During the fascinating discussion between Professor Susan Jones and Professor Mark Franko, in celebration of the publication of this book, held for DANSOX members via Zoom in November 2020,[1] Franko says: “I worry that the Occupation chapter is overpowering the book”, because the critical responses received thus far, had only written about that chapter. I will attempt to review more of Franko’s tour de force than this chapter, although it is rich with new archival material which uncovers much about the relationship between Serge Lifar at the Paris Opera and the Nazi Occupation.

Franko runs the major theme of the baroque in neoclassicism in ballet, through the body of Serge Lifar, throughout his book. He dissects the French baroque of the seventeenth century and the German baroque of the eighteenth century, their similarities and differences, their nationalist links and how they are reflected in Lifar’s ballets at different stages of Lifar’s career in Paris (1929-1958).

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Following on from his fascinating presentation for DANSOX in 2015 on The Fascist Legs of Serge Lifar, internationally renowned dance scholar Professor Mark Franko of Temple University USA returns to St Hilda’s College to deliver a guest seminar which will examine how neoclassicism was theorized in French ballet during the 1930s.  Don’t miss this opportunity to hear about the further development of Professor Franko’s thought provoking research.

Date:  Friday 2nd June 5.30-7.00pm

Venue:  Jacqueline du Pré Building, St Hilda’s College, Cowley Place, Oxford OX4 1DY

Tickets:  This event is free and open to all and will be followed by refreshments.  However please book online here

Find out more about Dance Scholarship Oxford (DANSOX) and its ongoing programme here

Read Susanna Reece’s report for Oxford Dance Writers of Professor Franko’s talk on The Fascist Legs of Serge Lifar here