interest and comments will be greatly valued.

Wishing you all the best for 2020 and the coming decade,

Susie Crow

 

You can find information about Nadine Meisner’s biography Marius Petipa: The Emperor’s Ballet Master here or why not drop into the OUP Bookshop at 116-117, High St, Oxford OX1 4BZ.

Read Nicholas Minns’ latest reviews on his blog writingaboutdance.com here

Find out about Dance Scholarship Oxford, DANSOX, here

and about Dance and Academia here

Information about Oxford Dance Forum and its activities can be found here

Company Chordelia arrived for their third visit to Oxford’s North Wall with their latest production The Chosen garlanded with four and five star credits following a successful opening at this year’s Edinburgh Festival. While touring extensively north of the border this Scotland based company does very few performances in the south, so Oxford audiences are lucky to see it, and to have been able to trace the development of the company’s distinctive style through earlier works about legendary dancer Nijinsky, and Lady Macbeth. Director Kally Lloyd-Jones’ latest piece is a moving meditation on life and death, an intense hour which nevertheless reaches out directly to engage emotionally with its audience; a company of fine dancers come across as believable individuals whose moods and travails we can all identify with. (more…)

The award-winning Company Chordelia (Nijinsky’s Last Jump, Lady Macbeth: Unsex Me Here) return to The North Wall with their latest production, direct from its world premiere at Edinburgh Fringe 2019.  Created and directed by Kally Lloyd-Jones, The Chosen is an intensely moving dance piece about dying and embracing the art of living.

How do we choose to live in the face of the inevitable and how do we think about the final stage of our life cycle? Increasingly, as medicine advances, knowledge of imminent death has become a reality for everyone; The Chosen addresses our individual mortality from the shifting perspectives of ourselves and our loved ones.

“elegant and eviscerating” ***** The Stage

Performance:  Saturday 14th September 8.00pm

Venue:  The North Wall Arts Centre, South Parade, Oxford OX2 7JN

Tickets:  Full Price: £16, Concessions: £14, Members: 15% off

Available online here, or call the Box Office on 01865 319450

Age Guidance: 12+

Dance Audience Club 6.30pm

If you are curious about dance, but sometimes feel a bit stumped about how to process it or talk about it, then Dance Audience Club is for you! A friendly, informal opportunity to give language to an art experience that can sometimes feel a bit difficult to pin down.

This pre-show discussion is an independent project led by Miranda Laurence, supported by The North Wall and Oxford Dance Forum. It’s free to take part, with discounted tickets to The Chosen. To book your place, email Amy Walters on waltersa@thenorthwall.com

Open Rehearsal 2pm – 5pm

Drop in to get a behind-the-scenes glimpse of The Chosen as part of Oxford Open Doors.

Find out more about Company Chordelia here

Mixtape, by contemporary flamenco company Dotdotdot Dance, is a performance of four works: three dances, and a song by Lole y Manuel. Of the dances, the second, Alhelí la fea, was closest to traditional flamenco, being a ‘structured improvisation’ in which dancer Magdalena Mannion and singer Elena Morales responded to each other. Dressed in black, they stood close against the red brick of the back wall of the stage, interpreting the theme drawn from popular verse, ‘I’m like that old piece of furniture left against the wall’. (more…)