Backstage at the Ballet, an exhibition of photographs by Colin Jones, opened yesterday 11th February with a well-researched and entertaining presentation by Jane Pritchard, Curator of Dance at the Victoria &  Albert Museum, on Photographing Dance and Dancers.  Pritchard spoke interestingly and informatively about dancer-turned-photographer Colin Jones, the history of dance photography, and Jones’ photo-journalism, focusing on his work with dancers.  She drew attention to the wealth of social and historical information in his images, from evidence of the terrible quality of studio floors in the 1960s, to the way in which dancers used to spend their ‘down time’ knitting before there were mobile phones. (more…)

liminal /ˈlɪmɪn(ə)l/ (adj.)
Relating to a transitional or initial stage of a process.
Occupying a position at, or on both sides of, a boundary or threshold

At the winter solstice, as the earth tilts fractionally once more towards the sun, in the glimmering pre-dawn stillness, at the moment before waking when the dream dissolves, or just before sleep as the moorings of consciousness are let slip, or as the last breath leaves the body and the soul drifts away, or at the point when the old order is left behind and the new is all ahead – these liminal states and the possibilities they suggest are explored in Café Reason Butoh Dance Theatre‘s new, part-improvised show Limina.

With this theme of beginnings and endings, transition, and duality, the company looks back to its past and forward to its future, with a ‘cabaret-style’ performance that offers an eclectic mix of reimagined early work and fresh choreography from newer members – a dreamlike series of short butoh-inspired pieces, combined with live music and video. Long-term collaborators Malcolm Atkins, Bruno Guastalla, and Pete McPhail will provide an exciting and original musical interpretation. (more…)

Photographer Rick Guest‘s latest publication What Lies Beneath accompanies the exhibition of the same name to be held at the Hospital Club Gallery in January 2016.  Featuring an incredible range of companies such as The Royal Ballet, The English National Ballet, The Richard Alston Dance Company, The Dresden Semperoper, The Royal Danish Ballet and Wayne McGregor Random Dance, it includes images of dancers such as Alban Lendorf, Tamara Rojo, Sergei Polunin, Sarah Lamb, Steven McRae, Zenaida Yanowsky, Edward Watson, Olivia Cowley, Nehemiah Kish, Hikaru Kobayashi, Federico Bonelli, and Yuhui Choe.  With a foreword by Tamara Rojo, Director and Lead Principal of the English National Ballet and an incisive essay by Sarah Crompton, this book is in a limited first run of 1000 copies, exquisitely printed by PUSH Print, and is in a large format, 300mm x 370mm.

Rick Guest writes:

“I wanted to make a series of portraits of the dancers themselves, as opposed to dancers dancing, to show the character that underpins their performance, to see the determination and sacrifice that it takes to succeed at such a high level.  In an art form that deliberately conceals the enormity of effort that goes into its creation, we are not meant to see behind the curtain, but I think that this does a great disservice to the dancers, and that having a sense of what lies beneath both enhances our experience of the performance and leads to a more profound appreciation of the dancer’s essential being.  These portraits are at once beautiful and brutal.”

What Lies Beneath is available from 15th December 2105 from rg-books.com
Further work can be viewed at rg-dance.com

Check out information about Rick Guest’s previous book of photographs The Language of the Soul here

Exhibition What Lies Beneath

Dates:  22nd-31st January 2016

Venue:  The Hospital Club Gallery, 24 Endell Street, London WC2H 9HQ

The Hospital Club Gallery