Motion & Meaning presented by DANSOX and the Liveness, Hybridity & Noise Series has been an exciting multi-disciplinary collaboration between dancers, choreographers, composers, instrumentalists and audio-visual artists facilitated by a week-long residency at St Hilda’s College. The project culminated last Friday in a ‘showing’ of the work in progress, alongside an exhibition by artist Simon Klein and sculptor Guillaume Klein. Open rehearsals on Wednesday and Thursday last week revealed some of the opportunities and challenges intrinsic to truly collaborative work: the importance of grace and generosity in allowing other artists in different media sufficient time and space; the need for mutual respect, and the courteous adjustments to be made to accommodate different etiquettes and conventions. (more…)

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Miranda Laurence is a dramaturg, working mostly with dance makers. In this role she accompanies a director or choreographer during the process of creating a new work, attending to the rhythm of all elements in the piece, and actively noticing responses from the viewer’s perspective.  Miranda is currently undertaking a self-led professional development project in dance dramaturgy funded by Arts Council England.

Here for Oxford Dance Writers Miranda gives a revealing insight into her role in assisting the development of new work within the privacy of the dance studio.

I’m sitting in the faded splendour of Swindon Dance’s main studio, which is adorned with huge vintage mirrors, curlicued window frames and chunky old-fashioned radiators. As usual, I’m tucked away in a corner, sitting on the floor, taking in the size, shape, feel and details of the space around. Out on the floor, two dancers (Thomasin Gülgeç and Estela Merlos) undergo their warm-up, twisting and weaving fluidly through the space, mirroring each other or going off on tangents. I think: “am I earning my money as a dramaturg by watching these dancers warm up? How should I warm myself up?” (more…)

DANSOX and the Liveness, Hybridity & Noise Series join forces for this multi-disciplinary presentation of three new works that stretch the synthetic possibilities of music and dance. Over a four-day residency at St Hilda’s College, one of Holland’s leading contemporary music groups, Ensemble Klang, will be working with three composers from Oxford and a team of leading contemporary dancers and choreographers (Malgorzata Dzierzon, Estela Merlos, Patricia Okenwa, Liam Riddick and Piedad Albarracin Seiquer). ‘Open’ rehearsals will take place each afternoon on 4-5 July (15:00–17:00), as well a fully-staged performance at 19:30 on Friday 6 July (tickets required for all sessions and spaces limited so booking early advised).

CUE by Anna Appleby (Rambert Music Fellow and St Hilda’s alumna) is a quirky and comical piece that plays with the audience’s perceptions of the boundaries between dance and music. Grim’s Ditch by composer Joel Baldwin (St Hilda’s) explores melancholia, politics, artistic expression and meaning through the layering of multimedia, sound and physical motion.  Joel’s work features the talented Austrian vocalist Michaela Riener, whose recent solo engagements include works by Steve Reich, Michael Gordon (with dance company EmioGreco|PC), Louis Andriessen (La Passione, TAO) and Hanns Eisler (with the Asko|Schönberg Ensemble).  Her soloistic capabilities, as well as her experience with Ensemble Klang and numerous early music ensembles, make her the ideal candidate for this central role of Grim’s Ditch.  Joseph Currie (Wadham) investigates different kinds of time in movement, motivated by the structural difference of heartbeats and breaths, alongside ideas about gendered breath and the expressive apparatus behind screaming.  A new instrumental piece for the ensemble, written by former Oxford composer, Sophie Sparkes, will also be premiered at the main performance on Friday evening.

Anna Appleby – CUE
Joel Baldwin – Grim’s Ditch (feat. Michaela Riener – mezzo soprano)
Joseph Currie – How many eyes do we have then, being two…
Sophie Sparkes – new work

Both open rehearsals (3-5pm on 4th and 5th July) and the performance at 7:30pm on 6th July will be livestreamed.

Date(s):  Friday, 6 July 7:30pm
Venue:  Jacqueline du Pré Music Building, St Hilda’s College, Oxford OX4 1DY
Tickets:  £25 (+£5 per open rehearsal session); £15 students (free entry to open rehearsals) Available online here
St. Hilda’s Alumnae Ticket Offer:  There is a 20% discount offer available for the alumnae of St. Hilda’s College to mark the 125th Anniversary of St. Hilda’s College. Please email the Development Office for more information.

You can find more information about this event here