On 24 April, DANSOX hosted an evening with The Frederick Ashton Foundation, giving an Oxford audience the chance to observe the ways in which the Foundation cherishes Ashton’s choreographic legacy. At the heart of the event, which included a talk by Alastair Macaulay and a screening of Lynne Wake’s film Frederick Ashton: Links in the Chain, was a master class in which Helen Crawford coached Royal Ballet dancer Romany Pajdak in excerpts from Ashton’s ballet Five Brahms Waltzes in the Manner of Isadora Duncan (1976).

After an introduction by the Foundation’s executive director, Christopher Nourse, Macaulay set the scene, outlining Isadora Duncan’s impact on twentieth century dance and her huge influence on the dancers and choreographers that saw her, among them Frederick Ashton. Five Brahms Waltzes was created for Lynn Seymour, whose feet, Macaulay said, reminded Ashton of another of his muses, Anna Pavlova. It is a work that calls for great upper-body freedom, yet Macaulay noted that Ashton was struck by Duncan’s capacity for stillness, and her ability to make tiny movements readable to the audience.

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An evening not to be missed, celebrating the great British ballet choreographer Sir Frederick Ashton: for the next Dance Scholarship Oxford (DANSOX) event the Frederick Ashton Foundation presents an Ashton masterclass with dancers from the Royal Ballet introduced by Alastair Macaulay, and a screening of Lynne Wake’s film Frederick Ashton: Links in the Chain. The event will be followed by a Q&A and refreshments.

Date: Wednesday 24th April, 6.30-8.45pm

Venue: Jacqueline du Pré Music Building (St Hilda’s College), Cowley Place, Oxford OX4 1DY

Booking: Free of charge, but please book your place online via Eventbrite here

Find out more about the Frederick Ashton Foundation here

And about Dance Scholarship Oxford here

Still wondering what Christmas present to get for the dance lovers or converts in your life?  Here is a reminder of some great publications that ODW has recently reviewed, including fascinating historic biographies and stunning photography, plus an extremely tempting DVD… click on the links provided for reviews and details of where to purchase.  Particular thanks to Maggie Watson for the informative and perceptive reviews she has contributed.

Nadine Meisner 2019  Marius Petipa: the emperor’s ballet master

A major and groundbreaking volume, nominated for the Outstanding Creative Contribution in this year’s National Dance Awards (to be announced 19th February 2020). This is the first English language biography of the great ballet master behind such iconic works as Swan Lake, The Sleeping Beauty and The Nutcracker, massively influential in ballet’s development.  Full of historic detail it paints a fascinating picture of an intriguing character and the colourful world of 19th century ballet, giving tantalising glimpses of other forgotten works.  Essential reading; for further information read Maggie Watson’s review here  As an alternative to buying online, why not check it out alongside other fascinating dance publications by Oxford University Press at the OUP Bookshop, 116-117 High St, Oxford OX1 4BZ.

Michael Meylac 2018  Behind the Scenes at the Ballets Russes: stories from a silver age

For reviewer Maggie Watson “There is never a dull moment in this collection of interviews with dancers associated in one way or another with the various companies collectively described as the ‘Ballets Russes’.” Professor Michael Meylac has tracked the historic diaspora of dancers from the Ballets Russes companies across the world, and the lively reminiscences he has elicited from a wide range of artists paint a vivid picture of often racketty professional existence, including memories of some of the great teachers bringing Russian ballet schooling to the West.  A hugely entertaining read, check out Maggie’s review here

Darcey Bussell 2018  Darcey Bussell: Evolved

An autobiography partly narrated through the lens of the professional camera; a chatty album whose portrait “snaps” of its likable protagonist happen to be by photographic luminaries including Annie Leibovitz, Arthur Elgort, John Swannell, Lord Snowdon and Richard Avedon, as well as distinguished dance photographers such as Bill Cooper, Anthony Crickmay and Chris Nash. It tracks the intriguing development of a career beyond the Royal Ballet for this beautiful ballerina as model and media personality.  Read Susie Crow’s review of this luxurious coffee table book here and read Maggie Watson’s report of Darcey Bussell interviewed by Nick Higham at the Oxford Literary Festival here

