It is that time of the year again, suddenly Christmas is looming with urgent gift shopping imperatives. But don’t worry, once again Oxford Dance Writers is here to help with our round up of dance publications reviewed and received this year, from the highly academic and practical to the entertaining memoir and gorgeously illustrated records of companies and dancers; for the dance lovers in your lives, or to add to your own Christmas wish list… Great thanks once again to all our reviewers! (more…)
December 6, 2016
All I want for Christmas is… Oxford Dance Writers recommends 2016
Posted by susiecrow under Dance and Academia, reviews | Tags: All I want for Christmas 2016, Angela Pickard, Ballet Body Narratives, Ben Spatz, Butoh Dance Training, Dance Dramaturgy, Darcey Callison, Deborah Hay, Gandini Juggling, Jeannie Donald-McKim, Juggling Trajectories, Juju Alishina, Maggie Watson, Miranda Laurence, Paul Arrowsmith, Pil Hansen, Rachel Gildea, Rick Gust, Sir Peter Wright, Susie Crow, The Language of the Soul, Thomas J M Wilson, Using the Sky, What a Body Can Do, What Lies Beneath, Wrights and Wrongs |Leave a Comment
May 8, 2016
Juju Alishina performs Red Night, Stroud 7th May 2016: Butoh Dance Training by Juju Alishina – Jeannie Donald-McKim reviews
Posted by susiecrow under reviews | Tags: Butoh, Butoh Dance Training, Desire for Infinity, Jeannie Donald-McKim, Juju Alishina, NUBA, Red Night |1 Comment
Last night I saw Juju Alishina perform Red Night in Stroud, a mesmerising and compelling evening, with three contrasting pieces showcasing different aspects of Alishina’s style. First a mysterious creature, in textured layers of kimono, looked out at the world from beneath a red veil, tasting the elements with her tongue. This was a wonderful play of power and rebellion, a dark liturgy mixing the religious fervour of a demented nun with the sweeping turbulence of a torrent of water. Next Alishina transformed into a dynamic martial figure, a Japanese anime heroine, moving with direct impactive choreography to an impressionistic soundtrack of Japanese street sounds. Viol player Thol Mason brought frisson to the final piece, Desire for infinity, in which Alishina’s red dress and a white sculptural costume conjured images of sea life, the moon and the goddess: the frills of a cuttlefish and the clouds of heaven. Alishina created starkly beautiful images, moving with elegant precision and flow, leaving a feeling of an encounter with some beautiful profound inner truth. (more…)