Richard Chappell’s work Infinite Ways Home opens with five dancers grouped upstage right in a partial darkness that is pieced by beams of light.  On a day when the news was filled with terrible accounts of the citizens of Mariupol sheltering in basements, this felt like a cave, in which people awaited salvation from the world above.

The creative team, led by choreographer Richard Chappell, have drawn on ideas of community and ritual, finding links between the Druids’ ancient connections with the natural landscape and the collective experience of rave culture.  The work follows the arc of a trip, as dancers and audience share an intense multi-sensory experience.  Towards the end, violinist Enyuan Khong comes on stage, raising the intensity of the sound to a level that feels almost unbearable.  At the after-show discussion, led by Miranda Laurence, Chappell described how he had worked remotely with composers Matthew Allmark and Kai Hellstrom (collectively known as Larch) during the first lockdown, as they developed the pulsating electronic score.  Remarkably, the superb lighting design by Joshua Harriette, which felt intrinsic to the production, was created afterwards.

Chappell’s collaborative process fully involves the dancers (he generously acknowledged previous dancers on the programme sheet) and he ran an exciting workshop the following day at the United Reformed Church Hall in Oxford for advanced and professional performers.  His choreography involves strong, supple and sensual movements with full use of the entire body to shift smoothly between upright positions and the floor with energy and dynamism.  Although he has to work with free-lance dancers, they all take company class together and their performance showed a powerful sense of shared purpose and commitment.  Looking around the auditorium, it was clear that Chappell’s work reaches audiences that might not ordinarily attend dance works, and at the end dancers Fay Stoeser, Iris Borras, Edd Arnold, Imogen Alvares, and Theo Arran received wild and enthusiastic applause.

Like Chhaya Collective, which appeared at The Mill Arts Centre Banbury the previous week, Richard Chappell Dance is based in the West Country:  we owe a big ‘thank you’ to the Dancin’ Oxford Festival for helping to bring these companies to Oxfordshire.

Maggie Watson

20th March 2022

Dancin’ Oxford‘s annual festival of dance this year provides a packed and varied programme of performances, workshops and discussions, something for everyone to enjoy, in a range of venues.  Here for convenience is a list of all the performances: for details of practical workshops and taster sessions check out the Dancin’ Oxford website here or the links embedded to particular events.  Look out too for Dance Audience Club sessions on 29th February, 3rd March and 6th March; find out more about these friendly opportunites to think and talk about the dance you see with others here.  And if planning to take in several events, why not avail yourself of a Festival Pass which will get you reductions on ticket prices… find out about this here.  A reminder too that the exhibition of photographs by Colin Jones, Backstage at the Ballet, continues to the end of the Festival; further details here.

Moving with the Times:  Pegasus Theatre, Friday 28th & Saturday 29th February, 7.30pm

This annual platform features different companies in new work that is often explosive, moving and thought provoking.  This year’s companies are Amy Foskett Dance in Burning House, Thomas Page Dances in Commonality, and Drishti Dance in Sanket.  Find further information about the programme and how to book here

Festival Launch:  Westgate Centre, Saturday 29th February 12pm-5.00pm

A vibrant afternoon of free dance performances from professionals and local youth dance groups, including Infuse Dance’s BodyGuards, Step2Dance, Messy Jam, TPD Young Artists, Kapow Dance Circus Theatre, Pro-Motion and a special preview of Neon Dance‘s show Puzzle Creature.  Find out more here

Neon Dance Puzzle Creature: Oxford University Museum of Natural History, Sunday 1st March at 11.00am, 12.00pm, 1.00pm, 2.00pm, 3.00pm, complete performance 7.00pm

Experience 10 minute excerpts or a complete performance of this remarkable immersive contemporary dance piece from creative director Adrienne Hart, composer Sebastian Reynolds, designers Numen/For Use, and three exceptional dance artists. Find out more about the evening performance here, and afternoon Encounters here, and read Jenny Parrot’s report of the complete show in a recent performance here

Let’s All Dance Sleeping Beauty: Cornerstone Arts Centre Didcot, Sunday 1st March 1.00pm & 3.00pm

A family friendly version of this much loved ballet with Tchaikovsky’s sumptuous music, talented young dancers and gorgeous costumes.  Find out more here

