The star turns of Alastair Marriott’s new work The Unknown Soldier are Es Devlin’s set and Bruno Poet’s lighting design, and if this had been an installation at Tate Modern, I would have been thrilled by the iridescent colours and the use of shadow. As a multi-media ballet at the Royal Opera House, it is less effective: at times the partially lowered curtain bathed in shimmering streams of rainbow light, or the large screen that descended from above, obscured the back of the stage; even from row C of the Amphitheatre sightlines seemed perilous. Marriott aspires to tell his story from a primarily female perspective, drawing on the recorded words of Florence Billington, who is shown in archive footage projected on the front curtain, and danced by Yasmine Naghdi. The other two named roles are for men; Matthew Ball as Ted Feltham (the soldier), and Leo Dixon as the Telegraph Boy, dressed in a kinky shiny uniform with see-through effect. (more…)
November 26, 2018
The Royal Ballet in The Unknown Soldier, Infra, and Symphony in C, Royal Opera House, 23 November 2018 – Maggie Watson reviews
Posted by susiecrow under reviews | Tags: Akane Takada, Alastair Marriott, Alexander Campbell, Bruno Poet, Es Devlin, George Balanchine, Infra, Lauren Cuthbertson, Leo Dixon, Maggie Watson, Marianela Nuñez, Matthew Ball, Royal Opera House, Ryoichi Hirano, Symphony in C, The Royal Ballet, The Unknown Soldier, Vadim Muntagirov, Valentino Zucchetti, Wayne McGregor, Yasmine Naghdi |Leave a Comment
February 2, 2017
The Royal Ballet in Wayne McGregor’s Woolf Works, live transmission Phoenix Picturehouse 8th & 13th February 2017
Posted by susiecrow under What's happening | Tags: Alessandra Ferri, Max Richter, Phoenix Picturehouse Oxford, Royal Opera House, The Royal Ballet, Virginia Woolf, Wayne McGregor, Woolf Works |Leave a Comment
A welcome opportunity to see The Royal Ballet perform Wayne McGregor‘s Woolf Works in live transmission from the Royal Opera House at Oxford’s Phoenix Picturehouse on Wednesday 8th February.
‘Life is not a series of gig-lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end… the proper stuff of fiction is a little other than custom would have us believe it.’ – Virginia Woolf, Modern Fiction
Wayne McGregor’s ballet triptych Woolf Works, inspired by the writings of Virginia Woolf, met with critical acclaim on its premiere in 2015, and went on to win McGregor the Critics’ Circle Award for Best Classical Choreography and the Olivier Award for Best New Dance Production. The Observer described it as ‘a compellingly moving experience’; for The Independent it ‘glows with ambition… a brave, thoughtful work’; The Guardian concluded that ‘it takes both McGregor – and the concept of the three-act ballet – to a brave and entirely exhilarating new place’.
Each of the three acts springs from one of Woolf’s landmark novels: Mrs Dalloway, Orlando and The Waves – but these inspirations are also enmeshed with elements from her letters, essays and diaries. Woolf Works expresses the heart of an artistic life driven to discover a freer, uniquely modern realism, and brings to life Woolf’s world of ‘granite and rainbow’, where human beings are at once both physical body and uncontained essence. Woolf Works was McGregor’s first full-length work for The Royal Ballet, and saw him reunited with regular collaborator Max Richter, who provides a commissioned score incorporating electronic and orchestral music. This performance by the ballet’s original cast will feature the legendary and luminous Alessandra Ferri in the central role; and the transmission will be rescreened on Monday 13th February as part of the ROH Encore strand.
Date: Wednesday 8th February, 7.15pm; Monday 13th February 12.oo midday
Venue: Phoenix Picturehouse, 57 Walton St, Oxford OX2 6AE
Tickets: £22 adult, £10 child, £17.50 student or retired, £64 family ticket 8th February; £17.50 adult, £10 child, £15 student or retired, £55 family ticket 13th February
Book online here
May 16, 2016
Liam Scarlett’s Frankenstein, Royal Ballet live transmission Wednesday 18th May 2016
Posted by susiecrow under What's happening | Tags: cinema transmission, David Finn, Federico Bonelli, Frankenstein, John Macfarlane, Laura Morera, Liam Scarlett, Lowell Liebermann, Mary Shelley, narrative ballet, Royal Opera House, Steven McRae, The Royal Ballet |Leave a Comment
The Royal Ballet’s Artist in Residence Liam Scarlett has become known for ballets that marry highly expressive movement, sophisticated musical response and dark psychological depth – in such works for The Royal Ballet as Asphodel Meadows, Sweet Violets and The Age of Anxiety on the main stage, and Hansel and Gretel in the Linbury Studio Theatre. Now he creates his first full-length work for the main stage with Frankenstein, a period adaptation of Mary Shelley’s Gothic tale of morality and our craving for love, companionship and understanding. Wednesday 18th May’s performance will be relayed live from the Royal Opera House to national and international cinemas, including Phoenix Picturehouse and Odeon Magdalen Street in Oxford.
