Nocturne is a unique collaboration between classical musicians and Joëlle Pappas Projects which fuses unusual French music and expressive contemporary dance, in a way that enhances and enlarges the audience’s experience. The music is far more than a backdrop for the dance; and the dance is far more than an enactment of the music.  See this first in the Ante-Chapel of New College, with further performances in and around Oxford scheduled for early 2020.

A solo dance piece accompanies lyrical live music and song, exploring the dynamic relationship of movement and sound.  Joëlle Pappas performs a new contemporary dance work to Fauré’s Nocturne No 1 and Takemitsu’s Rain Tree Sketch II. She takes inspiration from the life and sculptures of Camille Claudel (1864 – 1943) who, after being Rodin’s talented assistant and muse, spent the last 30 years of her life interned in a psychiatric institution.

Tenor Rory Carver (winner Le Jardin des Voix 2019) performs a sequence of 19th-century French songs with pianist Diana Hinds. The songs include Fauré’s much-loved Clair de Lune (set to poetry by Verlaine), Debussy’s magnificent Le Jet d’Eau (Baudelaire) and finishes with a lovely French gem  L’heure exquise (Verlaine) by Reynaldo Hahn.

Performance:  Thursday 12th December 7.30pm

Venue:  New College Ante-Chapel, Holywell Street, OX1 3BN

Tickets:  £12/£10 available on the door

Find out more about Joëlle Pappas Projects here or on Facebook here

Further performances of Nocturne in 2020:

16th February, 7:30pm (£15) The Abbey in Sutton Courtenay

24th February, 1pm  St Michael at the Northgate, Oxford

1st March, 3pm (£10)  St Nicolas Church, Abingdon (Abbey Chamber Concerts)

On Sunday, Oxford Dance Forum celebrated Evolution, its three-year professional development programme for dance artists, funded by Arts Council England and Oxford City Council. Events were free to attend, but had sold out quickly and I was lucky to catch performances by Jenny Parrott, Naomi Morris, and Joëlle Pappas with musician Christopher Redgate, before a discussion led by dance dramaturg Miranda Laurence.

Jenny Parrott’s part-planned, part-improvised performance of With or without (tea and cake) in the OFS Café created an intimate and friendly atmosphere as she led us through a daydream laced with absurdity and gentle humour, built around ordinary domestic objects (a cup of tea; a ball of wool; a hat …). Initially her props were hidden beneath a cloth but she was visible, then in a neat reversal she removed the cloth so that we could see the objects, before covering her face. It was an enjoyable opening to this part of the afternoon programme. (more…)

In an exciting day at the Old Fire Station sharing the recent work of Oxford dance makers, Oxford Dance Forum (ODF) celebrates its Evolution Programme, acknowledging the end of this productive three year Arts Council England/Oxford City Council funded initiative, and marking the beginning of a new entirely independent phase for Oxford Dance Forum.

In December 2019 Claire Thompson, who has overseen ODF since 2006 as part of her role as Dance Officer for Oxford City Council, will be taking a step back to enable the Forum to become fully artist-led. Claire has been pivotal in fundraising for initiatives that support local dance artists as well as building partnerships both within Oxfordshire and other regions, and ODF members are extremely grateful for her work over the past 13 years, as well as for the contributions of many local dance artists who since 2006 have voluntarily given their time as members of the ODF Steering Group.

ODF’s aim is to support Oxfordshire dance artists in their ongoing research and development as makers, teachers, and performers, so please encourage those you know to come along to this event to celebrate its work to date, or consider donating to the ODF collective to help it to continue supporting Oxford’s vibrant and dynamic dance community.

Screenings of dance films, documentaries and performances will run through the afternoon in the dance studio and foyer alongside performances and sharings of Oxford dance artists’ work, see full programme below.

Date:  Sunday 13th October 1.30-9.00pm

Venue:  The Old Fire Station, 40 George Street, Oxford OX1 2AQ

Tickets:  All tickets are free, but booking is essential.  You can book online for individual events here, or call the Box Office on 01865 263990

as follows:

Mae
1.30pm & 4pm (15 mins) Dance Studio
An informal and intimate opportunity to listen to a specially created podcast by Mae based upon her explorations into creating sound, particularly the use of contact mics, as part of her Evolution funding. Mae will be present to share her feelings on dance experimentation whilst also showing film clips and objects used within the research.

