DANSOX presents another fascinating lecture.  The festivals of 1912 and 1913 at the garden city of Hellerau near Dresden, Germany are often cited as marking the birth of the modern theatre. Here, music, dance, lighting, theatre architecture and stage settings were integrated to present ‘total’ works of theatrical art to an astonished international audience. The theory and practice of theatrical production was never the same again. In his presentation ‘Hellerau: The History of a Dream’, Professor Richard Beacham offers a description and assessment of the festivals, together with an account of the extraordinary subsequent history of the site and its ‘re-birth’ in recent years as a venue for artistic innovation, building upon its luminous legacy.

Date:  Thursday 31 October 5.30pm

Venue:  Jacqueline du Pre Music Building, St Hilda’s College, Cowley Place, Oxford OX4 1DY

For more information and to book go to Eventbrite.

The event is free and open to all and will be followed by a drinks reception.

For further information about DANSOX please contact Professor Sue Jones susan.jones@st-hildas.ox.ac.uk

The DANSOX Inaugural Summer School will be taking taking place 6-8th July at St Hilda’s College, University of Oxford, attracting a unique mix of dance academics and artist practitioners in a rich programme of seminars, practical lecture demonstrations and special dance film and book presentations.

Alastair Macaulay, former Chief Dance Critic at the New York Times, leads the three-day event with lectures on three master choreographers: Petipa, Balanchine and Cunningham.  Seminars will include presentations by dance scholars including Julia Bührle, Renate Bräuninger, Gabriela Minden, Margaret Watson, Fiona Macintosh and Tom Sapsford.  Lecture demonstrations will include Moira Goff on 17th century and baroque dance, Susie Crow and pianist Jonathan Still on the ballet class (with dancers Ben Warbis and Ellie Ferguson of Yorke Dance Project), and Jennifer Jackson with composer Tom Armstrong on music and choreographic practice.  Sir Richard Alston will talk about the influence of Merce Cunningham on his work, including a solo performance by Elly BraundLynne Wake will present her recent film Bejart and Queen, and the event culminates in the eagerly anticipated launch of Nadine Meisner‘s biograpy of Marius Petipa.

Dates:  Saturday 6th -Monday 8th July 2019

Venue:  St Hilda’s College, Cowley Place, Oxford OX4 1DY

To celebrate the inauguration of this special event, DANSOX is offering one-off specially discounted tickets: £15.00 daily ticket, £30.00 for a three-day ticket.
All are welcome. Come for a day or two, or for the whole three days. Refreshments and lunch provided for ticket holders.
Booking essential at Eventbrite https://dansoxsummerschool.eventbrite.co.uk

Download the full programme here

Accommodation available in St Hilda’s College – contact Sarah Brett
Further information from the Programme Director: Professor Susan Jones.

We hope to see you there!

 

‘I’m always accused of dealing only with sex and violence but what I really deal with is life and death.’  Thus quoted Monica Mason, opening the St Hilda’s College/DANSOX Conference Kenneth MacMillan: Making Dance Beyond the Boundaries held on Saturday 16th March 2019.

Dame Monica, former Principal Dancer and Director of the Royal Ballet Company, was just one of many sharing their memories of MacMillan and his creative approach at this smörgåsbord of delights blending academic research, choreography and performance. On a wet and windy day, in political and climatic times that can sometimes feel reminiscent of the dark events triggered at Mayerling, we were treated to talks by MacMillan’s widow Deborah on how MacMillan worked with designers, Guest Lecturer Natalie Wheen on his innovative use of music, choreologists on how Benesh notation helps to preserve his choreography, and academic specialists on his historical imagination. The conference concluded with excerpts from a reconstruction of Playground by Yorke Dance. (more…)

The DANSOX Conference Kenneth MacMillan: Making Dance Beyond the Boundaries was an opportunity to reflect on and discover more about one of the twentieth century’s greatest choreographers. It was attended by distinguished practitioners and scholars in dance, and generously open to the wider University and general public.

Dame Monica Mason and Deborah, Lady MacMillan gave insights into what it was like to work with Kenneth MacMillan, his interest in contemporaneous events in society and the arts, his willingness to engage with designers new to the theatre, and his relationship with and support from Ninette de Valois. (more…)

Dance Scholarship Oxford (DANSOX) presents a one-day conference on the life and work of the great twentieth-century choreographer Sir Kenneth MacMillan (1929-1992). MacMillan stands among the great innovators of his time in theatre, film, art, music, and dance. This not-to-be-missed conference will discuss his work, the challenges of preserving the record, and explore little known early work, his literary and musical choices, design, and choreographic method. Guest speakers include: the artist and widow of Sir Kenneth, Lady MacMillan; the former Principal and Director of the Royal Ballet, Dame Monica Mason; the music expert, Natalie Wheen; and choreologist, Anna Trevien. Dancers, artists, and filmmakers who worked with Kenneth will join the conversation. A performance/lecture of the reconstruction of Playground with Yorke Dance will conclude the conference.