Joelle Pappas Nocturne:  St Nicholas Church, Abingdon, Sunday 1st March 3.00pm

Lyrical contemporary dance from Oxford dance artist Joelle Pappas inspired by sculptures of Camille Claudel in a programme of French music and song with Diana Hinds (pianist) and Rory Carver (tenor).  Find out more here, and read Maggie Watson’s review of this atmospheric show here

Gecko and Mind the Gap in A Little Space:  Oxford Playhouse, Tuesday 3rd & Wednesday 4th March 7.30pm

Physical theatre company Gecko and performers from Mind the Gap, one of Europe’s leading learning disability theatre companies, come together in an exciting new show with stunning visual imagery.  Find out more here

Richard Chappell Dance Still Touch:  Pegasus Theatre, Friday 6th March 7.30pm

Choreographer Richard Chappell has collaborated with sculptor Anna Gillespie in an evocative work which explores touch through the relationship between three dancers and three life-size sculptures, find out more about this fascinating project here

Sonia Sabri Dance Same Same… but Different: The North Wall, Saturday 7th March 2.00pm

Another family show combining Kathak, hip hop, contemporary and street dance with live music and physical storytelling; playful and feel-good.  Find details here

Enjoy!

The 2019 Dancin’ Oxford Festival brings a powerful and varied programme of dance to the city. It features shows and workshops for children, teenagers, dance enthusiasts and for the dance curious.  This year we are introducing our Festival Hub, in the Oxford Playhouse’s Lucy Room, where dance lovers can pop in for free tea, coffee and a chat.

The Festival, now in its 13th year, is funded by Oxford City Council and Arts Council England. Claire Thompson, Oxford City Council Arts Officer said ‘Although the Festival has no central theme several of this year’s companies have mental health issues at the heart of their work, which reflects current contemporary concerns. The shows are far from being all doom and gloom and offer thought provoking dance of the highest quality. We have a new venue for the Festival Launch on 2 March which will be held on a dance stage inside Westgate Oxford. We are delighted with this new location which will offer great views for everyone.’

The Festival Launch is an exciting and awe-inspiring afternoon of dance featuring breathtaking shows from professional and local youth dance companies. There will also be opportunities to join in a Zumba Party and learn African and Street Dance moves.  The annual Moving with the Times platform comprises 3 specially commissioned pieces by Dancin’ Oxford and Pegasus Theatre and features emerging companies, with work this year by Jann Esterhuizen Company, Joe Lott Company and returning Richard Chappell Dance.

Stuart Walters’ Rock Bottom is a moving dance solo based on the dancer’s own struggles with depression and addition. Two Oxford based companies are also looking into mental health. Body Politic, now on its first national tour, examines the fragility and vulnerabilities in men and young boys and Dance Creative offers the raw story of a daughter and her mother with early onset dementia.

Uchenna Dance will bring a flamboyance and colour with its blend of African and contemporary dance with The Head Wrap Diaries.  The Chit Chat Chalk Show will help children discover what makes them unique.

You can find full details of all the events and participatory workshops here, but below is a listing of performance events and discussion at a glance:

Moving with the Times platform- Richard Chappell Dance, Jann Esterhuizen Company, Joe Lott Company, contemporary dance

Friday 1st & Saturday 2nd March 7.30pm,  Sat. mat 2.30pm, Pegasus Theatre

Festival Launch – including performances by Company Chameleon, Messy Jam Dance Co, Step2Dance, Hakeem Omnibudo and his Impact Academy Dancers.

2nd March 12pm – 5pm, Leiden Square, Westgate Oxford

Festival Hub – speakers Emma-Jane Morbey AD Body Politic, Claire Thompson Director Dancin’ Oxford Festival, Paula Redway Cultural Development Manager at Oxford City Council, Susie Crow Ballet in Small Spaces and Oxford Dance Writers, Segolene Tarte Oxford Dance Forum, Angela Conlan Director Dance Creative.

