Richard Alston Dance Company opened their show at the New Theatre, Oxford with Martin Lawrance’s energetic and fast paced creation Detour, which was followed by six pieces by Alston himself. Lawrance leaves interpretation to the audience: according to the programme, he named his piece because he started with one idea, which changed as he worked, but he leaves it to the dance to reveal what those ideas were. Performed to a recorded marimba and percussion soundtrack, its zippy pirouettes and sharp split jetés interspersed with leaps into dramatic embraces displayed the company’s virtuosity, while suggesting an underlying theme of conflict.

Richard Alston’s own programme notes offer more clues to the thoughts, images, and circumstances that lie behind his dances. (more…)

Last week, Richard Alston Dance Company brought Oxford Playhouse a programme that was all about surprising encounters: tango and contemporary dance; Britten and Purcell; Scarlatti and Andalusia; Indian and Western classicism.

The evening opened with Martin Lawrance’s Tangent, a clever take on tango for four couples, set to Piazzolla’s Las Cuatro Estaciones Porteñas, which was played at the grand piano on stage by Jason Ridgway. Lawrance uses steps such as picked up foot-crossing walks, sharp changes of direction and occasional close holds to hint at tango, but this contemporary dance piece is not at all like ‘Strictly’, although there is plenty of spectacle. (more…)