The Ballet des Porcelaines, or The Teapot Prince, was an eighteenth century ballet in the chinoiserie style, for which costumes, sets and choreography are lost; only the score, by Nicolas Racot de Grandval, and the libretto, by the Comte de Caylus, survive. In 2021 Meredith Martin, Professor of Art History at New York University, and Phil Chan, choreographer and co-founder of Final Bow for Yellowface, collaborated on a re-imagining of this work, which is now touring European venues that included Waddesdon Manor on 16 and 17 June. The animation of porcelain was a popular eighteenth century motif, and the original ballet’s story, in which a Chinese sorcerer turned a prince into a teapot, epitomised the simultaneous ‘othering’ and plundering of Oriental culture by Europeans. The project’s goal was to recreate the work remaining true to its original artistic intentions while revealing the narrative from a broader post-colonial perspective.
(more…)June 15, 2022
The Teapot Prince, Waddesdon Manor 16th-17th June 2022
Posted by susiecrow under Dance and Academia, What's happening | Tags: ballet, British Society for Eighteenth-Century Studies, Daniel Applebaum, Edmund de Waal, Final Bow for Yellow Face, Georgina Pazcoguin, Hannah Lim, Instruments of Time and Truth, Katie Scott, Matt Smith, Meredith Martin, Phil Chan, Sarah Howe, The Teapot Prince, TORCH, Tyler Hanes, Waddesdon Manor |Leave a Comment
The Teapot Prince will be performed in the fairy-tale grounds of Waddesdon Manor before exploring the Manor after-hours. Be enchanted by this contemporary reimagining of the lost eighteenth-century French Ballet des Porcelaines – The Teapot Prince, bringing to life a story of magic, desire and exotic entanglement. Originally staged in a château near Paris, this is the first production of the ballet in nearly 300 years; it has been created by Meredith Martin, professor of art history at New York University, and Phil Chan, choreographer and co-founder of Final Bow for Yellowface, in collaboration with The Oxford Research Centre for the Humanities (TORCH) and the British Society for Eighteenth-Century Studies. The production features an all-star cast with New York City Ballet soloists Georgina Pazcoguin and Daniel Applebaum, alongside Broadway phenomenon Tyler Hanes, and the original score will be played live by the Oxford orchestra Instruments of Time and Truth.
The Teapot Prince is based on an Orientalist fairy tale about a sorcerer who lives on a ‘Blue Island’ and transforms anyone who dares to trespass into porcelain cups, vases, and other wares. When the sorcerer turns the eponymous prince into a teapot, his lover, the princess comes to his rescue…
Performances: Thursday 16 and Friday 17 June 2022, 6.00pm
Venue: Waddesdon Manor, Aylesbury, Bucks, HP18 0JH
Tickets: Adult £32, Child £16 Ticket includes access to the Manor’s west galleries & a talk by the ballet company
Book your ticket here: https://waddesdontest.seetickets.com/timeslot/the-teapot-prince
Porcelain, Chinoiserie and Dance: The Teapot Prince comes to Oxford
Friday 17 June 2022 , 10.15am-1.30pm
Linbury Room, Worcester College, Oxford
Three panels of creative artists and academics discuss the porcelain ballet, The Teapot Prince, as part of its world tour as it stops at Waddesdon Manor (16 and 17 June) en route from New York to Naples, Brighton and Paris.
Panel members: choreographer, Phil Chan, founder of Final Bow for Yellow Face; Meredith Martin, art historian and co-creator with Phil Chan, of The Teapot Prince; artist, Hannah Lim; poet and academic, Sarah Howe; ceramicist, Matt Smith; writer and ceramicist, Edmund de Waal; and art historian, Katie Scott.
Please register your place here