Rick Guest 2019  Edward Watson: Portrait of a Dancer

You would need a substantial Christmas shopping budget to be able to afford this portfolio of Rick Guest’s stunning large format photographs of a particular muse, the remarkable and individual Royal Ballet star Edward Watson.  Maggie and Susie went to hear Guest and Watson in entertaining and thought-provoking conversation about their work together earlier this year at the National Portrait Gallery; read Maggie’s account here.  There are other volumes of Guest’s extraordinary portraits of dancers available at more affordable prices; read Maggie’s account here of his exhibition What Lies Beneath which is now available as a book.  Check this out along with examples of the Watson portraits here

Richard Allen Cave & Anna Meadmore eds. 2018  Robert Helpmann: the many faces of a theatrical dynamo

This collection of articles by dance academics and practitioners on the charismatic and multifaceted dancer and actor Robert Helpmann is a timely and valuable addition: as Maggie says, “enlightening, entertaining and scholarly”.  Emerging from the research leading to Birmingham Royal Ballet’s 2014 restaging of Helpmann’s powerful ballet Miracle in the Gorbals, it brings this major figure back into the limelight; including some of his own writings and a DVD with fascinating interviews and documentary footage.  Essential reading for those interested in the development of British Ballet during and after WW2.  Read Maggie’s review here

And finally…

Queen + Béjart: Ballet for Life

Available on DVD or Blu-ray this double bill includes not only historic live action capture of Queen and the Béjart Ballet in Ballet for Life, but also the fascinating recent documentary about the work by director Lynne Wake and producer Simon Lupton.  Edited by Emmy Award winner Christopher Bird, it tells the story of Ballet for Life and its success, featuring the great and the good of both rock and dance, including: Brian May, Roger Taylor, Gil Roman, Wayne Sleep and Arlene Phillips. The full performance at Théâtre Métropole, Lausanne in June 1997 was captured and directed by David Mallet, known specifically for directing live performance concerts of such megastars as Tina Turner, David Bowie, The Rolling Stones, and numerous Queen videos including Bicycle Race, Radio Ga Ga, I Want to Break Free and Freddie’s classic The Great Pretender video.  It includes incredible archive footage of Freddie Mercury, Maurice Béjart, and Queen, as well as Gianni Versace and his stunning costume designs. This release also includes a substantial segment of John Deacon’s final performance with Queen, taken from Ballet for Life international premiere with Elton John in Paris.

Ballet for Life was a unique collaboration between three cultural brands: Queen, Versace and the late visionary choreographer Maurice Béjart, celebrating the life and talents of legendary performers, Freddie Mercury and Béjart Ballet Lausanne’s former principal dancer, Jorge Donn, both of whom died of AIDS in the nineties. For Maurice Béjart, choreography was about the cycle of life, youth and hope, as well as life triumphing over death.  Already presented over 350 times around the world, this ballet continues to tour widely.  Those of us attending the DANSOX summer school in July were lucky enough to see a showing of Lynne Wake’s excellent documentary, which incorporates live footage of a new generation of stunning dancers rehearsing this powerful work.  A real Christmas treat; you can buy the double bill online here

Happy Christmas!

The DANSOX Inaugural Summer School will be taking taking place 6-8th July at St Hilda’s College, University of Oxford, attracting a unique mix of dance academics and artist practitioners in a rich programme of seminars, practical lecture demonstrations and special dance film and book presentations.

Alastair Macaulay, former Chief Dance Critic at the New York Times, leads the three-day event with lectures on three master choreographers: Petipa, Balanchine and Cunningham.  Seminars will include presentations by dance scholars including Julia Bührle, Renate Bräuninger, Gabriela Minden, Margaret Watson, Fiona Macintosh and Tom Sapsford.  Lecture demonstrations will include Moira Goff on 17th century and baroque dance, Susie Crow and pianist Jonathan Still on the ballet class (with dancers Ben Warbis and Ellie Ferguson of Yorke Dance Project), and Jennifer Jackson with composer Tom Armstrong on music and choreographic practice.  Sir Richard Alston will talk about the influence of Merce Cunningham on his work, including a solo performance by Elly BraundLynne Wake will present her recent film Bejart and Queen, and the event culminates in the eagerly anticipated launch of Nadine Meisner‘s biograpy of Marius Petipa.