Jenny Parrott, Joëlle Pappas and Christopher Redgate, and Naomi Morris
1.50pm & 4.20pm (1 hour approx) Cafe and Loft
An intriguing and entertaining promenade event of dance, live music, projections, and dialogue that takes place in the Cafe and Loft. Ages 18+ (contains nudity).

Miranda Laurence
3.05pm (45 minutes) Dance Studio
Join Miranda Laurence for a discussion exploring how to watch dance and get more out of it. This talk is open to all – dance makers, regular dance watchers, and those who may have little or no experience of watching dance.

Body Politic, Justice in Motion, Segolene Tarte, Sole Rebel Tap, and Unlock the Chains Collective & Kuumba Nia Arts
6pm (1.5 hours approx) Theatre
A rare opportunity to experience an eclectic mix of works created by 5 Oxford based dance artists and companies, presenting short excerpts in styles ranging from hip hop to butoh, tap to physical theatre, and ballet to performance poetry.

Presented at OVADA by the Contemporary Arts Research Unit (CARU) based at Oxford Brookes University, Body and Music is an evening of dance and music where pianist Késia Decoté will be joined by dancer and choreographer Joëlle Pappas, musician and composer Bruno Guastalla and composer Sarah Westwood to bring you pieces inspired by puppetry, myths, visions, and cable cars.

The evening opens with a new trio piece especially devised for this show, with Késia, Joëlle and Bruno. Késia will also be performing  myths & visions (this will be the last chance to see this much loved solo piano + dance show in central Oxford).  The programme also includes Joëlle and Bruno’s Traits, commissioned for this year’s Dancin’ Oxford Festival, and a new work for piano and electronics by Sarah.  See full details of the programme below.  (more…)

“Spring is coming…” I wrote in posting an advance round-up of performance and other events for this year’s edition of Dancin’ Oxford Festival 1st – 11th March 2018. It would perhaps have been more appropriate to post “Winter is coming…” as the arrival of the “Beast from the East” took some casualties in the first weekend of programming. Heavy snowfall and consequent travel disruption led to the postponement to a later date (to be announced) of the one day Dance and Academia conference, with several guest speakers unable to get there. That same day (Saturday 3rd March) Company Chameleon’s performance at Pegasus Theatre was also cancelled.

Other companies who had arrived in Oxford a day or two earlier before the snow were able to continue with scheduled performances in true “the show must go on” style, and with encouragingly healthy audiences. At the end of Theatre Ad Infinitum’s Friday evening performance of Odyssey at The North Wall, performer George Mann gave a heartfelt thanks to those that had made it. I found this lively retelling of Homer’s great story of journey and homecoming well worth crunching through silent snowy streets for. (more…)

Spring is coming, and with it Oxford’s very own festival of dance Dancin’ Oxford in its 2018 edition.  Lots of fascinating peformances to come with an emphasis on physical theatre and storytelling as well as some tantalising workshops and taster sessions.  See below for Oxford Dance Writers list of performance events and dates in Oxford with links to further information and booking details.  Check out the Dancin’ Oxford website for details of additional performances in Didcot and Banbury, as well as workshops and classes and the Dance and Academia conference. (more…)

Imaginative and talented pianist Késia Decoté invites all to her PhD final show myths and visions at Oxford Brookes University:

Myths and visions will be a piano/body performance of pieces for extended piano techniques, a journey to imaginary worlds of myths and illusory images.  It will include works by composers Henry Cowell, John Cage, Marisa Rezende and João de Sousa Carvalho.

There will be three sessions: 21st (9.15pm), 22nd (7.25pm) and 23rd June (6.00pm) in Oxford.  Please find more information on my website: https://kesiadecote.wordpress.com/2017/05/29/myths-visions-piano-body-performance/

Please book your seats well in advance (there are only 12 seats per session) by emailing me at kesiadecote@gmail.com

In your booking I will give you personalised information about meeting point and about the performance itself (there are some moments that you will be asked to move from one place to another, but that will be nice and easy, I promise 🙂 )

I have the honour to have Joëlle Pappas as my movement director in this project, and the amazing support of Oxford Brookes Sonic Art Research Unit SARU.  My PhD research has been kindly sponsored by CNPq – Brazil.

I will be delighted to have you with me in this culmination of a journey!”