This wonderful but exasperating documentary film celebrating the art of Rudolf Nureyev almost succeeds both as a work of art in its own right, and as a discussion of the role of dance in mid-twentieth century European history. Although it suffers from too much material and too many ideas for its thematic structure to accommodate, the mode of presentation, which includes the use of dance to embody meaning, is highly original in a documentary format. Magnificent montages of archive film and newly created dance footage overlaid one upon another provide a depth of experience that is sometimes exhausting: watching Russell Maliphant’s choreography, accompanied by Alex Baranowski’s score, while listening to a Russian language interview translated by subtitles is almost overwhelming. (more…)