It was a great treat to see four Frederick Ashton ballets (Scènes de ballet / Five Brahms Waltzes in the Manner of Isadora Duncan / Symphonic Variations / A Month in the Country) in one programme earlier this week at Covent Garden, and despite some imperfections of performance the sheer quality of choreography carried the evening.

The opening piece, Scènes de ballet, was a disappointment not so much because there were mistakes and some of the cast were clearly not on form, but because evidence of the company’s understanding of Ashton’s style appeared only intermittently. The choreography of this ballet is so subtle, so original and so exquisitely balanced that it cannot fail to delight, but it should have been better danced. (more…)

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