Monday 3rd – Saturday 9th March 12 – 2pm, Oxford Playhouse

The Head Wrap Diaries – Uchenna Dance, fusion African and contemporary dance forms

2nd March 7pm, Kingsmere Community Centre, Bicester

Boys and Girls – The Pappy Show

2nd March 7.30pm, The North Wall

Mixtape – Dotdotdot Dance, contemporary flamenco

5th March 8pm, The North Wall

Rock Bottom – Stuart Waters, solo dance

6th March 7.30pm, Old Fire Station

A Million Memories – Dance Creative, interactive event with dance, music and poetry

7th March at 6pm, History of Science Museum

Works by Rafael Bonachela, Sharon Eyal and Benoit Swan Pouffer – Rambert2, contemporary dance

Friday 8th & Saturday 9th March, Friday 8 pm, Sat 2.30 & 7.30pm, Oxford Playhouse

Father Figurine – Body Politic, hip-hop dance and spoken word

8th March 7.30pm, The Mill Arts Centre, Banbury

The Chit Chat Chalk Show – Hawk Dance Theatre and The Knotted Project, children’s show

9th March 11am & 2pm, The North Wall

Ticketed events: from £3 for taster workshops;

Oxford Playhouse www.ticketsoxford.com 01865 305305,

www.pegasustheatre.org.uk 01865 812 150, www.thenorthwall.com 01865 319450,

www.themillartscentre.co.uk 01295 290 002, www.hsm.ox.ac.uk

 

First Look offers a first glimpse of the three works-in-progress by exciting dance companies that will be performed in full to launch the Spring Dancin’ Oxford Festival 2019 in the Moving With the Times showcase in March. Each work-in-progress run at this January preview will be followed by a Q&A with the artists.

Richard Chappell Dance with his new work Still Touch examines the relationship between dance and life-sized sculpture using his unique approach to ballet, improvisation, floor work and partner work.

Moon Dances is Jann Esterhuizen’s choreographic exploration of classical ideas and forms in collaboration with composer, Edward Farmer.

Joe Lott’s original brand of energising, innovative dance and storytelling, reveals two dancers take on micro-gravity and mythology in EVA, NASA-speak for spacewalking.

Moving With The Times – First Look is a Pay What You Can night. Book your place(s) online or through the box office in advance and pay on the night – if you enjoy the evening and can pay our standard ticket price – please do, if you can’t – pay what you can. The box office can’t take payments online so if you wish to pay any amount by card in advance, please call the box office and they will process your payment. Otherwise cash or card payments can be made on the night.

Date:  Friday 18th January, 7.30pm

Venue:  Pegasus Theatre, Magdalen Road Oxford OX4 1RE.

To Book: http://pegasustheatre.org.uk /   Box Office: 01865 812150

Recommended for ages 11+)

NB: The final triple bill Moving With The Times will be at Pegasus on 1 & 2 March 2019.

Richard Chappell Dance presents the company’s compelling first full length work, At the end we begin. Using T.S. Eliot’s classic series Four Quartets as a point of departure, each poem is represented through four arresting and emotionally-fuelled quartets of dance.

At the end we begin inhabits the derelict, sensitive and powerful landscape of Eliot’s poetry and questions how time’s circular nature affects our understanding of ourselves. The work takes four young individuals from a place of being lost to a state of empowerment and acceptance where they have found their own voice by journeying through Eliot’s text. Whilst combining Chappell’s own distinguishable blend of classical ballet, martial arts, improvisation and contact work with three other highly-skilled performers, At the end we begin dives into each performer’s unique and diverse skills with a rich palette of qualities.

Venue:  Pegasus Theatre, Magdalen Road, Oxford OX4 1RE
Date:  Friday, 26th October 7:30 pm
Tickets:  £13, £9 concessions.  Book online here, or call the Box Office on 01865 812150
Suitable for audiences 11+

Based on T.S.Eliot’s Four Quartets, this piece was an impressive performance from a young dancer-choreographer and his fellow artists. The structure was of four separate chapters (one for each section of a poem) which worked well, although there was room for even more space for the audience to assimilate each individual section. The programme described the overall narrative as ‘from a place of being lost to a state of empowerment and acceptance’ and this certainly came across: the figures seemed to be searching and grasping at the start, and by the end they had become more animated, grounded and secure. (more…)

Spring is coming, and with it Oxford’s very own festival of dance Dancin’ Oxford in its 2018 edition.  Lots of fascinating peformances to come with an emphasis on physical theatre and storytelling as well as some tantalising workshops and taster sessions.  See below for Oxford Dance Writers list of performance events and dates in Oxford with links to further information and booking details.  Check out the Dancin’ Oxford website for details of additional performances in Didcot and Banbury, as well as workshops and classes and the Dance and Academia conference. (more…)