Dance and Academia presents another thought-provoking seminar in its current series, which continues the theme What is Dance without an Audience?, following three seminars in 2017/18 exploring diverse perspectives from the dance world and beyond.  Convened by dance dramaturg Miranda Laurence, this evening includes presentations by Cathy Seago (University of Winchester) and Lizzie Sykes (University of Bournemouth), and by Lise Smith:

A Somatic Lens

Lizzie Sykes (screen-based artist) and Cathy Seago (dance artist) have been working collaboratively to generate work by asking somatic and filmic questions about content and presentation. We are exploring the nature, impact and materiality of the ‘screen’ and the ‘lens’ in mediating emergent work that has potentially live and digitised elements. Responding organically to site and place via a somatic and kinetic focus we have questioned the spectator’s role and impact on the work at different stages – be they live, mobile, choice-making, unsuspecting, distanced, imagined, and/or literate in particular codes. This presentation will share some of the questions, processes and findings about presence, perspective and environment for dance/ film audiences.

The Critic as Audience Member: reflecting on the role of the reviewer

We often think about the relationship between a Theatre reviewer and the artist reviewed or the work presented. But what about the critic as audience member? How does a critic’s place in the audience reflect and impact in their experience of a performance? How do they speak for, to and on behalf of the watching audience? And why does it sometimes feel like the reviewer and the rest of the audience have just watched two completely different works? Dr Lise Smith (often a reviewer, frequently an audience member, mostly a producer and sometimes a performer) opens these and other questions to discussion.

Date:  Thursday 1st November 2018, 6-8pm
Venue:  St Aldate’s Room, Town Hall, St Aldate’s, Oxford OX1 1BX
Tickets: £6 (pay cash on the door – please bring exact money if possible)
Reserve a place by emailing miranda@mirandalaurence.co.uk. Places are limited.

Dance & Academia: Moving the Boundaries is an Oxford-based project set up in 2007 and run by dance dramaturg Miranda Laurence. The project aims to facilitate dialogue between practitioners, academics in any field, and lay people, who have an interest in any aspect of dance or movement.
Oxford is a city with a rich academic heritage and is also host to a strong community of professional dance practitioners. Dance & Academia aims to be a genuinely interdisciplinary platform where intersections between research and practice in dance can be explored. The group welcomes everyone regardless of background, and intends to be an egalitarian space respecting and exchanging all kinds of different ways of knowing.
More information available here.

Dance & Academia is supported by Dancin’ Oxford festival.

Advertisements