Another live transmission of masterworks from the Royal Ballet‘s historic repertoire coming up shortly at Oxford’s Phoenix Picturehouse, essential viewing for ballet lovers.  This gorgeous mixed programme, part of celebrations of the company’s 70 years of residency at the Royal Opera House Covent Garden, demonstrates the great creative vision of Frederick Ashton, Founder Choreographer of The Royal Ballet.  The Dream is Ashton’s adaptation of Shakespeare’s riotous comedy in which a forest sprite plays havoc, armed with a love potion.  Symphonic Variations was Ashton’s first work after World War II, and one of the Company’s first to be performed on the huge main stage of the Royal Opera House, in 1946. With six dancers performing a series of quartets, duets, sextets and solos to Cesar Franck’s brooding Variations symphoniques, this seminal masterpiece celebrates the pure beauty of movement.  Marguerite and Armand is Ashton’s beautiful and emotional retelling of a well-known story, familiar to us through Verdi’s opera La traviata.  Ashton famously created this poignant ballet on Margot Fonteyn and Rudolf Nureyev in 1963.

Date:  Wednesday 7th June 2017, 7.15pm

Venue:  Phoenix Picturehouse, 57 Walton Street, Oxford OX2 6AE

Tickets:  Adults £22, student or retired £17.50, child £10, family ticket for four £64

Book online here or call 0871 902 5736

This transmission will also be screened at The Vue Cinema, Kassam Stadium, details available here and at the Odeon Magdalen Street, details here

Advertisements

Described by the Times as a “choreographer for whom every dance is a love affair with his chosen music”, Richard Alston brings his acclaimed company back to Oxford’s Playhouse with a stunning mixed bill.  Alston’s superbly skilled choreography combines three pieces of music by Benjamin Britten and three very different poets.  Rejoice in the Lamb is danced to Britten’s joyous setting of the fervent words of Christopher Smart. Hölderlin Fragments is inspired by Friedrich Hölderlin’s enigmatic lyrics, and Illuminations paints a vivid picture of the wild young genius and misfit Arthur Rimbaud.

In addition to the trio of Britten pieces, the bill is completed by Associate Choreographer Martin Lawrance’s latest piece, Burning, which is as passionate and turbulent as its music, the Dante Sonata of Franz Liszt, played live on stage. (more…)