Cut and RunChoreographer: Martin Lawrance

The fierce cut and jib of this work was evident from the first moment: music and movement battled for dominance, both rhythmic and rigorous. The choreography had a disjointed quality; the many pauses – some fleeting and others broad – prevented a sense of fluid motion. However this suited the music, which had pounding yet uneven rhythms and was often a cacophony of sound. The dancers rarely moved together; instead they seemed to fight, to exist alone, and to defy and reject each other. The level of technical command was impressive: each movement (or sudden stillness) was precise and controlled, and the dancers negotiated dizzying transitions between standing, lying, rolling and turning. (more…)


Richard Alston Dance Company returned to Oxford this week for one evening at the New Theatre. The programme opened with Martin Lawrance’s Cut and Run, to music by Michael Gordon and Damian LeGassick for ten dancers dressed in ‘urban wear’ with metallic decoration that glinted in the dim light. Starting and stopping, dodging and colliding, they broke out of the purple patch of illumination that seemed at first to confine them, and spread across the darkened stage. An interval of silence, then the lights changed to orange, adding a fresh sense of urgency to their frantic race, until the work concluded, with the dancers once more bathed in a purple glow. (more…)