Vibrant, colourful and humorous, English National Ballet’s Coppélia is a delightful entertainment. On Tuesday evening Tamara Rojo was a witty and astute Swanilda who was well aware that her fiancé Franz (Yonah Acosta) could not resist chatting up a new girl in town. Michael Coleman’s Dr Coppélius was a doddery and at times almost endearing, old man; a quack scientist whose experiments were fantastic rather than sinister. If he lived today, he would probably be manufacturing phoney diet pills for the naïve and gullible. (more…)

The English National Ballet Company under the artistic direction of Tamara Rojo arrived in Oxford for five days of performances at The New Theatre. Its offering was Kenneth MacMillan’s re-imagining of the great master Marius Petipa’s choreography for The Sleeping Beauty. In so many important ways the 22nd February performance I saw did not disappoint: the technical prowess of not only the principle dancers, but the well-trained corps de ballet was impressive; the Nicholas Georgiadis costumes were crisp and sumptuous; and the Tchaikovsky score paced at a galloping speed while not missing the moments of winsome beauty in waltz sequences and delicacy in moments of syncopated choreography.  But there are some caveats as well as some moments of special enjoyment. (more…)