Oxford Dance Forum presents Dance Scratch Night, at the Old Fire Station (OFS), Oxford, 5th October 2022 – Maggie Watson reports

The Oxford Dance Forum (ODF) Scratch Night was an opportunity for four choreographers to try out newly created dances in front of an audience.  Nathan Grassi introduced each work on behalf of ODF, and skilfully moderated the feedback discussions that followed each performance.

The evening started with a fragment from Andy Solway’s extended work 66 Dances, with which he plans to mark his sixty-sixth birthday over the course of two days at Littlemore Church in December.  Eight dancers, alongside musicians Malcolm Atkins and Paul Medley, presented an improvisation that included danced responses to haikus by Erica Ison, which were written on pieces of paper that were pinned to the back curtain and selected at random.  Imagery from the first haiku inspired a duet in which the dancers circled each other like birds.  Solway and Jenny Parrott responded to the second haiku with movement that conjured up the sense of dripping water; I could almost feel the rain splashing onto Parrott’s head and neck.

 

SpinDrift: Helen Edwards and Oxford Improvisers, Arts at the Old Fire Station 22nd February 2022

Spindrift is a special early evening event in the cafe of the Old Fire Station combining free improvisation by musicians of Oxford Improvisers and dance with special guest Helen Edwards.

Helen Edwards is an Oxford based dancer, artist and arts psychotherapist. She has studied Butoh and Amerta Movement in Indonesia, Japan, Europe and the UK. Helen will perform a solo piece of her own devising (Finding Stone) and also dance in duo with fellow Oxford-based dancer Lizzy Spight.

The evening will present a new piece for improvising musicians and dancers devised by Lawrence Casserley, a larger group piece by Paul Medley, and a piece by Bruno Guastalla using maqam techniques, for loutar and sinewaves.

Programme:

Siròc for loutar with sine waves performed by Bruno Guastalla

Finding Stone solo dance by Helen Edwards with musical accompaniment by Martin Hackett, Philipp Wachsmann, Paul Medley

HIPPO devised by Lawrence Casserley. Dancers: Helen Edwards and Lizzy Spight. Musicians: Lisa Reim, Chris Stubbs, Pete Watson. The five greatest threats to biodiversity can be summarized by the “HIPPO” acronym: (1) Habitat loss, (2) Invasives, (3) Pollution, (4) Population, and (5) Overexploitation. The score consists of five graphic images, which are drawn from some of the most endangered environments on earth: grasslands, oceans, broadleaf forest, arctic regions, Aral Sea.

Spindrift devised by Paul Medley for solo players and small groups

Squall, a text piece devised by Mark Browne for improvisers, that considers some of the many and diverse aspects of large bodies of water.

Performers:

Dancers: Helen Edwards, Lizzy Spight
Musicians: Andrew West, Chris Stubbs, Bruno Guastalla, Lisa Reim, Martin Hackett, Lawrence Casserley, Chris Dammers, Mark Browne, Pete Watson, Philipp Wachsmann, Dan Goren, Lizzy Spight, Paul Medley.

Date: Tuesday 22nd February 6.30pm

Venue: Old Fire Station Cafe, 40 George Street, Oxford OX1 2AQ

Tickets: on the door.

Find out more about Helen Edwards here

Find out more about Oxford Improvisers here

Find out about Lizzy Spight here

 

MUE in Contrasts at St Columba’s Oxford Saturday 5th April

An evening of many delights beckons next Saturday 5th April at an unusual Oxford venue, St Columba’s Church.  Oxford based company MUE (dance/sound/light) join forces with French melodeon stars Emmanuel Pariselle and Christian Maes in concert.

 

DEC in Luminous Shadows at the Old Fire Station 23rd May 2013 – Paul Medley reviews

The intimacy of the auditorium combined with the technical range of the Old Fire Station theatre make it an excellent venue for the DEC Project. DEC’s unique combination of dance, music and real-time visual art, with significant elements of improvisation, make heavy demands on set-up and technology. In their performance at the Old Fire Station on Friday all three elements of the performance worked together from the audience perspective. The musicians, Malcolm Atkins and Bruno Guastalla, were visible but not imposing on any sight lines, the three artists, Clare Bassett, Kassandra Isaacson and Susan Moxley, were sitting centrally, visible but not within the performance area thus leaving the stage free for the two dancers, Ana Barbour and Susie Crow.