Kally Lloyd-Jones’ Lady Macbeth: unsex me here is a riveting exploration of the psychology of Lady Macbeth, which both moves and shocks, exposing the vulnerabilities that lie beneath the face of evil. The work opens with three men, seated at their dressing tables, one behind the other across the back of the stage, preparing their makeup. A long white nightgown hangs beside each mirror, and we know that they are transforming themselves from man to woman. As in Nijinsky’s Last Jump (shown at The North Wall in May this year) Lloyd-Jones blurs the line between preparation and performance and uses simultaneous portrayal of the same character by different performers to illuminate hidden layers of her subject’s personality. (more…)

Advertisements

Following the success last year of Nijinsky’s Last Jump Company Chordelia return to The North Wall for the only performance of their new dance theatre show south of the border.  Lady Macbeth: unsex me here is an exciting and unique piece of dance theatre is created and directed by award winning company Artistic Director Kally Lloyd-Jones and presented in co-production with Solar Bear.

Marking the 400th anniversary of Shakespeare’s death and programmed here as part of Shakespeare Oxford 2016 celebrations, Lady Macbeth: unsex me here explores one of Shakespeare’s most complex women. Ambition, power, guilt, remorse, loss, death. Paralleling Shakespeare’s time, a cast of three male dancers all play Lady Macbeth, exploring the relationship between masculinity and femininity.  Using Shakespeare’s language as the source, British Sign Language is used to create choreography, producing a piece of visceral dance & movement theatre which will reach D/deaf and hearing audiences alike, in different ways.

Kally Lloyd-Jones said, ‘Lady Macbeth is a fascinating character but her story recedes into the background in Shakespeare’s play and I wanted to shine a light on it, colour it in, bring it to the fore. I am sure many people, like me, find themselves fascinated by the BSL interpreters at performances. It is a visual, movement language and I have wanted to explore how that might become a foundation for choreography. I was thrilled when Gerry Ramage, Artistic Director of Solar Bear, loved the idea so much that the company became our invaluable co-producers.  Using Shakespeare’s text as a starting point enabled a process that is part BSL-based choreography, part dance and part physical theatre, as universal visual languages.’

Gerry Ramage, Artistic Director Solar Bear said, ‘Solar Bear is delighted to be working Company Chordelia on Lady Macbeth: unsex me here. This ground-breaking new work, which explores how British Sign Language may be interwoven into the physical language of the piece, continues our journey towards enriching the theatre going experience for D/deaf and hearing audiences alike. It is a stunning, powerful and very moving piece of dance and theatre and we are proud to be associated with it.’

Date:  Wednesday 26th October, 8.00pm

Venue:  The North Wall Arts Centre, South Parade, Oxford OX2 7JN

Tickets:  £16, £13 concessions

Book online here or by telephone: 01865 319450

You can find more information about Company Chordelia here

Read Maggie Watson’s review of Company Chordelia’s previous performance at The North Wall of  Nijinsky’s Last Jump here

We know a great deal, yet very little, about Nijinsky.  The traces of his life, his dancing and his choreography have been used to create biographies, reconstructions, plays, films, novels and documentaries, but we can never, of course, recreate the experience of watching him dance.  Kally Lloyd-Jones’ work addresses a very specific aspect of Nijinsky’s life; his tragic descent into madness.  Nijinsky’s Last Jump asks what happens when someone loses touch with what the rest of the world considers to be reality.

At the start, we encounter Old Nijinsky (James Bryce), confined within a set that represents both the asylum and the theatre (the flowers, the dressing table, the posters), before his younger self (Darren Brownlie) leaps through the window stage right and collapses panting on the floor.  We know from Old Nijinsky’s ports de bras, the costume and the music that this is Le Spectre de la Rose, and throughout the work Lloyd-Jones uses musical references to conjure up instantly the ballets that shaped and punctuated Nijinsky’s life. (more…)

The North Wall is delighted to announce that Scotland-based Company Chordelia will bring Nijinsky’s Last Jump to Oxford as the only English venue on its UK tourAt Edinburgh Fringe Festival 2015, the show gained wide acclaim amongst critics, described by The Guardian as ‘one of the gems of this year’s Edinburgh fringe.’

Created, directed and choreographed by Company Chordelia’s Artistic Director Kally Lloyd-Jones Nijinsky’s Last Jump combines theatre and dance to evoke the legendary 20th Century dancer Vaslav Nijinky’s journey from global success to the desolate isolation of mental illness. As the passionate obsession of the young Nijinsky (Darren Brownlie) comes face to face with the searching inner life of the older Nijinsky (James Bryce), this sharp and tender show portrays a poignant intimacy of genius and madness, youth and age, both the performing and private self.  Inspired by the rhythmic obsession of Nijinsky’s diaries, Young and Old Nijinsky consider their life together, on and off stage, trying to make sense of the loss of self. (more…)