First Look offers a first glimpse of the three works-in-progress by exciting dance companies that will be performed in full to launch the Spring Dancin’ Oxford Festival 2019 in the Moving With the Times showcase in March. Each work-in-progress run at this January preview will be followed by a Q&A with the artists.

Richard Chappell Dance with his new work Still Touch examines the relationship between dance and life-sized sculpture using his unique approach to ballet, improvisation, floor work and partner work.

Moon Dances is Jann Esterhuizen’s choreographic exploration of classical ideas and forms in collaboration with composer, Edward Farmer.

Joe Lott’s original brand of energising, innovative dance and storytelling, reveals two dancers take on micro-gravity and mythology in EVA, NASA-speak for spacewalking.

Moving With The Times – First Look is a Pay What You Can night. Book your place(s) online or through the box office in advance and pay on the night – if you enjoy the evening and can pay our standard ticket price – please do, if you can’t – pay what you can. The box office can’t take payments online so if you wish to pay any amount by card in advance, please call the box office and they will process your payment. Otherwise cash or card payments can be made on the night.

Date:  Friday 18th January, 7.30pm

Venue:  Pegasus Theatre, Magdalen Road Oxford OX4 1RE.

To Book: http://pegasustheatre.org.uk /   Box Office: 01865 812150

Recommended for ages 11+)

NB: The final triple bill Moving With The Times will be at Pegasus on 1 & 2 March 2019.

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Richard Chappell Dance presents the company’s compelling first full length work, At the end we begin. Using T.S. Eliot’s classic series Four Quartets as a point of departure, each poem is represented through four arresting and emotionally-fuelled quartets of dance.

At the end we begin inhabits the derelict, sensitive and powerful landscape of Eliot’s poetry and questions how time’s circular nature affects our understanding of ourselves. The work takes four young individuals from a place of being lost to a state of empowerment and acceptance where they have found their own voice by journeying through Eliot’s text. Whilst combining Chappell’s own distinguishable blend of classical ballet, martial arts, improvisation and contact work with three other highly-skilled performers, At the end we begin dives into each performer’s unique and diverse skills with a rich palette of qualities.

Venue:  Pegasus Theatre, Magdalen Road, Oxford OX4 1RE
Date:  Friday, 26th October 7:30 pm
Tickets:  £13, £9 concessions.  Book online here, or call the Box Office on 01865 812150
Suitable for audiences 11+

This Autumn Dancin’ Oxford is celebrating all things ‘family’ with the return of its popular Family Dance Week. Between 6th – 14th October Dancin’ Oxford will be offering some fantastic opportunities for families (including every generation!) to enjoy dancing together. From exciting performances in theatres and libraries, to family disco events and even a ceilidh, there will be guaranteed fun for the whole family!  Here is a list of upcoming performances by Wriggle Dance Theatre, Dancing Strong, 201 Dance and Alexander Whitley Dance Company, but you can find the full programme including all participatory activities here(more…)

I made a last minute decision to go and see Watkins Dance Company. As a result I was late and missed most of the first piece but I’m glad that I went and saw the show. It was a shame that it did not appear to have been very well publicised.  The programme included three pieces by choreographer Anna Watkins; Human Animal, Mrs Oath, a film made in collaboration with Film Oxford and ACE, and Solitude. The evening had a theme about the equality and oppression of women in celebration and acknowledgement of the 100 year anniversary of women getting the vote. (more…)

Spring is coming, and with it Oxford’s very own festival of dance Dancin’ Oxford in its 2018 edition.  Lots of fascinating peformances to come with an emphasis on physical theatre and storytelling as well as some tantalising workshops and taster sessions.  See below for Oxford Dance Writers list of performance events and dates in Oxford with links to further information and booking details.  Check out the Dancin’ Oxford website for details of additional performances in Didcot and Banbury, as well as workshops and classes and the Dance and Academia conference. (more…)

This show promised huge energy, masculine physicality and comedy, and it didn’t disappoint. Playing out the power shifts between an older and younger man, the piece cleverly portrayed an ever-changing relationship. At once reliant and rejecting, the pair circled each other endlessly (both literally and metaphorically), each trying to gain – or retain – dominance.

The opening sequence set a striking, almost macabre tone: a series of frozen tableaus depicting the power play between the two characters was set against a dramatic score and even more dramatic lighting.   From this intense beginning, a much lighter and more accessible office comedy then played out. A pared-down but very funny script was performed seamlessly by Joshua Thomson and Gavin Webber; there was such a sense of flow and ease that I wondered how much of this was improvised – clearly the two men were having a lot of fun, playing games and sparring with one another. (more…)

A cross between The Office and a cage-fight, Australian style: straight from their critically acclaimed performances in Australia, The Farm presents the first UK tour of Cockfight, an exhilarating duet of extreme physical theatre that explores male behaviour and intergenerational conflicts. Coming to Pegasus Theatre on Friday 20 October as part of Oxford Playhouse’s Playhouse Plays Out scheme, it illustrates the interaction between two men from different generations, trapped in an all too familiar and universal environment – the office.

Born out of a very real relationship between performers Joshua (33 years old) and Gavin (50 years old), this is about two men who exist side by side, share space, resources, time and responsibility and justify their existence in relation to each other. Their physical action is underpinned by a fierce co-dependency in a duet of slow-motion fight sequences, interlocking rolls and tackles and Buster Keaton-esque battles of supremacy.

The Farm is an international network of highly respected artists, ranging from choreographers and independent dancers to musicians and designers. The artistic direction of the company is led by Gavin Webber and Grayson Millwood who have been making work together for the past fifteen years across four continents. Performed by Gavin Webber and Joshua Thomson, and developed by The Farm in partnership with guest artist Julian Louis, Cockfight is a powerful physical performance about male dominance and the exhibition of masculinity.

Performance:  Friday 20th October 7.30pm

Venue:  Pegasus Theatre, Magdalen Rd, Oxford OX4 1RE

Tickets:  £19 available from the Playhouse Ticket Office on 01865 305305 or book online at www.oxfordplayhouse.com