Motion & Meaning presented by DANSOX and the Liveness, Hybridity & Noise Series has been an exciting multi-disciplinary collaboration between dancers, choreographers, composers, instrumentalists and audio-visual artists facilitated by a week-long residency at St Hilda’s College. The project culminated last Friday in a ‘showing’ of the work in progress, alongside an exhibition by artist Simon Klein and sculptor Guillaume Klein. Open rehearsals on Wednesday and Thursday last week revealed some of the opportunities and challenges intrinsic to truly collaborative work: the importance of grace and generosity in allowing other artists in different media sufficient time and space; the need for mutual respect, and the courteous adjustments to be made to accommodate different etiquettes and conventions. (more…)
July 15, 2018
Motion & Meaning, St Hilda’s College Oxford Friday 6 July 2018 – Maggie Watson reports
Posted by susiecrow under Dance and Academia, reviews | Tags: Anna Appleby, Anton van Houten, collaborative arts, contemporary dance, CUE, DANSOX, Ensemble Klang, Estela Merlos, Grim’s Ditch, Guillaume Klein, How many eyes do we have then being two..., Jacqueline du Pré Music Building, Joel Baldwin, Jonathan Bonny, Joseph Currie, Liam Riddick, Liveness Hybridity and Noise Series, Maggie Watson, Malgorzata Dzierzon, Michaela Riener, Motion and Meaning, Patricia Okenwa, Piedad Albarracin Seiquer, Simon Klein, Sophie Sparkes, St Hilda's College Oxford |Leave a Comment