Swan Lake remains at the heart of the classical ballet repertoire. Its choreography by Marius Petipa and music by Tchaikovsky have ensured its place in any dance company worth its claim to pre-eminence. And the music’s 19th century blend of the classical with the romantic has ensured audiences with a love of great music if only a passing interest in dance. Nevertheless, it has to be said that the growth of contemporary choreography and the increased number of smaller dance companies have rather reduced the appetites of both dancers and audiences for this extremely demanding, long, old, and often tired ballet. I include myself among those who have felt they had seen enough Swan Lakes to happily miss the next one. It is with this in mind that I say how suddenly I have been swept off my feet and made to believe again in the evergreen nature of the work, its music, its potential for surprise. (more…)

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