Coming to the area for the first time, Images Ballet Company is proud to present a programme of entertaining dance, reflecting the diversity and beauty of Ballet today, that will appeal both to ballet lovers and those new to dance.  Directed by Jennifer Jackson, Images Ballet Company is one of four touring 3rd year companies from major vocational school London Studio Centre. The aspiring professionals of the company take centre stage to showcase theatrical and vibrant ballet with stylish costumes and a rich musical palette.

Working with Images for her third successive year, acclaimed choreographer Morgann Runacre-Temple has re-created Mozart’s Women: The Kingdom of Back, her exquisitely detailed portrait of three women in Mozart’s life, with a new cast. Bim Malcomson explores of the humour of being human.  Former Royal Ballet and Rambert soloist, Hubert Essakow presents encounters between live music and dance, while Royal Ballet artist Erico Montes’ choreography and process has richly enhanced the dancers’ feeling for flow and epaulement.

Music is central to this year’s show.  Viola and guitar duo Elliott Perks and Tom Ellis have arranged Schumann’s Marchenbilder to be played live for Cut Out, Hubert Essakow’s dances with space and gravity.  Bim Malcomson has used music from Joby Talbot’s Alice’s Adventures in Wonderland for Red Queen Brouhaha, her witty exploration of ideas from Lewis Carroll’s imaginative world. In the centenary year of votes for women in this country, Erico Montes has been drawn to the music of a little known African American composer, Florence Price, for his Sonata in Colour.

Louie Whitemore and Andrew Ellis have brought their expertise in costume and lighting to finesse the visual landscape.

A note from Artistic Director, Jennifer Jackson;

“The dancers you see tonight specialise in classical ballet in their professional training at London Studio Centre. Three second year students are joining the graduating class on tour and all have been involved in working with choreographers, designers, musicians, production staff, repetiteurs and teachers over the past three months to create the programme. Each ballet grows from a unique creative process through which the dancers develop as versatile collaborative artists, honing professional skills that are required to meet the diverse expressive and performative demands of the ballet today. It is a great privilege to work with these artists and alongside the excellent educators at London Studio Centre. I am hugely thankful for their contributions and support of Images’ work and our exploration of ballet as creative artistic practice.”

Performance:  Wednesday 13th June, 7.30pm

Venue:  Cornerstone Arts Centre, 25 Station Road, Didcot OX11 7NE

Tickets:  Book online here, or call the Box Office on 01235 515144

Find out more about Images Ballet Company here

About London Studio Centre:

Founded in 1978 by Bridget Espinosa, London Studio Centre offers a comprehensive Theatre Dance Course for students who are dedicated to the pursuit of excellence in all aspects of the theatre. LSC is thrilled to announce the validation of its enhanced Theatre Dance course, which continues to offer students a broad and versatile training but further allows students to specialise in Classical Ballet, Contemporary Dance, Jazz Dance or Music Theatre.

Graduate students have embarked on successful careers, joining companies such as Rambert Dance Company, Matthew Bourne’s New Adventures, Michael Clark Company, Richard Alston Dance Company, Henri Oguike Dance Company, Phoenix Dance Theatre, The Royal Ballet, English National Ballet, Scottish Ballet, Spirit of the Dance, JazzXchange, Stomp, ZooNation, the Royal Shakespeare Company and Royal National Theatre, as well as performing on Broadway and the West End in musicals including Wicked, Chicago, Matilda, Hamilton and Cats.

Many students have also worked on numerous television programmes and films and in the commercial sector. Many graduates also are working as independent, creative artists in dance and theatre.

Find out more about the school here

 

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Cut and RunChoreographer: Martin Lawrance

The fierce cut and jib of this work was evident from the first moment: music and movement battled for dominance, both rhythmic and rigorous. The choreography had a disjointed quality; the many pauses – some fleeting and others broad – prevented a sense of fluid motion. However this suited the music, which had pounding yet uneven rhythms and was often a cacophony of sound. The dancers rarely moved together; instead they seemed to fight, to exist alone, and to defy and reject each other. The level of technical command was impressive: each movement (or sudden stillness) was precise and controlled, and the dancers negotiated dizzying transitions between standing, lying, rolling and turning. (more…)

Richard Alston Dance Company returned to Oxford this week for one evening at the New Theatre. The programme opened with Martin Lawrance’s Cut and Run, to music by Michael Gordon and Damian LeGassick for ten dancers dressed in ‘urban wear’ with metallic decoration that glinted in the dim light. Starting and stopping, dodging and colliding, they broke out of the purple patch of illumination that seemed at first to confine them, and spread across the darkened stage. An interval of silence, then the lights changed to orange, adding a fresh sense of urgency to their frantic race, until the work concluded, with the dancers once more bathed in a purple glow. (more…)

The ever musical Richard Alston Dance Company returns to Oxford with a full programme of new and established works packed full of energy and contrasts, featuring a brand new piece by Associate Choreographer Martin Lawrance alongside two by Richard Alston.

In Cut and Run Lawrance takes his inspiration from contrasting music by two contemporary classical composers, Damian Legassick and Michael Gordon, from the Icebreaker album Terminal Velocity. The fast frenetic rhythms of the music with cool sombre undertones, take the dancers into a world of shadows and swift dodges.  The costumes for Cut and Run have been designed by Filipino fashion designer Jeffery Rogador with whom Lawrance collaborated whilst working with Ballet Manila last year. They have an urban edge and a colour palette of black, silver and gold which the lighting designer Zeynep Kepekli will make shimmer on stage with her beautiful use of light.

The programme also includes Carnaval by Alston, performed to Robert Schumann’s music of the same name, played live by outstanding pianist Faith Leadbetter.  Costumes are by BAFTA Award winning designer Fotini Dimou.

Finally a great Alston favourite, Gypsy Mixture, newly revived for the first time in a decade, set to tracks from Electric Gypsyland – a 21st century take on traditional Balkan folk music. Exhilarating dancing to the infectious music of Romanian and Macedonian gypsy bands will lift your spirits and quicken your pulse.

“Sometimes dance fills the eyes with tears, changes our breathing or makes us laugh — but why? The dancers aren’t depicting emotion, yet we find ourselves powerfully moved… the dancers of the Richard Alston Dance Company… caused a gamut of emotion, just by taking us to the heart of dance itself.”
Alistair Macaulay, The New York Times, February 2017.

Performance:  Tuesday 20th February, 7.30pm

Venue:  New Theatre, George Street, Oxford OX1 2AG

Tickets:  £11.90 – £25.90 plus £2.85 transaction fee

Available online here or call 0844 871 3020