Date:  Saturday 16th March 10.00am-6.00pm

Venue:  Jacqueline du Pré Building, St Hilda’s College, Cowley Place, Oxford OX4 1DY

Tickets: Free and open to all, please book tickets here at Eventbrite

 

Motion & Meaning presented by DANSOX and the Liveness, Hybridity & Noise Series has been an exciting multi-disciplinary collaboration between dancers, choreographers, composers, instrumentalists and audio-visual artists facilitated by a week-long residency at St Hilda’s College. The project culminated last Friday in a ‘showing’ of the work in progress, alongside an exhibition by artist Simon Klein and sculptor Guillaume Klein. Open rehearsals on Wednesday and Thursday last week revealed some of the opportunities and challenges intrinsic to truly collaborative work: the importance of grace and generosity in allowing other artists in different media sufficient time and space; the need for mutual respect, and the courteous adjustments to be made to accommodate different etiquettes and conventions. (more…)

DANSOX and the Liveness, Hybridity & Noise Series join forces for this multi-disciplinary presentation of three new works that stretch the synthetic possibilities of music and dance. Over a four-day residency at St Hilda’s College, one of Holland’s leading contemporary music groups, Ensemble Klang, will be working with three composers from Oxford and a team of leading contemporary dancers and choreographers (Malgorzata Dzierzon, Estela Merlos, Patricia Okenwa, Liam Riddick and Piedad Albarracin Seiquer). ‘Open’ rehearsals will take place each afternoon on 4-5 July (15:00–17:00), as well a fully-staged performance at 19:30 on Friday 6 July (tickets required for all sessions and spaces limited so booking early advised).

CUE by Anna Appleby (Rambert Music Fellow and St Hilda’s alumna) is a quirky and comical piece that plays with the audience’s perceptions of the boundaries between dance and music. Grim’s Ditch by composer Joel Baldwin (St Hilda’s) explores melancholia, politics, artistic expression and meaning through the layering of multimedia, sound and physical motion.  Joel’s work features the talented Austrian vocalist Michaela Riener, whose recent solo engagements include works by Steve Reich, Michael Gordon (with dance company EmioGreco|PC), Louis Andriessen (La Passione, TAO) and Hanns Eisler (with the Asko|Schönberg Ensemble).  Her soloistic capabilities, as well as her experience with Ensemble Klang and numerous early music ensembles, make her the ideal candidate for this central role of Grim’s Ditch.  Joseph Currie (Wadham) investigates different kinds of time in movement, motivated by the structural difference of heartbeats and breaths, alongside ideas about gendered breath and the expressive apparatus behind screaming.  A new instrumental piece for the ensemble, written by former Oxford composer, Sophie Sparkes, will also be premiered at the main performance on Friday evening.

Anna Appleby – CUE
Joel Baldwin – Grim’s Ditch (feat. Michaela Riener – mezzo soprano)
Joseph Currie – How many eyes do we have then, being two…
Sophie Sparkes – new work

Both open rehearsals (3-5pm on 4th and 5th July) and the performance at 7:30pm on 6th July will be livestreamed.

Date(s):  Friday, 6 July 7:30pm
Venue:  Jacqueline du Pré Music Building, St Hilda’s College, Oxford OX4 1DY
Tickets:  £25 (+£5 per open rehearsal session); £15 students (free entry to open rehearsals) Available online here
St. Hilda’s Alumnae Ticket Offer:  There is a 20% discount offer available for the alumnae of St. Hilda’s College to mark the 125th Anniversary of St. Hilda’s College. Please email the Development Office for more information.

You can find more information about this event here

Last Thursday, on a snowy night, St Hilda’s College Oxford warmly welcomed the local dance community to learn more about Fred Astaire, arguably the greatest dancer of the twentieth century. New York Times critic Alastair Macaulay gave an entertaining, witty and enlightening talk, as he showed us a series of filmed dance excerpts, while placing Astaire’s work in its cultural and choreographic context. (more…)

Aptly following its recent showing of the documentary film New Wave Ballet, another DANSOX event exploring legendary dance performances on film.  DANSOX welcomes as distinguished guest lecturer Alastair Macaulay, Chief Dance Critic of the New York Times, who will discuss the legendary Fred Astaire’s life and work with illustration and film footage. Not to be missed!

Date:  Thursday 1st March 2018 5.30pm

Venue:  Jacqueline du Pré Building, St Hilda’s College, Cowley Place, Oxford OX4 1DY

Free and open to all, followed by drinks reception
Reserve a seat via: https://www.eventbrite.co.uk/e/dansox-lecture-alastair-macaulay-on-fred-astaire-tickets-41211053370

There was much to celebrate tonight at St Hilda’s, when five years of fascinating DANSOX events programmed by Professor Susan Jones coincided with the 125th anniversary of the college that so generously hosts these events. It was a wonderfully inclusive evening that centred round a screening of Lynne Wake’s New Wave Ballet, a documentary film about the early ballets of Kenneth MacMillan, before a packed audience that included members of the college and wider University, participants in the local dance community, practitioners and dance scholars from further afield, Dame Monica Mason, and Deborah, Lady MacMillan.

Wake’s introductory talk vividly described how eager she had been to see Edmée Wood’s films of Royal Ballet productions, her initial disappointment at the poor quality examples that she found, her excitement at discovering the original recordings, and the work involved in their restoration for the Royal Opera House. Her documentary is an outstanding example of the use of archival footage to bring back to life the essence of dances that might otherwise be lost, by showing film alongside interviews with the actual dancers, who know the works from the inside.

Next, Dame Monica spoke about her experiences working with MacMillan, as a dancer and as his répétiteur, noting the wide range of his artistic interests, his willingness to take risks and work with new collaborators, and his ability to reprove but then move on. Almost five years to the day since she spoke at the first DANSOX event celebrating the centenary of The Rite of Spring, she described what it was like to be the Chosen Maiden, dancing between the criss-crossing legs of the corps de ballet as they lay face down on the stage, or being passed from hand-to hand high overhead (an image reminiscent to me of Greek vase paintings of the sacrifice of Iphigenia). I remember seeing her in the role in 1982, and still carry pictures of her performance in my head.

At the reception following the brief question and answer session, St Hilda’s Vice Principal Dr Georgina Paul thanked DANSOX patron Sheila Forbes (the former Principal of St Hilda’s) and proposed a toast to DANSOX’ other patron, Dame Monica, to mark the fact that she is now an Honorary Fellow of the College.

Maggie Watson

19 February 2018