This collection of essays, articles and interviews, accompanied by a DVD, is enlightening, entertaining and scholarly. Robert Helpmann joined the Vic Wells Ballet in 1933, and was a major influence in the development of ballet in England, but despite being the subject of three biographies (by Elizabeth Salter, Anna Bemrose, and Kathrine Sorley Walker), by the early years of this century his fame was fading and his choreographic work Miracle in the Gorbals (1944) was almost lost.

The story of this ballet’s miraculous recovery threads through the book, and draws together memories, commentary, film footage and analysis. (more…)

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Over 30 years ago, Barbara Newman embarked on a series of interviews with dancers about dancing, and for this book she returned to those who were still alive to find out what they had to say about their subsequent choices and their opinions on dance today.  The oldest (Alicia Alonso) was born in 1920, the youngest (Nina Ananiashvili) in 1964;  they work all over the world, from London to New York and from Havana to Tbilisi, and yet their concerns are remarkably similar.

It is common, perhaps fashionable, to talk about the globalization of ballet, but it is clear from these interviews that it does not have to entail homogenization, that the differences between different schools and companies still matter, and that dance is not all about virtuosity.   Lynn Seymour complains about the vulgarity of dancers showing their knickers in Giselle, while Ananiashvili says:  “When I see new modern choreography I just see splits, splits, splits”.  Whether it is Alonso or David Wall, Merrill Ashley  or Donald MacLeary, there is a clear determination to draw out the distinctions between different works and to understand the choreographers’ choices.  (more…)