It is that time of the year again, suddenly Christmas is looming with urgent gift shopping imperatives. But don’t worry, once again Oxford Dance Writers is here to help with our round up of dance publications reviewed and received this year, from the highly academic and practical to the entertaining memoir and gorgeously illustrated records of companies and dancers; for the dance lovers in your lives, or to add to your own Christmas wish list… Great thanks once again to all our reviewers! (more…)
December 6, 2016
All I want for Christmas is… Oxford Dance Writers recommends 2016
Posted by susiecrow under Dance and Academia, reviews | Tags: All I want for Christmas 2016, Angela Pickard, Ballet Body Narratives, Ben Spatz, Butoh Dance Training, Dance Dramaturgy, Darcey Callison, Deborah Hay, Gandini Juggling, Jeannie Donald-McKim, Juggling Trajectories, Juju Alishina, Maggie Watson, Miranda Laurence, Paul Arrowsmith, Pil Hansen, Rachel Gildea, Rick Gust, Sir Peter Wright, Susie Crow, The Language of the Soul, Thomas J M Wilson, Using the Sky, What a Body Can Do, What Lies Beneath, Wrights and Wrongs |Leave a Comment
September 5, 2016
Ballet Body Narratives: Pain, Pleasure and Perfection in Embodied Identity by Angela Pickard – Susie Crow reviews
Posted by susiecrow under Dance and Academia, reviews | Tags: Angela Pickard, Ballet Body Narratives, dance ethnography, Peter Lang, Susie Crow |[3] Comments
Angela Pickard roots this thought-provoking study in her own experience of ballet training, opening with a frank and vivid personal account of her absorption as child and teenager into the world of ballet practice, embracing her gradual embodiment as a ballet dancer. Following a twenty year professional dancing career, now an academic she reflects on the formation of her own identity; the research that generated this book in addition to her own lived experience is a four year longitudinal study of adolescent ballet students as they develop in vocational schools in the north and south of England. Her ethnographic approach combining observation and interview draws largely on the testimonies of 12 young dancers as to their experiences of both pain and pleasure, in her desire to give a voice to their emerging senses of identity between the ages of 10 and 18 years. (more…)