‘As this is my most varied and exciting score,’ declared Sir Arthur Bliss, ‘I am disappointed that it has fallen into oblivion.’ The celebrated British composer and former Master of the Queen’s Music expressed regret within the pages of his autobiography at the disappearance of Adam Zero from the permanent repertoire of The Sadler’s Wells Ballet. However, had Bliss been alive today, he would have revelled in the discovery that his finest ballet composition had served as the inspiration for a contemporary restaging by Sergei Vanaev at the Stadt Theater Bremerhaven, almost seven decades since the production’s 1946 premiere. As the curtain closes on the final performance of Adam Zero in Germany in June, it seems fitting to reflect on the creative lineage of this heritage work and – more significantly – Vanaev’s choreographic achievement in enlivening Bliss’s neglected score. (more…)
June 19, 2015
Reawakening Bliss’s Adam Zero: new Bremerhaven staging by Sergei Vanaev – Michael Byrne reviews
Posted by susiecrow under Dance and Academia, reviews | Tags: Adam Zero, Cristina Commisso, David Drew, Henry Danton, Joshua Limmer, Karen Sellick, Kimie Nakano, Marc Niemann, Matt Dely, Michael Byrne, Oleksandr Shyryaev, Robert Helpmann, Sergei Vanaev, Shang-Jen Yuan, Sir Arthur Bliss, Stadt Theater Bremerhaven, Voldymyr Fomenko |Leave a Comment