As someone with no knowledge of juggling beyond the much applauded performances of enthusiastic jugglers at Swedish Swing Dance Camps, I merged into the audience at The Oxford Playhouse in September 2015 to see Gandini Juggling’s 4×4 (Empheral Architectures). Four ballet dancers, four jugglers, aesthetically enchanting and quite unlike anything I’d seen before. Co-choreographed by ex-Royal Ballet dancer turned choreographer Ludovic Ondiviela and Gandini Juggling’s Sean Gandini, simply said, I loved it. Awareness of the expertise of the performers in both disciplines skimmed barely discernible beneath the beauty of the piece – a combination of two languages brought together into something new and something I now recognise as a trademark ambition of the company.

Thomas J. M. Wilson’s book, designed to be dipped into with colour-coded sections, helps the reader to develop their knowledge of juggling and in particular the approach of Gandini Juggling and the environment from which it emerged. Echoing its subject matter, the book encourages you to create your own trajectories through the text. (more…)