Rick Guest’s What Lies Beneath strips away the glamour from the dancer’s life and yet this exhibition in the gleaming white gallery at the Hospital Club is magnificently glamorous. Guest captures his subjects against luminous blue backgrounds in larger than life portraits that show the physical and psychological strain that lies behind every performance. He has allowed the dancers to reveal themselves as they wish, whether that is confident and in control, hesitant and uncertain or contemplative. They wear battered old practice clothes, their skin is scratched and bruised, and they have bunions, moles and body hair. There is a tension between the perfection and yet imperfection of their extraordinarily beautiful bodies. (more…)
January 24, 2016
What Lies Beneath: photographic portraits of dancers by Rick Guest, Hospital Club Gallery, 22- 31 January 2016 – Maggie Watson reviews
Posted by susiecrow under reviews | Tags: Edward Watson, Eric Underwood, Hikaru Kobayashi, Hospital Club Gallery, Julia Weiss, Marianela Nuñez, Melissa Hamilton, Nicholas Bodych, Olivia Cowley, photo portraits, Rick Guest, Sarah Lamb, Semperoper Ballett, Sergei Polunin, Tamara Rojo, What Lies Beneath, Zarina Stahnke |[2] Comments
December 31, 2015
The Language of the Soul: photographs by Rick Guest
Posted by susiecrow under What's happening | Tags: Christopher Wheeldon, dance photography, Edward Watson, Kevin O'Hare, Liam Scarlett, Marianela Nuñez, Melissa Hamilton, Nehemiah Kish, Olivia Pomp, Rick Guest, Sarah Lamb, Sergei Polunin, Steven McRae, Tamara Rojo, The Hospital Club Gallery, The Language of the Soul, Wayne McGregor, Zenaida Yanowsky |1 Comment
The Language of the Soul by photographer Rick Guest features images from his 2014 Exhibition at The Hospital Club Gallery, as well as many more in the series. Working in collaboration with stylist Olivia Pomp, and featuring such luminary dancers as Edward Watson, Tamara Rojo, Marianela Nuñez, Steven McRae, Sarah Lamb, Sergei Polunin, Zenaida Yanowsky, Nehemiah Kish and Melissa Hamilton, it also includes portraits of Wayne McGregor, Kevin O’Hare, Liam Scarlett and Christopher Wheeldon. With a foreword by Kevin O’Hare, Director of The Royal Ballet, this book is in a limited first run of 1000 copies, exquisitely printed by PUSH Print, and is in a large format, 300mm x 370mm.
Rick Guest writes:
“Ballet as an art form has always been a collaborative medium, whereby composers, orchestras, choreographers, dancers, artists and impresarios have come together to create something new, something greater than the individual elements. With this in mind, I have deliberately turned away from using photography to document dance as it’s staged for the audience, as important as that is. Instead, I have concentrated on the bringing together of three separate disciplines, that of photography, fashion and dance, in an attempt to create something new and singular.
Away from the constraints of stage, role and costume, the dancers are able to demonstrate their breathtaking capabilities in an uninhibited atmosphere, one that ultimately leads to a purer portrait of the dancers themselves. These images aim to illustrate the key tenets of balletic technique; balance, strength and poise. They are lit and photographed to enhance each dancers’ power and beauty, both physical and emotional, and the images are infused with a fashion edge that is at the same time evocative and playful.”
The Language of the Soul is available from the 15th December 2015 from rg-books.com
Further work can be viewed at rg-dance.com
December 20, 2012
Royal Ballet’s The Nutcracker broadcast – Maggie Watson reviews
Posted by susiecrow under reviews | Tags: Christopher Carr, Gary Avis, Johnny Randall, Meghean Grace Hinkis, Melissa Hamilton, Phoenix Cinema Oxford, Roberta Marquez, Royal Ballet, Stephen McRae, The Nutcracker |Leave a Comment
Royal Ballet Nutcracker, broadcast live to the Phoenix Cinema, Oxford. Thursday 13 December 2012
This was the most enjoyable ROH – to- cinema transmission that I’ve seen. The children among the regular ballet audience gave the auditorium the buzz that’s sometimes lacking, and it was fun to be able to see detailed acting in the party scene close-up (not to mention Drosselmeyer’s magic tricks, which for the slightly myopic work better on screen than from the back of the Amphitheatre). (more…)