Northern Ballet has a longstanding repertoire tradition of narrative ballets, often based on iconic works of literature, and David Nixon’s 2013 realisation of Scott Fitzgerald’s The Great Gatsby has coincided happily with a wider audience’s hunger for the nostalgic glamour of this perennial classic generated by the film version starring Leonardo di Caprio.   This production returned this week to Sadler’s Wells following its first sell-out run and garlanded with award nominations. Having missed it the first time round I seized a last minute opportunity to catch up with this popular company’s doings. (more…)

Advertisements

Two love triangles, one man obsessed with another’s wife, death, murder and endless parties:  what could possibly go wrong?  Northern Ballet’s production of The Great Gatsby shows how difficult it is to construct a narrative ballet.

There was plenty to enjoy: not least the dancers’ vibrant energy, secure balances, zippy turns, sharp footwork and yearning adagio.  There were glorious moments, when Martha Leebolt (Daisy) rippled across the stage in whirling chainés turns, or Tobias Batley (Gatsby) and Giuliano Contadini (Carraway) tossed her into the air so that she flew between them like a bird, her feet beating the air. (more…)