Coming to the area for the first time, Images Ballet Company is proud to present a programme of entertaining dance, reflecting the diversity and beauty of Ballet today, that will appeal both to ballet lovers and those new to dance.  Directed by Jennifer Jackson, Images Ballet Company is one of four touring 3rd year companies from major vocational school London Studio Centre. The aspiring professionals of the company take centre stage to showcase theatrical and vibrant ballet with stylish costumes and a rich musical palette.

Working with Images for her third successive year, acclaimed choreographer Morgann Runacre-Temple has re-created Mozart’s Women: The Kingdom of Back, her exquisitely detailed portrait of three women in Mozart’s life, with a new cast. Bim Malcomson explores of the humour of being human.  Former Royal Ballet and Rambert soloist, Hubert Essakow presents encounters between live music and dance, while Royal Ballet artist Erico Montes’ choreography and process has richly enhanced the dancers’ feeling for flow and epaulement.

Music is central to this year’s show.  Viola and guitar duo Elliott Perks and Tom Ellis have arranged Schumann’s Marchenbilder to be played live for Cut Out, Hubert Essakow’s dances with space and gravity.  Bim Malcomson has used music from Joby Talbot’s Alice’s Adventures in Wonderland for Red Queen Brouhaha, her witty exploration of ideas from Lewis Carroll’s imaginative world. In the centenary year of votes for women in this country, Erico Montes has been drawn to the music of a little known African American composer, Florence Price, for his Sonata in Colour.

Louie Whitemore and Andrew Ellis have brought their expertise in costume and lighting to finesse the visual landscape.

A note from Artistic Director, Jennifer Jackson;

“The dancers you see tonight specialise in classical ballet in their professional training at London Studio Centre. Three second year students are joining the graduating class on tour and all have been involved in working with choreographers, designers, musicians, production staff, repetiteurs and teachers over the past three months to create the programme. Each ballet grows from a unique creative process through which the dancers develop as versatile collaborative artists, honing professional skills that are required to meet the diverse expressive and performative demands of the ballet today. It is a great privilege to work with these artists and alongside the excellent educators at London Studio Centre. I am hugely thankful for their contributions and support of Images’ work and our exploration of ballet as creative artistic practice.”

Performance:  Wednesday 13th June, 7.30pm

Venue:  Cornerstone Arts Centre, 25 Station Road, Didcot OX11 7NE

Tickets:  Book online here, or call the Box Office on 01235 515144

Find out more about Images Ballet Company here

About London Studio Centre:

Founded in 1978 by Bridget Espinosa, London Studio Centre offers a comprehensive Theatre Dance Course for students who are dedicated to the pursuit of excellence in all aspects of the theatre. LSC is thrilled to announce the validation of its enhanced Theatre Dance course, which continues to offer students a broad and versatile training but further allows students to specialise in Classical Ballet, Contemporary Dance, Jazz Dance or Music Theatre.

Graduate students have embarked on successful careers, joining companies such as Rambert Dance Company, Matthew Bourne’s New Adventures, Michael Clark Company, Richard Alston Dance Company, Henri Oguike Dance Company, Phoenix Dance Theatre, The Royal Ballet, English National Ballet, Scottish Ballet, Spirit of the Dance, JazzXchange, Stomp, ZooNation, the Royal Shakespeare Company and Royal National Theatre, as well as performing on Broadway and the West End in musicals including Wicked, Chicago, Matilda, Hamilton and Cats.

Many students have also worked on numerous television programmes and films and in the commercial sector. Many graduates also are working as independent, creative artists in dance and theatre.

Find out more about the school here

 

Advertisements

It is a great privilege to see one of the great ballets of the 21st century so early in its history. I did not witness the original production of Tchaikovsky’s Swan Lake, nor of The Rite of Spring; but I have seen the very first production of Christopher Wheeldon’s The Winter’s Tale and that is a truly special thing.

To explain why this particular ballet is so special is very difficult. It was danced beautifully of course, to a standard of excellence which we have come to expect from the Royal Ballet, and the costuming and scenery were meticulous, as they so often are. And yet, I have struggled immensely to write this review. In desperate times I draw on my old friend, cliché: words cannot begin to describe the exquisite nature of this ballet; it has to be seen to be believed! (more…)

For an Easter holiday treat why not take the family to see the live screeening of the Royal Ballet in Alice’s Adventures in Wonderland at the Phoenix Picturehouse?  Those familiar with Lewis Carroll’s literary menagerie of colourful characters will enjoy the clarity with which Christopher Wheeldon portrays them in dance in this imaginative recent ballet, a feast of colour, music and choreography. (more…)

Viscera/Infra/Fool’s Paradise Royal Ballet Mixed Bill, Saturday 3rd November 2012

This triple bill opened with Viscera, a work originally created on Miami City Ballet and presented for the first time by the Royal Ballet. Choreographed by the newly appointed Artist in Residence Liam Scarlett to Lowell Liebermann’s Piano Concerto No.1 this was a thrilling, exhilarating ballet. (more…)