The 18 years since the first performance of Matthew Bourne’s Swan Lake have seen changes to the social and legal environment for homosexual relationships.  There is still plenty of prejudice among some people, but the open portrayal of a same sex relationship on stage lacks the power to shock the sort of audience that goes to Sadler’s Wells today.  All the more credit then to Matthew Bourne, for a creation that still stands as a strong dramatic dance work, and which tells a story on two levels; the narrative and the psychological. (more…)

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