The final week of April brought thought-provokingly contrasted dance performances to Oxford. On Tuesday 23rd at the New Theatre the BalletBoyz performed their latest programme Them/Us, shortly to be opening for their first West End season at the Vaudeville Theatre. This two-part programme involves all six male dancers in both pieces. Opening the evening Them was a collaborative choreographic venture by the dancers drawing on elements of their own individual movement, sharing them in a succession of often playful episodes and exchanges. Set in a twilight zone, a gleaming stainless steel tubular cube framework and sleek satin shell suits brought enlivening geometric dashes of light and colour, red, blue, green and purple. The cube defined shifting spaces which the dancers could manipulate, inhabit, swing from and climb up. Movement combined sharp crisp gesture with a lyrical contemporary idiom, integrating tumbling and floorwork in response to Charlotte Harding’s lively but dark toned score; suggestions of character and relationship were glimpsed and a feeling of camaraderie and group identity emerged, even if overall the episodic structure of the piece did not build a sense of narrative or situational development. The performers conveyed lithe fluidity and a smooth assurance, distinct from the rawness of previous BalletBoyz ensembles; no longer projecting a company narrative of emerging talent and inexperienced diamonds in the rough, but a polished professional group. (more…)

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Fresh from a sold-out week run at the Barbican, Rhiannon Faith’s current work, Smack That (a conversation), has been touring the UK to critical acclaim, and will be performed at Oxford’s Burton Taylor Studio on 25th April.  Rhiannon Faith is a socially conscious contemporary dance artist whose work is an agent for discourse and change; she makes form-defying autobiographical shows that have guts, and that take guts.  Her creative process draws  stories from the communities and artists she works with. The result is work which uses dance and theatre (in their widest meanings) to take the audience on a narrative led journey, which is both challenging and accessible.

In Smack That Beverly is having a party and you are one of her guests. Each member of the all-female cast fearlessly takes on the persona of Beverly to convey real experiences.  The unusual setting creates a safe space for them to reveal the turbulence and challenges they have faced and celebrate their endurance with the audience. Expect games, dancing, humour and a very raw and honest account of domestic abuse.

Rhiannon Faith’s work often involves a wide range of collaborating partners including a psychologist, a neuroscientist, a domestic abuse charity, and most recently a philosopher on virtue ethics and moral psychology.  Smack That (a conversation) has also been published by Oberon Books as an instructional dance play.

Performance:  Thursday 25th May 7.30pm

Venue:  Burton Taylor Studio, Gloucester Street, Oxford OX1 2BN

Tickets:  £10 Book online here, or call the Oxford Playhouse Box Office on 01865 305305

Duration:  1 hour 20 minutes with no interval

Age Guideline:  18+

Find out more about Rhiannon Faith here