Two love triangles, one man obsessed with another’s wife, death, murder and endless parties:  what could possibly go wrong?  Northern Ballet’s production of The Great Gatsby shows how difficult it is to construct a narrative ballet.

There was plenty to enjoy: not least the dancers’ vibrant energy, secure balances, zippy turns, sharp footwork and yearning adagio.  There were glorious moments, when Martha Leebolt (Daisy) rippled across the stage in whirling chainés turns, or Tobias Batley (Gatsby) and Giuliano Contadini (Carraway) tossed her into the air so that she flew between them like a bird, her feet beating the air. (more…)