For this new work Scarlett has assembled a number of regular collaborators. American composer Lowell Liebermann, whose First Piano Concerto provides the music for Scarlett’s Viscera, composes a new score. John Macfarlane (Asphodel Meadows, Sweet Violets, The Age of Anxiety) creates the designs, while David Finn provides lighting design. Dancers include Federico Bonelli, Laura Morera and Steven McRae.
Performance: Wednesday 18th May 2016, 7.15pm
Phoenix Picturehouse, 57 Walton Street, Oxford OX2 6AE: Tickets £8-£20 bookable online here
Odeon, Magdalen St, Oxford OX1 3AE: Tickets £12.50-£15 bookable online here
Find out more about the production here
December 1, 2014
Shift / Shadows / Document / Mapping: Phoenix Dance Theatre: Friday 28 November 2014 evening, Linbury Studio Theatre, Royal Opera House – Maggie Watson reviews
Posted by susiecrow under reviews | Tags: Christopher Bruce, Darshan Singh Buller, Document, Ivgi & Greben, Linbury Studio Theatre, Maggie Watson, Mapping, Phoenix Dance Theatre, Royal Opera House, Shadows, Shift |Leave a Comment
Three of the four pieces shown by Phoenix Dance Theatre at the Linbury last week were new (or nearly new) works by Christopher Bruce, Ivgi & Greben and Darshan Singh Bhuller. This year has seen our dance companies commemorate the Great War and Bruce’s Shift (2006) seemed subtly to echo this theme. It opens with three women walking purposefully onto the stage, their hair tied up in headscarf turbans that immediately conjured up images of factory war work. Sometimes they and their male counterparts seemed to operate machines, at others, it was as if they themselves were the machines as they repeated movement sequences in canon. John B Read’s lighting design projected a shadow pattern of small rectangular panes onto the floor of the stage, as though light entered through a high window, adding a further geometrical dimension to the choreography. (more…)
February 9, 2014
Royal Ballet: Rhapsody and Gloria, Saturday 8 February 2014, evening performance at the Royal Opera House
Posted by susiecrow under reviews | Tags: Carlos Acosta, Frederick Ashton, Gloria, Kenneth MacMillan, Kevin O'Hare, Rhapsody, Royal Opera House, Ryoichi Hirano, Sarah Lamb, Tetractys - the art of fugue, The Royal Ballet, Valentino Zucchetti |Leave a Comment
When Kevin O’Hare stepped in front of the curtain, I expected bad news, and it was: Natalia Osipova had mild concussion following “a collision of heads” during the afternoon performance; Thiago Soares was off too, and so was Tetractys – the art of fugue. Cue for groans from the audience, followed by a round of applause from some of the more expensive seats when we were promised a refund of a third of the ticket price, and told that the bars would stay open for longer than usual. And so the triple bill became a double bill, of Rhapsody and Gloria. Nevertheless, this was an opportunity for the Royal Ballet to showcase the work of two of the company’s most important directors and to demonstrate an understanding of two very different, yet very English, choreographic styles. (more…)
January 27, 2014
The Royal Ballet in Giselle at Royal Opera House Covent Garden, 25 January 2014 (evening) – Maggie Watson reviews
Posted by susiecrow under reviews | Tags: Bennet Gartside, Deirdre Chapman, Giselle, Hikaru Kobayashi, Maggie Watson, Royal Opera House, Sarah Lamb, Steven McRae, The Royal Ballet |Leave a Comment
In life, Sarah Lamb’s Giselle is swift and airborne with a restrained diffidence; in death, those qualities transform her into a ghostly and ethereal apparition. As a Wili, her cool manner enhances the otherworldly feel of her dancing, although in the first act last night she did not completely convince me that she was a peasant girl driven mad by the shock of betrayal and I wasn’t quite sure that she had actually killed herself, rather than dying of a broken heart. (more…)
September 3, 2012
Royal Ballet live transmissions at the Phoenix Picturehouse
Posted by susiecrow under What's happening | Tags: Phoenix Picturehouse Oxford, Royal Ballet, Royal Opera House |Leave a Comment
As well as transmissions from the Bolshoi Ballet, from October the Phoenix will be screening an exciting selection of world-class opera and ballet from the Royal Opera House. Tickets go on sale to Members on Tue 28 Aug, and are on general sale from Tue 4 Sep… (more…)