Wayne McGregor’s Raven Girl is a brave experiment with narrative form, which springs from an exciting collaboration between author, designers, composer and choreographer.  Wonderful but subtle use of cinematic effect enhances the sepia-shaded set, and the choreography makes full use of the extraordinary technical capacity of the Royal Ballet’s principal dancers.

McGregor asked Audrey Niffenegger for a “new dark fairy tale”, and the result is a gloomy and sometimes macabre story, which includes a strong element of magic.  But magic does not make a fairy tale:  to be true to the genre, the story must, firstly, address what Bruno Bettelheim calls our “existential anxieties and dilemmas”, and, secondly, offer us a solution to them.  This, the ballet fails to do.  (more…)

For an Easter holiday treat why not take the family to see the live screeening of the Royal Ballet in Alice’s Adventures in Wonderland at the Phoenix Picturehouse?  Those familiar with Lewis Carroll’s literary menagerie of colourful characters will enjoy the clarity with which Christopher Wheeldon portrays them in dance in this imaginative recent ballet, a feast of colour, music and choreography. (more…)

Viscera/Infra/Fool’s Paradise Royal Ballet Mixed Bill, Saturday 3rd November 2012

This triple bill opened with Viscera, a work originally created on Miami City Ballet and presented for the first time by the Royal Ballet. Choreographed by the newly appointed Artist in Residence Liam Scarlett to Lowell Liebermann’s Piano Concerto No.1 this was a thrilling, exhilarating ballet. (more…)