Dates:  Saturday 6th -Monday 8th July 2019

Venue:  St Hilda’s College, Cowley Place, Oxford OX4 1DY

To celebrate the inauguration of this special event, DANSOX is offering one-off specially discounted tickets: £15.00 daily ticket, £30.00 for a three-day ticket.
All are welcome. Come for a day or two, or for the whole three days. Refreshments and lunch provided for ticket holders.
Booking essential at Eventbrite https://dansoxsummerschool.eventbrite.co.uk

Download the full programme here

Accommodation available in St Hilda’s College – contact Sarah Brett
Further information from the Programme Director: Professor Susan Jones.

We hope to see you there!

 

This collection of essays, articles and interviews, accompanied by a DVD, is enlightening, entertaining and scholarly. Robert Helpmann joined the Vic Wells Ballet in 1933, and was a major influence in the development of ballet in England, but despite being the subject of three biographies (by Elizabeth Salter, Anna Bemrose, and Kathrine Sorley Walker), by the early years of this century his fame was fading and his choreographic work Miracle in the Gorbals (1944) was almost lost.

The story of this ballet’s miraculous recovery threads through the book, and draws together memories, commentary, film footage and analysis. (more…)

There was much to celebrate tonight at St Hilda’s, when five years of fascinating DANSOX events programmed by Professor Susan Jones coincided with the 125th anniversary of the college that so generously hosts these events. It was a wonderfully inclusive evening that centred round a screening of Lynne Wake’s New Wave Ballet, a documentary film about the early ballets of Kenneth MacMillan, before a packed audience that included members of the college and wider University, participants in the local dance community, practitioners and dance scholars from further afield, Dame Monica Mason, and Deborah, Lady MacMillan.

Wake’s introductory talk vividly described how eager she had been to see Edmée Wood’s films of Royal Ballet productions, her initial disappointment at the poor quality examples that she found, her excitement at discovering the original recordings, and the work involved in their restoration for the Royal Opera House. Her documentary is an outstanding example of the use of archival footage to bring back to life the essence of dances that might otherwise be lost, by showing film alongside interviews with the actual dancers, who know the works from the inside.

Next, Dame Monica spoke about her experiences working with MacMillan, as a dancer and as his répétiteur, noting the wide range of his artistic interests, his willingness to take risks and work with new collaborators, and his ability to reprove but then move on. Almost five years to the day since she spoke at the first DANSOX event celebrating the centenary of The Rite of Spring, she described what it was like to be the Chosen Maiden, dancing between the criss-crossing legs of the corps de ballet as they lay face down on the stage, or being passed from hand-to hand high overhead (an image reminiscent to me of Greek vase paintings of the sacrifice of Iphigenia). I remember seeing her in the role in 1982, and still carry pictures of her performance in my head.

At the reception following the brief question and answer session, St Hilda’s Vice Principal Dr Georgina Paul thanked DANSOX patron Sheila Forbes (the former Principal of St Hilda’s) and proposed a toast to DANSOX’ other patron, Dame Monica, to mark the fact that she is now an Honorary Fellow of the College.

Maggie Watson

19 February 2018

Dance Scholarship Oxford‘s first event of 2018 is a real treat; a film night featuring a screening of New Wave Ballet, Lynne Wake‘s documentary film about the early work of twentieth-century choreographer Kenneth MacMillan, newly reversioned for last autumn’s anniversary festival Kenneth MacMillan: A National Celebration.  The film includes historic and lovingly restored footage of some of the ballets as well as interviews with original interpreters.  The showing will be followed by a talk by Lynne Wake on the making of the film, and Dame Monica Mason will also talk about the experience of working with Kenneth MacMillan.  Not to be missed!

Date:  Monday 19th February 5.30pm

Venue:  Jacqueline du Pré Music Building, St Hilda’s College, Cowley Place, Oxford, OX4 1DY

Free and open to all followed by drinks reception, but booking advised

Book here:  https://www.eventbrite.co.uk/e/dansox-presents-film-night- new-wave-ballet-tickets-41209915968

Further information about DANSOX and its programme of events can be found here